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AAS meeting in Washington D.C. ( April 4-7-02)

Junghee Lee

2002 Meeting of the Association for Asian Studies will be help from April 4-7th at Marriott Hotel (Marriott Wardman Park Hotel, 2660 Woodley Road, N.W. Washington, DC 20008) in Washington D.C.

I would like to announce some of the Asian art panels at the conference.

A Korean art session scheduled on Thursday evening, 7-9 p.m. (Session 3).

"ISSUES OF MODERN KOREAN ART: WESTERN INFLUENCE AND BEYOND ORIENTALISM."

"Modernity in the Traditional Style Portrait Paintings of Ch'ae Yong- sin," by Junghee Lee

"Art and Politics: Picasso's Korean War Paintings and Abstract Art of Korea and Japan, 1950s-1960s," by Young-mok Chung.

"Beyond the Mimicry: Suk-Nam Yoon's Images of Women in 20th Century Korea" by Whui-yeon Jin

"Reconstructing the Korean Body: Nam June Paik as Specular Border,"

by Jieun Rhee. Discussant: Frank Hoffmann.

An inter-area, interdisciplinary panel, scheduled for 10:45 a.m.

Sunday April 7:

EDGY THINGS: ASSERTING IDENTITIES THROUGH MATERIAL CULTURE Indigenism, Identity, and the Dictatorship in Contemporary

Philippine Painting (Cherubim Quizon, SUNY-Stony Brook)

Pina Textiles and the Project of Philippine Nationalism: Negotiating Regional Production and Indentities for a Global Market (B. Lynne Milgram, York University)

Tradition, Transmission, and Transformation in Yaeyama: Symbol of Island Identity (Amanda Mayer Stinchecum, Institute for Okinawan Studies, Hosei University)

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Sticky Rice, Fermented Fish, and the Course of a Kingdom: the Ethnicity of Food in Northeast Thailand (Leedom Lefferts, Drew University)

Discussant: Theodore Bestor, Harvard University Amanda Mayer Stinchecum, Independent Scholar, Brooklyn, New York

April 6, Saturday 10:45 a.m.-12:45 p.m.

Session 134. Public Spectacles: The Politicization of Art in Japan, 1950s-1990s

The Third Path: Redefining TenkÂ?E Time, and the State in Abe Kpbo s Enomoto Buyo*, Mark Gibeau

Creativity and Constraint in Amateur Manga Production, Sharalyn Orbaugh

A Triumph of Democracy? Lady Chatterley, Japanese Judges, and Obscenity, Ann Sherif

Parody Journalism of Akasegawa Genpei's Sakura gaho*, Reiko Tomii

"National Ornaments: East Asia and Exhibitionism at the Turn of the Twentieth Century" (Session 2, 7:00 Thursday, April 4).

Lisa Langlois (Art History, University of Michigan) will be

presenting a paper entitled "The Phoenix Hall and the Japanese Lady's Boudoir: Gender and National Identity at the World's Columbian Exposition of 1893."

Angus Lockyer (History, Wake Forest) will be speaking on "The Economics of Identity: Expositions, Entertainment, and Late Meiji Japan." The other two papers are China-related.

Miraculous Tales of the Ashikaga: Shogunal Patronage of Painted Engi In Medieval Japan" (Session 52; organized by Melissa McCormick) Friday 10:45 AM-12:45 PM, April 5 Import/Export--Art/History-- Japan/West" (Session 92; organized by Elizabeth Lillehoj) Friday 3:15-5:15 PM, April 5

"Image and Materiality in Early Modern Japan" (Session 177; organized by Louise Cort) Saturday 5:00-7:00 PM, April 6

"Celebrating the Nation: Commemoration, Spatiality, and National Identity in Tokyo " (Session 216; organized by Tessa Morris-Suzuki) 10:45 AM-12:45 PM, Sunday, April 7

Papers:

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Rei Okatamoto, "Modernity, National-Cultural Identity, and Prewar Japanese" in Session 10 7:00-9:00 PM, Thursday, April 4

Anna Beerens, "Chinese Tea and the Perfect Japanese Gentleman: Ueda Akinari's Seifusagen Dissected", and Margarita Winkel, "A Japanese Representation of Life in China during Qing Rule," in Session 11.

7:00-9:00 PM Thursday, April 4

Leila Wice, "Cross-Dressing as Crime in Edo and Tokyo," in Session 33 8:30am-10:30am, Friday, April 5

Christopher A. Bolton, "Other Voices: Abe Kobo on Film," And William O. Gardner "Interface as Performance Space: Tsutsui Yasutaka's Encounters with Electronic Media," in Session 72 1:00-3:00 PM, Friday, April 5

Scott Alexander Lineberger, "The Collaborative Creation of The Illustrated Biography of Basht the Elder," in Session 91 3:15-5:15 PM, Friday, April 5

Sharalyn Orbaugh, "Creativity and Constraint in Amateur Manga Production," and Reiko Tomii, "Parody Journalism of Akasegawa Genpei's Sakura gaht," in Session 134 10:45 AM-12:45 PM, Saturday, April 6

William Marotti, "Trains and Guillotines: Art and Direct Action in the Early 1960s," and Bill Mihalopoulos, "Memory and History: the Ethnography of Imamura Shthei," in Session 198 8:30-10:30 AM, Sunday, April 7

I hope some of you can attend.

Sincerely yours, Junghee Lee

Reference:

CONF: AAS meeting in Washington D.C. ( April 4-7-02). In: ArtHist.net, Mar 18, 2002 (accessed Feb 27, 2022), <https://arthist.net/archive/24905>.

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