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1 253

Video auch gleichzeitig das direkte Umfeld der kUnstlcrischen Arbeit bildet, fü,tbetisch abzu:-L:tzen.

Abb1/dw1g 4:

Tell No One,

(2010), 0: 17 Dieses Bild wird aus urheberrechtlichen Gründen nicht angezeigt.

Quelle: http://www.youtube.com/watch?v= YTNfSlualJ,:s

Für den Eindruck der bildlichen Schönheit, den das Video von Luke White und Remi Weeks bei der Rezipiennn hinterlässt. ist eine weitere bislang nicht ge­

nannte Form bildrelationaler Bezüge verantwortlich. Das Video zeigt eine frag­

mentarische mise-en-ab

me Dieser Bild-Bild-Bezug ist nicht wie im Falle von interpiktorialen Verfahren durch die Referen7 auf fremde Medienhildlichkeiten oder wie im Falle der Intr3piktorialität durch Bezüge innerhalb der eigenen Medicnbildlichkcic gekennzeichnet. �ondem umschreibt das Verfahren eines Bildes, das sich selbst enthält. In diesem Sinne reproduziert

Seaweed �eine Makromuktur fragmentarisch in der Mikrostruktur. Vor hellem Grund bewegl sich ein mtlnnlicher Protagonist im Raum. wobei seine empor gestreckten Arme und Hände dort scheinbar freischwebende Abdrucke hmterla�­

sen, die sich im Blld\'ordergmnd sukzessive zu einer weiteren Figur im Raum verdichten. Die schwebenden Fragmente dieser zweiten Figur verdoppeln dabei jedoch nicht einfach nur einzelne Momente der Bewegungsabläufe der Grundfi­

gur. Mit einem Wave-Effekt unterlegt lösen ·ic sich von der Grundfigur und scheinen von dieser unabhängige Be\,egungsabläufe zu vollziehen: mal wirken sie gedehnt. dann wieder zusammengezogen. Das Künstlerduo fühn damit in seiner Arbeit die multiplizierten ästhetischen Möglichkeiten zur Bewegungsdar­

stellung im digitalen Bild vor Augen. Das digitale Bild besteht aus einzelnen

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