• Keine Ergebnisse gefunden

Emotional Objects (online, 22-23 Apr 21)

N/A
N/A
Protected

Academic year: 2022

Aktie "Emotional Objects (online, 22-23 Apr 21)"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

Emotional Objects (online, 22-23 Apr 21)

Online (The Warburg Institute, University of London, London), Apr 22–23, 2021 Professor Juliet Simpson, Coventry University, UK

Emotional Objects – Northern Renaissance Afterlives in Object, Image and Word, 1890s-1920s 'Emotional Objects' brings together leading international scholars and curators, the conference to explore the emotional resonances and meanings of Northern Renaissance art, monuments, images and texts for contemporary culture at a time of social turbulence and heady artistic innova- tion. Via emotional viewing, object encounters, passionate prints, sensing the past, wonder-inspir- ing collections, we will illuminate new ways in which the cultures of a pivotal past touch and embody our modernity.

Organized by Prof. Juliet Simpson, Coventry University/Warburg Institute: Steering Committee:

Prof. dr. Gabriele Rippl, Universität Bern, Dr Stefan Bauer, University of Warwick, Dr Anna-Maria von Bonsdorff, Ateneum-Finnish National Gallery, Helsinki; Conference Assistant: Joanna Meredith, PhD candidate, Coventry University

Full Programme Thursday 22 April 2021

2.15pm (GMT) CONFERENCE OPENS Welcome (Day 1): Professor Juliet Simpson 2.30-4.30pm: PANEL 1 (Chair: Dr Stefan Bauer)

Emotional Northern Renaissances in Word and Monument: Potent Heritage/Anxious Modernities Hans Hönes (University of Aberdeen): ‘Wöfflin’s North: the Burden of Belonging’

Sarah W. Lynch (Friedrich Alexander Universität Erlangen-Nuremberg/Villa I Tatti, Florence): ‘Ger- man Renaissance Architecture: The Development and Evolution of a Concept’

Andrew Murray (Open University/Warburg Institute): ‘Anxieties about Modernity in Johan Huizin- ga’s Autumntide of the Middle Ages’

4.30-5.00pm: PAUSE – TEA

5.00-6.30pm: KEYNOTE LECTURE (Chair: Professor Juliet Simpson) Professor dr. Gabriele Rippl, Universität Bern

Title: tba

Friday 23 April 2021

9.15am – CONFERENCE OPENS (Day 2)

(2)

ArtHist.net

2/2

Welcome: Professor Juliet Simpson

9.30-11.30am: PANEL 2 (Chair: Prof. dr. Gabriele Rippl)

Resilient Afterlives of Objects and Images – Reframing Aby Warburg’s Northern Constellation Stephanie Heremans (KU Leuven): ‘On a Historical Tournament’s Re-Enactment, 1452/1905 – War- burg’s Belgian Episode?’

Xinyi Wen (University of Cambridge): ‘When Jupiter meets Saturn: Aby Warburg, Karl Sudhoff, and Astrological Medicine in Renaissance Germany’

Andrea Bubenik (University of Queensland): ‘The Emotional Resilience of a Painting: Dürer’s Feast of the Rosegarlands’

11.30am-1pm PAUSE – LUNCH

1.15-3.15pm: PANEL 3 (Chair: Dr Anna-Maria von Bonsdorff)

Emotional Viewing – Artist Northern Renaissances: Recuperating Memory/Unstable Present Stefan Huygebaert (Ghent University): ‘Memling by Comparison: Hans Memling’s Reputation and Recuperation around 1900’

Niccola Shearman (Courtauld Institute, University of London): ‘Emotional viewing: On finding a Vis- ible Relief in the German Woodcut Print, c. 1450-1923’

Evanghelia Stead (Université de Paris-Saclay): ‘Max Klinger’s Der Äpfelchen begehrt ihr sehr: A Comparative Approach'

3.15-3.30pm: SHORT PAUSE – TEA

3.30-5.30pm: PANEL 4 (Chair: Professor Juliet Simpson)

Passionate Collections/Oneiric Encounters: Northern Renaissances Recreated and On Display Stephanie Sailer (University of Vienna): ‘Collecting, Researching and Exhibiting Dürer’s Drawings on the Brink of the 20th Century’

Dominique Bauer (KU Leuven): ‘Hans Memling and the Iconology of the Androgyne: Representa- tion, Time and Memory in the Work of Fernand Khnopff’

Martina Mazzotta (Warburg Institute): ‘Max Ernst and the Northern Renaissance – Beyond Paint- ing’

5.30-6.15pm: PLENARY DISCUSSION & CLOSING REMARKS

Emotional Renaissances: Image, Afterlife, Modernity, Legacy – Juliet Simpson, Gabriele Rippl, Anna-Maria von Bonsdorff, Stefan Bauer

6.15pm: CONFERENCE CLOSE

Register online free https://warburg.sas.ac.uk/events/event/23626.

The Organizer and Steering Committee would like to express their gratitude to the Warburg Insti- tute, School of Advanced Studies, University of London; The Royal Historical Society and Coventry University (Centre for Arts, Memory and Communities) for their generous support for this event.

Reference:

CONF: Emotional Objects (online, 22-23 Apr 21). In: ArtHist.net, Feb 27, 2021 (accessed Feb 27, 2022),

<https://arthist.net/archive/33491>.

Referenzen

ÄHNLICHE DOKUMENTE

Die Veranstaltungsreihe Physiologie diskutiert Visualisierungen physiologischer Konstitutionen und ihre Rolle für die Genese, Transformation und Verbreitung von Wissen

Tina Asmussen (Deutsches Bergbau-Museum Bochum | Ruhr-Universität Bochum) Mineral Ores, Mountain Juices and Extractive Desires in Early Modern Mining 17.20-18.00 Uhr

online / Trierer Kolleg für Mittelalter und Frühe Neuzeit, Universität Trier, Apr 22–Jul 8, 2021.. Pierre-Olivier

Keywords: Imaginary, material imagination; the elemental; water; dream; poetic reverie; resonance and reverberation of image; sonic duration; epiphanic instant; rapture;

Hinter diesen Zugriffen auf die Historie stehen verschiedene Geschichtsmodelle, die sich ergänzen, aber auch widersprechen können, darunter zirkulare Model- le, das Konzept

Angesichts der Komplexität des Ansatzes bietet sich an, mittels ver- tiefter Fallstudien vorzugehen, bei denen die Faktoren sowohl der materiellen wie der kulturellen Konstruktion

Building a More Inclusive and Equitable Art History with Erin Benay, Case Western Reserve University &amp; Laura Holzman, Indiana University IUPUI.. 10:30-11:30 Public

Keywords: Imaginary, material imagination; the elemental; water; dream; poetic reverie; resonance and reverberation of image; sonic duration; epiphanic instant; rapture;