Film-Musical : eine Arbeitsbibliographie

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Medienwissenschaft / Hamburg: Berichte und Papiere 68 / 2007: Musical.

Copyright und Redaktion dieser Ausgabe: Hans J. Wulff.

Letzte Änderung: 21. Januar 2007.

Film-Musical. Eine Arbeitsbibliographie Komp. v. Hans J. Wulff

Bibliographie

Feuer, Jane: The Hollywood musical. An annotated bibliography. In: Genre: The Musical. Ed.

by Rick Altman. London/Boston: Routledge & Kegan Paul 1981, pp. 208-215.

Monographien und Artikel

Agajanian, Rowana : „Nothing Like Any Previous Musical, British or American“. The Beatles‘ film, A Hard Day‘s Night. In: Windows on the sixties. Exploring key texts of media and culture. Ed. by Anthony Aldgate, James Chapman & Arthur Marwick. London/New York: I.B. Tauris 2000, pp. 91-113.

Altman, Charles F.: The American film musical: paradigmatic structure & mediatory function. In: Wide Angle 2,2, 1978, pp. 1017.

Repr. in: Genre: The Musical. Ed. by Rick Altman. London/Boston: Routledge & Kegan Paul 1981, pp. 197-207.

Altman, Rick (ed.): Genre: The Musical. London/Boston: Routledge & Kegan Paul 1981.

Rev. (Neupert, Richard) in: Velvet Light Trap, 20, Summer 1983, p. 56.

Altman, Rick: The American Film Musical. Bloomington, IN: Indiana University Press 1987, x, 386 pp.

Altman, Rick: The Musical. In: The Oxford History of World Cinema. Ed. by Geoffrey NowellSmith. Oxford: Oxford University Press 1996, pp. 294303.

Altman, Rick: The American Film Musical as DualFocus Narrative. In: Hollywood Musicals.

The Film Reader. Ed. by Steven Cohan. London/New York: Routledge 2002, pp. 4151.

Ames, Chistopher: Movies About the Movies. Hollywood Reflected. Lexington: University of Kentucky Press 1997, pp. 52-79.

Anderson, Tim: Which voice best becomes the property?: tiesups, intertexts, and versioning in the production of My Fair Lady. In: USC Spectator 17,2, 1997, pp. 7491.

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Anderson, Trudy: Why Stalinst musicals? In: Discourse 17,3, Spring 1995, pp. 3848.

Arbuthnot, Lucie / Seneca, Gail: PreText and Text in Gentlemen Prefer Blondes. In:

Hollywood Musicals. The Film Reader. Ed. by Steven Cohan. London/New York: Routledge 2002, pp. 7785.

Arcagni, Simone: Dopo carosello. Il musical cinematografico italiano. Alessandria: Ed.

Falsopiano 2006, 287 pp. (Falsopiano cinema.).

Auster, Al: Gotta sing|: gotta dance| new theory and criticism on the musical. In: Cineaste 11,4, 1983, pp. 3035.

Aylesworth, Thomas G.: History of the Movie Musical. Greenwich/London: Bison/Hamlyn 1984.

Babington, B. / Evans, P.W.: Blue Skies and Silver Linings: Aspects of the Hollywood Musical. Manchester: Manchester University Press 1985.

Babington, Bruce / Evans, Peter William: Blue Skies and Silver Linings: Aspects of the Hollywood Musical. Manchester/Dover: Manchester University Press 1985.

Barrios, Richard: A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press 1995, xii, 493 pp.

Baxter, Joan: Television musicals. Plots, critiques, casts and credits for 222 shows, written for and presented on television, 1944-1996. Jefferson, NC [...]: McFarland 1997, XI, 204 pp.

Beadley, Edwin M.: The First Hollywood Musicals. A critical filmography of 171 features, 1927 through 1932. Jefferson/NC: McFarland 2004.

Belach, Helga [Hrsg.]: Wir tanzen um die Welt. Deutsche Revuefilme 19331945.

Retrospektive 1979 / Internat. Filmfestspiele, Berlin. Hrsg. v.d. Stiftung Deutsche Kinemathek. München/Wien: Hanser 1979, 271 pp.

Bellour, Raymond:. To analyse, to segment. In: Quarterly Review of Film Studies 1,3, Aug.

1976, pp. 331-353.

Neu übers. als: „Segmenting/analyzing“ in: Genre: The Musical. Ed. by Rick Altman.

London/Boston: Routledge & Kegan Paul 1981, pp. 102-133.

Belton, John: The Backstage Musical. In: Movie 24, Spring 1977, pp. 36-42.

Benet, Vicente J.: Remains of the body in the classical Hollywood musical. In: Cinemas:

Revue d’Etudes Cinematographiques 7,1/2, 1996, pp. 151165.

Bidaud, AnneMarie: Le discours ideologique dans la comedie musicaleamericaine. In:

Cinéma 78 C78,236/237, Aug./Sept. 1978, pp. 3860.

Biesty, Patrick: The myth of the playful dancer. In: Studies in Popular Culture 13,1, 1990, pp.

7388.

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Binh, N.T.: La comedie musicale. In: CinémAction, 68 [3], 1993, pp. 2633.

Bizet, J.A.: Le musical américain. In: Cinéma 74, Fév. 1974, pp. 34-55.

Bloom, Ken: Hollywood Song: The Complete Film & Musical Companion. 1.2.3. New York:

Facts On File 1995, xii, 1504 pp.

Bowles, Stephen E.: Cabaret and Nashville: the musical as social comment. In: Journal of Popular Culture 12,3, 1978, pp. 550556.

Bradley, Edwin M.: The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 through 1932. Jefferson, NC: McFarland 1996, xiii, 386 pp.

Rev. (Banfield, Stephen). In: Historical Journal of Film, Radio and Television 19,2, 1999, pp.

267268.

Braudy, Leo: The world in a frame. What we see in films. New York: Anchor/Doubleday 1976.

Enth. ein Kap. über: „Musicals and the energy from within“.

Brion, Patrick: La comédie musicale. Genève: Éd. Liber 1997, 119 pp. (Cinéma.).

Bukatman, Scott: The syncopated city: New York in musical film (19291961). In: USC Spectator 18,1, 1997, pp. 823.

Burton, Jack: The Blue Book of Hollywood Musicals: Songs from the Sound Tracks and the Stars Who Sang Them Since the Birth of the Talkies a QuarterCentury Ago. Watkins Glen, NY: Century House 1969.

Casper, Joseph Andrew: Vincente Minnelli and the film musical. South Brunswick, [N.J.] : A.S. Barnes 1977.

Chion, Michel: La Comédie Musicale. Paris: Cahiers Du Cinéma 2002.

Chaplin, Saul: The Golden Age of Movuie Musicals and Me. Normal, Okl.: University of Oklahoma Press 1994.

Chumo, Peter N., II.: Dance, flexibility, and the renewal of genre in Singin' in the Rain. In:

Cinema Journal 36,1, 1996, pp. 3954.

Clark, John R. / Morris, William E.: Scherzo, forte, and bravura: satire in America's musical theatre. In: Journal of Popular Culture 12,3, 1978, pp. 459481.

Clover, Carol J.: Dancin’ in the Rain. In: Hollywood Musicals. The Film Reader. Ed. by Steve Cohan. London/New York: Routledge 2002, 157173.

Cohan, Steven: ‘Feminizing’ the SongandDance Man: Fred Astaire and the spectacle of masculinity in the Hollywood musical. In: Hollywood Musicals. The Film Reader. Ed. by Steve Cohan. London/New York: Routledge 2002, pp. 87101.

Cohan, Steven (ed.): Hollywood Musicals. The Film Reader. London/New York: Routledge 2002, viii, 212 pp.

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Repr. with corrections 2004, viii, 212 pp. (In Focus : Routledge Film Readers.).

Cohan, Steven: Incongruous Entertainment: Camp, Cultural Value and the MGM Musical.

Duke University Press 2005, viii, 368 pp.

Cohen, Daniel: Musicals. Greenwich, Conn.: Bison Books 1984.

Collins, Jim: Toward defining a matrix of the musical comedy. The place of the spectator within the textual mechanisms. In: Genre: The Musical. Ed. by Rick Altman. London/Boston:

Routledge & Kegan Paul 1981, pp. 134-146.

Collins, Jim M.: The Musical. In: The Handbook of American Film Genres. Ed. by Wes D.

Gehring. Westport: Greenwood Press 1998, pp. 269284.

Conrich, Ian (ed.): Film's musical moments. Edinburgh: Edinburgh University Press 2006, XIII, 226 pp. (Music and the Moving Image.).

Cottrill, Tim: Camera movement in the musical. In: Filament, 3, 1983, pp. 45.

Cutts, John: Bye-bye musicals. In: Films and Filming 10,2, Nov. 1963, pp. 42-45.

Dagneau, G. / Garel, A.: Quelques reflexions sur cinq "musicals" en reedition. In: Révue du Cinéma, 314, Fév. 1977, pp. 8695.

Deer, Harriet / Deer, Irving: Musical comedy: from performer to performance. In: Journal of Popular Culture 12,3, 1978, pp. 406420.

Delamater, Jerome: Performing Arts: The Musical. In: American film genres: Approaches to a critical theory of popular film. Ed. by Stuart Kaminsky. Dayton, Ohio: Pflaum 1974.

Delamater, Jerome: Busby Berkeley: an American surrealist. In: Wide Angle 1,1, 1979, pp.

2429.

Delamater, Jerome: Dance in the Hollywood Musical. Ann Arbor, MI: UMI Research Press 1981.

Rev. (Telotte, J.P.) in: Post Script: Essays in Film and the Humanities 2,2, 1983, pp. 6264.

Deleyto, Celestino: Selfconsciousness and the classical text: an analysis of Swing Time. In:

Film Criticism 16,3, 1992, pp. 1733.

Domarchi, Jean: Evolution du film musical. In: Cahiers du Cinéma 9,54, 1955, pp. 34-39.

Donnelly, K.J.: Sir Cliff Richard and British pop musicals. In: Journal of Popular Film and Television 25,4, 1998, pp. 146154.

Donovan, Timothy P.: Annie Get Your Gun: a last celebration of nationalism. In: Journal of Popular Culture 12,3, 1978, pp. 531539.

Druxman, Michael B.: The Musical. From Broadway to Hollywood. South Brunswick: Barnes / London: Yoseloff 1980.

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Dunne, Michael: American film musical themes and forms. Jefferson, NC [...]: McFarland 2004, VII, 215 pp.

Dyer, Richard: A Star Is Born and the construction of authenticity. In: Star Signs. Ed. by Christine Gledhill. London: BFI Education 1982.

Dyer, Richard: Entertainment and Utopia. In: Movie, 24, Spring 1977, pp. 213.

Repr. in: Hollywood Musicals. The Film Reader. Ed. by Steven Cohan. London/New York:

Routledge 2002, pp. 1930.

Dyer, Richard: “The Sound of Music”. In: Movie, 23, 1976/77, pp. 39-49.

Elsaesser, Thomas: Vincente Minnelli. In: Brighton Film Review, 15, Dec. 1969, pp. 11-13;

18, March 1970, pp. 20-22.

Everett, William A.: The musical. A research and information guide. New York [...]:

Routledge 2004, XII, 232 pp. (Routledge Music Bibliographies.).

Fehr, Richard / Vogel, Frederick G.: Lullabies of Hollywood. Movie music and movie musical, 19151992. Jefferson [...]: McFarland 1993, 366 pp.

Feuer, Jane: The SelfReflective Musical and the Myth of Entertainment. In: Quarterly Review of Film Studies, August 1977, pp. 313326.

Repr. in: Film genre reader. Ed. by Barry Keith Grant. Astin: University of Texas Press 1986, pp. 329-343

Repr. in: Genre: The Musical. Ed. by Rick Altman. London/Boston: Routledge & Kegan Paul 1981, pp. 159174.

Repr. in: Hollywood Musicals. The Film Reader. Ed. by Steven Cohan. London/New York:

Routledge 2002, pp. 3140.

Feuer, Jane: The Theme of Popular vs. Elite Art in the Hollywood Musical. In: Journal of Popular Culture 12,3, 1978, pp. 491499.

Feuer, Jane: Hollywood Musicals: Mass Art as Folk Art. In: Jump Cut, 23, Oct. 1980, pp.

2325.

Feuer, Jane: The Hollywood Musical. Bloomington, Ind.: Indiana University Press 1982.

2nd ed. 1993, xviii, 154 pp.

Rev. (Chisholm, Brad) in: Velvet Light Trap: a Critical Journal of Film and Television 20, Summer 1983, pp. 5556.

Rev. (Anderegg, Michael) in: North Dakota Quarterly 51,2, 1983, pp. 173177.

Rev. (Rosenbaum, Jonathan) in: Film Quarterly 36,4, 1983, pp. 5455.

Rev. (Delamater, Jerry) in: Journal of Film and Video 35,1, 1983,pp. 656.

Fieschi, Jacques: Dossier: le rêve a l'écran. M´3moire musicale. In: Cinématographe, 34, Jan.

1978, pp. 1418.

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Fischer, Lucy: The image of woman as image: The optical politics of Dames. In: Film Quarterly , 30, Fall 1976, pp. 2-11.

Fischer, Lucy: Shall we dance? Feminist cinema remakes the musical. In: Film Criticism 13,2, 1989, pp. 717.

Flinn, Carol: The "problem" of femininity in theories of film music. In: Screen 27,6, 1986, pp.

5672.

Flinn, Caryl: Strains of Utopia. Gender, Nostalgia, and Hollywood Film Music. Princeton:

Princeton University Press 1993.

Flügel, Trixi Maraile: Das Musical im Rahmen des klassischen Hollywood-Kinos.

Alfeld/Leine: Coppi Vlg. 1997, 191 S. (Aufsätze zu Film und Fernsehen. 52.).

Fordin, Hugh: The World of Entertainment: Hollywood's Greatest Musicals. New York:

Doubleday 1975.

Fordin, Hugh: MGM's greatest musicals. The Arthur Freed Unit. New York: Da Capo Press 1996, X, 566 pp.

Fraser, Peter: The musical mode: putting on The Red Shoes. In: Cinema Journal 26,3, 1987, pp. 4454.

Freed, Arthur: Making musicals. In: Films and Filming, 2, Jan. 1956, pp. 9-12.

Fumento, Rocco: Those Busby Berkeley and AstaireRogers depressionmusicals: two different worlds. In: American Classic Screen 5,4, 1981, pp. 1518.

Gabella, Fabrizio: Busby di Broadway. In: Cinema Sessanta 36,5/6, Suppl. 1995, pp. 131.

Gallafent, Edward: Astaire & Rogers. New York: Columbia University Press 2002, 256 pp.

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Giachetti, Romano: L'evasione impura del nuovo musical americano. In: Cinema Nuovo 27, May/June 1978, pp. 18393.

Giles, Dennis: Show-Making. In: Movie, 24, Spring 1977, pp. 14-25.

Godfrey, Lionel: A heretic‘s look at musicals. In: Films and Filming 13,6, March 1967, pp. 5- 10.

Grant, B.K.: The Classic Hollywood Musical and the ‘Problem’ of Rock ‘n’ Roll. In: Journal of Popular Film and Television 13,4, 1986, pp. 195205.

Green, Stanley: Encyclopedia of the Musical Film. New York: Oxford University Press 1981, 344 pp.

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Griffin, Sean: The Gang´s All Here: Generic versus Racial Integration in the 1940s Musical.

In: Cinema Journal 42,1, 2002, pp. 2145.

Hanisch, Michael: Vom Singen im Regen. Filmmusical gestern und heute. Berlin:

Henschelverlag Kunst und Gesellschaft 1980, 295 pp.

Hasbany, Richard: The musical goes ironic. The evolution of genres. In: Journal of American Culture, 1, Spring 1978, pp. 120-137.

Hasbany, Richard: Saturday Night Fever and Nashville: exploring the comic mythos. In:

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Hay, James: Dancing and deconstructing the American dream. In: Quarterly Review of Film Studies 10,2, 1985, pp. 97117.

Hemming, Roy: The Melody Lingers On: the Great Songwriters and their Movie Musicals.

NY: Newmarket Press 1986.

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Hirsch, Julia Antopol: The Sound of Music: the Making of America’s Favorite Movie.

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Hirschhorn, Clive: The Hollywood Musical. London: Octopus / New York: Crown 1981.

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Lahusen, Thomas: From Laughter 'Out of Sync' to PostSynchronized Comedy: How the Stalinist Film Musical Caught up with Hollywood and Overtook It. In: Socialist Cultures East and West: A PostCold War Reassessment. Ed. by Dubravka Juraga and M. Keith Booker.

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Lockhart, Freda Bruce: The seven ages of the musical. In: International Film Annual, 1, 1957, pp. 107-115.

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Enth. ein Kap. über Musicals.

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Über die Art-Déco-Ausstattung vieler Hollywood-Musicals.

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Vor allem Film- und Produktionsbilder.

Springer, John: They Sang! They Danced! They Romanced! Hollywood Musicals from the Advent of Sound Until Today. New York: Carol Publishing 1991.

Stacy, Jan / Syvertsen, Ryder: Rockin‘ Reels. An Illustrated History of Rock&Roll Movies.

Chicago, Ill.: Contemporary Books 1984.

Stearns, M. / Stearns, J.: Jazz Dance: The Story of American Vernacular Dance. New York:

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Da Capo 1994.

Zuerst 1968.

Stern, Lee Edward: The movie musical. New York: Pyramid Publ. 1974, 159 pp.

Ital. Ausg.: Il musical. Milan: Libri Edizioni 1977.

Dt. Ausg.: Der Musical Film [!]. München: Heyne 1979, 192 pp. (Heyne Filmbibliothek. 10.).

Sutton, Martin: Patterns of Meaning in the Musical. In: Genre: The Musical. Ed. by Rick Altman. London/Boston: Routledge & Kegan Paul 1981, pp. 190-196.

Taylor, John Russell / Jackson, Arthur: The Hollywood Musical. London: Secker & Warburg 1971.

Telotte, J.P.: A sober celebration: song and dance in the "new" musical. In: Journal of Popular Film and Television 8,1, 1980, pp. 214.

Telotte. J.P.: Narrative strategy in the Asaire-Rogers films. In: Journal of Popular Film and Television 8,3, Fall 1980, pp. 15-24.

Telotte, J.P.: A sober celebration. Song and dance ion the ‚new‘ musical. In: Journal of Popular Film and Television 8,1, Spring 1980, pp. 2-14.

Telotte, J.P.: A "Gold Digger" aesthetic: the depression musical and its audience. In: Post Script: Essays in Film and the Humanities 1,1, 1981, pp. 1824.

Telotte, J.P.: The movie musical and what we ain‘t heard‘yet. In: Genre 14, 1981, pp. 505- 520.

Telotte, J.P.: Self and society: Vincente Minnelli and musical formula. In: Journal of Popular Film and Television 9,4, 1982, pp. 181193.

Telotte, J.P.: All That Jazz. Expressionism on its own terms. In: Journal of Popular Film and Television 11,3, 1983, pp. 104113.

Telotte, J.P.: Ideology and the KellyDonen musicals. In: Film Criticism 8,3, 1984, pp. 36-46.

Telotte, J.P.: The New Hollywood Musical: From Saturday Night Fever to Footloose. In:

Stephen Neale (Ed.): Genre and Contemporary Hollywood. London: Britsih Film Institute 2002, pp. 4861.

Thomas, Tony: Harry Warren and the Hollywood Musical. Secaucus, NJ: Citadel Press 1975.

Thomas, Tony: That's Dance! A Glorious Celebration of Dance in the Hollywood Musical.

Harmondsworth: Penguin 1985.

Tinkcom, Matthew: Working like a homosexual: camp visual codes and the labor of gay subjects in the MGM Freed Unit. In: Cinema Journal 35,2, 1996, pp. 2442.

Todd, A.: From Chaplin to Kelly. In: Thatre Arts 35, Aug. 1951, pp. 50-51.

Tanzgeschichte.

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Tomicek, Harry: Hollywood on parade. Zum amerikanischen Filmmusical der dreißiger Jahre. Wien: Österreichisches Filmmuseum 1980, 31 pp. (Retrospektive der Viennale.).

Traubner, Richard: The sound and the Fuehrer. In: Film Comment 14, July/Aug. 1978, pp.

1723.

Turim, Maureen: Gentlemen consume blondes. In: Wide Angle 1,1, 1979, pp. 5259.

Turim, Maureen: Symmetry/asymmetry and visual fascination. In: Wide Angle 4,3, 1981, pp.

3847.

Turk, Edward Baron: Deriding the voice of Jeanette MacDonald: notes on psychoanalysis and the American film musical. In: Camera Obscura, 25/26, Jan./May 1991, pp. 224249.

Vallance, Tom: The American musical. New York: Barnes 1970.

Lexikon. Theaterdominiert, aber auch Film behandelnd.

Vaughan, David: Dance in the cinema. In: Sequence , 6, Winter 1948-49, pp. 6-13.

Vaughan, David; After the ball. In: Sight and Sound 26, Autumn 1956, pp. 89-91.

Über die Freed-Musicals als „lyrics of the American cinema“.

Vogel, Frederick G.: Hollywood musicals nominated for best picture. Jefferson, NC:

McFarland 2003, x, 374 S.

Wildbihler, Hubert / Völkleien, Sonja: The Musical: An International Annotated.

München/London: K.G. Saur 1986.

Willett, Ralph: From Gold Diggers to Bar Girls: A Selective History of the American Movie Musical. In: R. LawsonPeebles (Hrsg.), Approaches to the American Musical. Exeter:

University of Exeter Press 1996, pp. 4454.

Wills, Nadine: 110 per cent woman. The crotch shot in the Hollywood musical. In: Screen 42,2, 2001, pp. 121141.

Witte, Karsten: Visual pleasure inhibited: aspects of the German revue film. In: New German Critique, 24/25, Fall/Winter 1981/82 [1983], pp. 238263.

Woll, Allen L.: Songs from Hollywood Musical Comedies, 1927 to the Present: A Dictionary.

New York: Garland 1976, XLVII, 251 pp. (Garland Reference Library of the Humanities.

44.).

Woll, Allen L.: The Hollywood Musical Goes to War. Chicago: NelsonHall 1983.

Wood, Michael: Darkness in the Dance. In: America in the Movies, or “Santa Maria, It Had Slipped My Mind“. New York: Basic Books 1975, pp. 146164 (ch. 7).

Wood, Robin: Art and ideology. Notes on Silk Stockings. In: Film Comment 11,3, May-June 1975, pp. 28-31.

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