• Keine Ergebnisse gefunden

Modernity, modernism and the interior 1870-1970

N/A
N/A
Protected

Academic year: 2022

Aktie "Modernity, modernism and the interior 1870-1970"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

Modernity, modernism and the interior 1870-1970

DORICH HOUSE ANNUAL CONFERENCE #7 THURSDAY 19TH AND FRIDAY 20TH MAY 2005

FACULTY OF ART DESIGN & MUSIC, KINGSTON UNIVERSITY,LONDON SW15 CALL FOR PAPERS

MODERNITY, MODERNISM AND THE INTERIOR 1870-1970 Deadline: 5th January 2005

This conference sets out to expand our existing understanding of the 'modern interior', and the relationship (and possible tensions) between the concepts of modernity and modernism as manifested in the design of the interior. As the 'inside' and the 'outside' of buildings were so

inextricably linked within the modernist vision, papers are invited from a wide range of disciplines, including design, architectural and urban historians.

What is 'the modern interior'? Situated either in private or public buildings, it is, arguably, not necessarily restricted to the work of

reforming, modernist architects who extended their work into this arena.

Nor need it be limited to other, more popular, spaces constructed in a range of overtly modern styles - including the modernistic, streamlined moderne and contemporary - which took their lead from modern architects and designers. This conference will investigate the phenomenon of the modern interior in its broadest sense, including interiors designed and produced from 1870-1970 (by professionals or amateurs) which do not necessarily look modern but which can be seen as a response to (or contributing to) what we think of as the key features of 'modern life'.

These features may include a progressive use of technology; an overt relationship with the mass media; an emphasis on 'modern' individualism;

the construction of modern cultural identities, determined by gender, class, race, sexuality or a sense of nationhood; the modern experiences of urban and suburban life; and the concept of modern 'interiority'.

Inevitably the conference will address the question of whose modernity was being expressed in the interiors of this period, as well as that of how expressions of modernity were achieved and experienced. It is hoped to explore these questions from both a theoretical and a practical

perspective, considering cultural theories and critiques of modernity

(2)

ArtHist.net

2/2

which locate the interior as an important component of modern life as well as analyses of actual and/or represented interiors and of their creators and users.

The conference will be the first of many activities organised by (and will be the occasion of the launch of) the Faculty of Art, Design &

Music's exciting new project, The Centre for the Study of the Design of the Modern Interior.

Abstracts of 300 words, accompanied by a short bibliography and brief curriculum vitae, should be submitted by Wednesday 5th January 2005 to:

Brenda Martin, Faculty of Art, Design & Music, Kingston University, Kingston Vale, London SW15 3RN. e-mail b.martin@kingston.ac.uk. Tel:

020 8547 7515 --

Dr David Wilson

Research Administrator Faculty of Art, Design & Music 020 8547 8321

--

Reference:

CFP: Modernity, modernism and the interior 1870-1970. In: ArtHist.net, Nov 15, 2004 (accessed Feb 27, 2022), <https://arthist.net/archive/26757>.

Referenzen

ÄHNLICHE DOKUMENTE

Research Project jointly funded by the Getty Grant Program, the AHRB Centre for the Study of the Domestic Interior and the Victoria &amp; Albert Museum The purpose of this project is

Did the European colonial powers acquire private property rights to land along with territorial sovereignty by concluding cession and protectorate treaties with African rulers in

The house and its contents reflected and supported 'national' and international trade and exchange: apart from artefacts produced in Italian centres, Flemish tapestries, metalwork

An international group of scholars will discuss the pyschological interior; realism; space and gender; art and the interior; modernity; and domestic, social, and urban spaces..

The British Library is currently looking for academic partners at UK universities for our AHRC Col- laborative Doctoral Partnerships programme to work on a project focusing on

“diluted” (as it is in lengthy stories or novellas) but rather fragmented, in order to portray an unexpected mental universe. Throughout this study, we have seen that fantastic

Because Jewel does not have such existential thoughts, Darl suggests that he must know he “is” (William Faulkner, As I Lay Dying [New York: Vintage Books, 1987], 72)...

The conspectus indicates that the modern author knew the original in some shape or form, Anatole France’s short story, and Jules Massenet’s opera, and that he associated the