THE PHONETICS AND PHONOLOGY OF FOCUS MARKING

THE PHONETICS AND PHONOLOGY OF FOCUS MARKING

Simon Ritter & Doris Mücke

IfL Phonetik, University of Cologne

BACKGROUND

RESEARCH QUESTION

DYNAMICS

An Integrated Perspective

Choice of category

~ phonological

Physical realisation

~ phonetic Gradience [1]

Previous work on nuclear pitch accents in German focus marking: Phonological +

phonetic gradience seem to go in the same direction [2, 3].

Dynamic systems help to understand categories as attractors [4].

Everything in a dynamic system is continuous, but there are special stable states the system moves to.

Control parameter k can be scaled to change the attractor landscape.

Dynamic systems have been used to model phonetic and phonological variation

[e.g. 5, 6, 7, 8].

Can an attractor-based account model the phonological + phonetic

gradience found in German focus intonation?

DATA

SIMULATION

CONCLUSION

Nuclear pitch accents of our focus data can be modelled in a dynamic

framework.

Both phonological and phonetic variation is accounted for in a

unified system.

27 native German speakers produce focus structures in a game-like task.

Sentence structure held constant, e.g.

“Er hat den Hammer auf die Wohse gelegt”.

3 focus types: broad, narrow, contrastive

Measure:

Tonal Onglide

falling / negative

falling

Results

-4 -2 0 2 4

0 40 80

-4 -2 0 2 4

0 40 80

-4 -2 0 2 4

0 40 80

broad narrow contrastive

Normalised Onglide

Fr eq ue nc y

Code based on [9], implemented in R & C++.

Find best k by calculating overlap with real data.

𝑉 𝑥 = 1.4𝑥 ^' − 𝒌𝑥 ^* − 2𝑥 ^,

𝑉 𝑥 = 𝑥 ^' − 𝒌𝑥 ^* − 𝑥 ^,

V(x)

V( x)

rising

-2 -1 0 1 2

-1 .0 0.0 1.0

V(x)

-2 -1 0 1 2

-1 .0 0.0 1.0

x

-2 -1 0 1 2

-1 .0 0.0 1.0

-4 -2 0 2 4

-2 .0 -0 .5 1.0

-4 -2 0 2 4

0 500 1500

-4 -2 0 2 4

-2 .0 -0 .5 1.0

En erg y F re qu en cy

-4 -2 0 2 4

0 500 1500

-4 -2 0 2 4

-2 .0 -0 .5 1.0

En erg y F re qu en cy

-4 -2 0 2 4

0 500 1500

Fr eq ue nc y

Simulated Onglide

k = 0.075 k = 0.625 k = 1.0

rising / positive

Speaker-normalised

16th Conference of the Association for Laboratory Phonology, June 22 2018

Phonetic gradience: Scaling of rising onglides

Real data

Simulation

Er hat die Zange auf die

Bahwe

^gelegt.

Er hat die Bürste auf die

Mahne

^gelegt.

broad narrow contrastive

Rising attractors

-2 -1 0 1 2

-2012

Onglide

Potential Energy

Modes of rising distributions

k = 0 k = 1

k = -0.5

0.8 1.2

broad narrow contrastive

0.8 1.2

broad narrow contrastive

0.5 1.0 1.5 2.0

-2-101

broad narrow contrastive

Describe phonological + phonetic gradience in

unified system?

REFERENCES [1] Ladd, D. R. (2014). Simultaneous structure in phonology. Oxford University Press. [2] Grice, M., S. Ritter, H.

Niemann & T. Roettger (2017). Integrating the discreteness and continuity of intonational categories. Journal of Phonetics, 64, 90–107.

[3] Mücke, D. & M. Grice (2014). The effect of focus marking on supralaryngeal articulation – Is it mediated by accentuation? Journal of Phonetics, 44, 47-61. [4] Iskarous, K. (2017). The relation between the continuous and the discrete: A note on the first principles of speech dynamics. Journal of Phonetics, 64, 8-20. [5] Gafos, A. I. and Benus, S. (2006). Dynamics of phonological cognition. Cognitive Science, 30, 905-943. [6] Tuller, B., P. Case, D. Mingzhou & J. A. S. Kelso. (1994). The nonlinear dynamics of speech categorization.

Journal of Experimental Psychology, 20(1), 3-16. [7] Nava, Emily. (2010). Connecting phrasal and rhythmic events. Evidence from second language speech. Ph. D. dissertation. University of Southern California. [8] Goldstein, L., D. Byrd & E. Saltzman. (2006). The role of the vocal tract gestural action units in understanding the evolution of phonology. In M. Arbib (ed.). Action to language via the mirror neuron system, 215-249. Cambridge: Cambridge University Press. [9] Gafos, A. I. (2006). Dynamics in grammar. In Goldstein, L., D. Whalen & C. Best. Laboratory Phonology 8: Varieties of phonological competence (eds.), 51-79. Berlin/New York: Mouton de Gruyter.

Attractors