Originalveröffentlichung in: Frangenberg, Thomas (Hrsg.): The beholder : the experience of art in Early Modern Europe, Aldershot 2006, S. 53-85
Michelangelo's works in the eyes of his contemporaries
33
0
0
Volltext
(2)(3)(4)(5)(6)(7)(8)(9)(10)(11)(12)(13)(14)(15)(16)(17)(18)(19)(20)(21)(22)(23)(24)(25)(26)(27)(28)(29)(30)(31)(32)(33)
ÄHNLICHE DOKUMENTE
57 M. Rodríguez Mediano, “De Diego de Urrea a Marcos Dobelio, intér- pretes y traductores de los “Plomos”’, in Los Plomos del Sacromonte, invención y tesoro, eds M.. professor
Tolstoy’s preoccupation with his own childhood, with the depiction of childhood in fiction, and with actual childhood in general (both as he observed it in the world and through
Therefore, the purpose of the present study is as follows: examining all of Luke's references to David, we will consider (1) Luke's understanding of the picture of David from
The organizers of this workshop (Maddalena Bellavitis and Alessio Assonitis) invite papers that address issues that can shed new light and provide new interdisciplinary
Therefore volume 6 of Intersections intends to present a discussion of the representation of animals in literary, pictorial and scholarly discourses, set against the background of
Historians of southern European art have paid considerable attention to the representation of emotions, psychological presence and interiority in portraits and history paintings of
15 Giorgio Ghisi after Francesco Salviati, The Visitation (after The Illustrated Bartsch...).. Willmann, Twelve Years Old Jesus in the Temple. National Gallery in
The methodological points of orientation for such an undertaking were provided him by, first, Alois Riegl ’ s concept of “artistic volition ” (Kunstwollen), whereby art
