• Keine Ergebnisse gefunden

Wedgwood 250 (online, 14-15 May 21)

N/A
N/A
Protected

Academic year: 2022

Aktie "Wedgwood 250 (online, 14-15 May 21)"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

Wedgwood 250 (online, 14-15 May 21)

online, Royal Photographic Society & Society for the History of Alchemy and Chemistry, May 14–15, 2021

Michael Pritchard

Wedgwood 250 is an online meeting, organised by the Royal Photographic Society and the Socie- ty for the History of Alchemy and Chemistry, to mark the 250th anniversary of the birth of Tom Wedgwood on 14 May 1771.

Tom Wedgwood, fifth child of the midlands potter Josiah Wedgwood, is now best remembered for his 1802 paper in which he outlined a chemical method of preserving an image. This became widely recognised as major precursor to the development of photography in the 1830s. But Wedg- wood’s short life (he died aged 34 in 1805) encompassed much more. A member of the loosely defined radical romantic movement, he associated with such major figures at William Godwin, Samuel Taylor Coleridge, Thomas Beddoes, Humphry Davy and many others. Speakers at this meeting will discuss these and other aspects of his life and work, as well as his enduring legacy as a founder of photography.

Originally planned as a live event, the meeting will now run online over two afternoons. The full pro- gramme, paper abstracts, speaker biographies and a facsimile of Davy and Wedgwood's 1802 paper will be sent to all registrants shortly before the meeting start.

Registration is now open for this conference.

For more information contact Dr Michael Pritchard (michael@rps.org) or Professor Frank James (frank.james@ucl.ac.uk).

PROGRAMME 14 May 2.00

Tom Wedgwood Opening

2.10

Geoffrey Batchen - keynote

All His Numerous Experiments: Tom Wedgwood and the history of photography 3.00

Break 3.30

(2)

ArtHist.net

2/2

Lucy Lead

Tom Wedgwood: Through the eyes of an archivist 4.10

Michael Gray

Through a Glass Darkly: Thomas Wedgwood's Experiments Reconsidered 4.50

Brian Dolan

Growing Up Wedgwood 5.30

End

15 May 2.00 Tim Fulford

Wedgwood, Beddoes and Davy 2.40

Catrin Jones

Wedgwood, ceramics and the transfer of images 3.20

Break 4.00

Michael Pritchard

'A faint promise of success'. How the photographic press represented Thomas Wedgwood and his experiments in the long nineteenth century

4.40

Rose Teanby

Tom Wedgwood - A Posthumous Portrait 5.20

End

Reference:

CONF: Wedgwood 250 (online, 14-15 May 21). In: ArtHist.net, Apr 30, 2021 (accessed Feb 27, 2022),

<https://arthist.net/archive/33987>.

Referenzen

ÄHNLICHE DOKUMENTE

Corinna Gardner and Johanna Agerman Ross, organisers of this Symposium and the lead curators of the Design 1900-Now Gallery at the V&amp;A, will introduce the day by discussing

Submissions may be scholarly treatments from any methodological point of view of the history, theory, criticism, or pedagogy of photography and related media.. The Society

We are pleased to announce the Zoom workshop on the theme of “QUEERING THE BOUNDARIES OF THE ARTS IN THE SINOSPHERE.” Our workshop aims to investigate the contact zones in

Comité organisateur : Juliette Brack (Université Paris 1 Panthéon-Sorbonne, HiCSA-CHAR), Julie Glodt (Université Paris 1 Panthéon-Sorbonne, HiCSA), Nicolas Sarzeaud (EHESS-CRH,

Keynote talks are by Rebecca Schneider (Brown University) , Pip Laurenson (Tate and Maastricht University), Gabriella Giannachi (University of Exeter), and Barbara Büscher

But at the same time, Tina Campt has asked us to listen to photography, Fred Ritchin has admonished that we study photog- raphy’s virtual lives in social media, and Ariella

Jagiellonian University, Krakow Max Dvořák und das Geistige in der (christlichen) Architektur 15:55–16:15 Rostislav Švácha Czech Academy of Sciences, Prague. Max Dvořák on

Histories of collect- ing have usually been limited to a generalised engagement with the relationship of collector and subject, ignoring gender and how it may impact the results