• Keine Ergebnisse gefunden

Oxford Art Journal 28 (2005), 3

N/A
N/A
Protected

Academic year: 2022

Aktie "Oxford Art Journal 28 (2005), 3"

Copied!
3
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/3

Oxford Art Journal 28 (2005), 3

Oxford Art J -- Table of Contents Alert A new issue of Oxford Art Journal has been made available:

October 2005; Vol. 28, No. 3

URL: http://oaj.oxfordjournals.org/content/vol28/issue3/index.dtl?etoc ---

Articles

---

Introduction: College Art Association Radical Art Caucus: Papers from the 2003 Conference Session

Stephen Eisenman and Andrew Hemingway Oxford Art J 2005 28:289-293.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/289?etoc

Franz Radziwill's Vision of Joyful German Work: Painting, Social Identity, and Politics in the Weimar Republic

James A. van Dyke

Oxford Art J 2005 28:295-319.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/295?etoc

Was Socialist Realism Forced Labour? The Case of Aleksandr Deineka in the 1930s

Christina Kiaer

Oxford Art J 2005 28:321-345.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/321?etoc Artist and Worker: The Labour of David Smith

Paula Wisotzki

Oxford Art J 2005 28:347-370.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/347?etoc

Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900

(2)

ArtHist.net

2/3

Tom Gretton

Oxford Art J 2005 28:371-390.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/371?etoc Pinot-Gallizio's 'Industrial Painting': Towards a Surplus of Life Frances Stracey

Oxford Art J 2005 28:391-405.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/391?etoc

Iron Horses: Leland Stanford, Eadweard Muybridge, and the Industrialised Eye

John Ott

Oxford Art J 2005 28:407-428.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/407?etoc Stalin's Talking Museums

Adam Jolles

Oxford Art J 2005 28:429-455.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/429?etoc Gerhard Richter and Adolf Eichmann

Paul B. Jaskot

Oxford Art J 2005 28:457-478.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/457?etoc ---

Reviews

--- Material Culture?

Nick Grindle

Oxford Art J 2005 28:481-482.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/481?etoc Modernism and Politics in the German Empire

Francoise Forster-Hahn Oxford Art J 2005 28:482-484.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/482?etoc Couture and/or Culture?

Ulrich Lehmann

Oxford Art J 2005 28:485-488.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/485?etoc

(3)

ArtHist.net

3/3

Anglo-Modernism: Gender, Ethnicity and Value David Peters Corbett

Oxford Art J 2005 28:488-491.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/488?etoc Revising De Stijl

Paul Overy

Oxford Art J 2005 28:491-495.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/491?etoc ---

Abstracts

--- Abstracts

Oxford Art J 2005 28:497-500.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/497?etoc ---

Notes on Contributors

--- Notes on contributors

Oxford Art J 2005 28:501.

http://oaj.oxfordjournals.org/cgi/content/full/28/3/501?etoc

Reference:

TOC: Oxford Art Journal 28 (2005), 3. In: ArtHist.net, Oct 16, 2005 (accessed Feb 27, 2022),

<https://arthist.net/archive/27571>.

Referenzen

ÄHNLICHE DOKUMENTE

Besonders die Darstellung des Deutschen Michels, der sich in der Zeit der Weimarer Demo- kratie vom vorher „tollpatschigen faulen Blödian“ zum Opfer entwickelte, eignet sich für eine

The Prize welcomes entries on any topic relevant to art history from British and internation- al doctoral students, as well as early career researchers who are within five years

Here our purpose is to investigate connections between three aspects of transitions processes in which civil society is involved: the social psychological experience of participants

The annual Oxford Art Journal Essay Prize for Early Career Researchers 2020 is now open for sub- missions.. The Essay Prize for Early Career Researchers aims to encourage

Fascist Revolution, Futurist Spin: Renato Bertelli’s Continuous Profile of Mussolini and the Face of Fascist Time. Ara

Class, Conflict, Race and Remembrance: Adrian Piper's Black Box/White Box, Greensboro, NC, 1 November 2001.

[r]

Sex, Lies and Anecdotes: Gender Relations in the Life Stories of Italian Women Artists, 1550-1800.