• Keine Ergebnisse gefunden

Imagining Pilgrimage to Santiago de Compostela (New York, 24-25 Apr 20)

N/A
N/A
Protected

Academic year: 2022

Aktie "Imagining Pilgrimage to Santiago de Compostela (New York, 24-25 Apr 20)"

Copied!
3
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/3

Imagining Pilgrimage to Santiago de Compostela (New York, 24-25 Apr 20)

New York University, Institute of Fine Arts, The Duke House, 1 East 78th Street, New York, New York 10075, Apr 24–25, 2020

Robert Maxwell, Institute of Fine Arts

In collaboration with the government of Galicia, the Institute of Fine Arts is helping to inaugurate yearlong activities for “Xacobeo 2021,” the Jacobean holy year. Papers for “Imagining Pilgrimage to Santiago: Itineraries, Narratives, Myths” will address the confrontation of real and imagined pil- grimage - visionary and eschatological implications of spiritual travel, spatial and material agency, phenomenological and sensorial markers, landscape and cartographic geographies of pilgrimage, among others. Speakers include: Kathryn Brush, Thomas Deswarte, James D’Emilio, Elvira Fidal- go, Elina Gertsman, Melanie Hanan, Patrick Henriet, Dominique Iogna-Prat, F. López Alsina, Wendy Pullan, Rocio Sánchez Ameijeiras, Alison Stones, Stefan Trinks, Michele Vescovi, Rose Walker.

Program Friday (24 April)

10.00–10.30 – Welcome

Session A – Presided by Paula Gerson (Florida State University, emerita) 10.30–11.00

James D’Emilio (Associate Professor of Humanities, University of South Florida, Tampa)

“‘From every nation under heaven...’: Apostolic Mission, Pilgrimage and Cultural Eclecticism in the Compostelan Cult of St. James”

11.30–12.00

F. López Alsina (Professor of Medieval History, Universidad de Santiago de Compostela)

“From the Way to the Ways of St. James: The First Ten Centuries and Beyond”

12.00–12.30

Dominique Iogna-Prat (Directeur d’études, École des Hautes Études en Sciences Sociales, Paris)

“En route to Building Christendom”

12.30–1.00 – Discussion 1.00–2.00 – Lunch

Session B – Presided by Ramón Yzquierdo Peiró (Museo de la Catedral de Santiago)

(2)

ArtHist.net

2/3

2.00–2.30

Rose Walker (Honorary Research Fellow, Courtauld Institute of Art, London)

“Networks of Liturgical Imagination and the Myth of the Camino in the Twelfth Century”

2.30–3.00

Rocio Sánchez Ameijeiras (Professor of Art History, Universidad de Santiago de Compostela)

“On Geographical Imagination: Rivers, Bridges and Saints’ Tombs”

3.00–3.15 – Discussion

Session C – Presided by Robert A. Maxwell (Institute of Fine Arts) 3.30–4.00

Manuel Castiñeiras (Professor of Medieval Art History, Universidad Autònoma de Barcelona)

“The Two Roads: Charlemagne, Roland and Oliveros Expanding and Shaping the Pilgrimage Ways to Santiago and Jerusalem”

4.00–4.30

Elvira Fidalgo (Professor or Romance Philology, Universidad de Santiago de Compostela)

“Local Pilgrimage vs. Long-Distance Pilgrimage: The Case of Santiago de Compostela in the

‘Cantigas de Santa Maria’”

4.30–5.00

Thomas Deswarte (Professor of Medieval History, Université de Angers, France)

“The Montesacro, a New Sacred Site along the Camino”

5.00–5.30 – Discussion Saturday (25 April)

Session D – Presided by Charles Little (Metropolitan Museum of Art, New York) 10.00–10.30

Alison Stones (Professor emerita, University of Pittsburgh)

“The Santiago Camino, the Relics of St. James, and the Italian Expansion”

10.30–11.00

Patrick Henriet (Directeur d’Études, École Pratique des Hautes Études, Paris)

“Isidore, Successor of St. James, and León in the 12th-13th centuries”

11.00–11.15 – Discussion 11.15–11.30 – Coffee

Session E – Presided by Julia Perratore (Metropolitan Museum of Art, New York) 11.30–12.00

Stefan Trinks (Assistant Professor, Humboldt-Universität zu Berlin)

“Sense and Sensibility: Sensorial Aspects in Romanesque Churches of the Pilgrimage Road to San- tiago”

(3)

ArtHist.net

3/3

12.00–12.30

Elina Gertsman (Archbishop Paul J. Hallinan Professor in Catholic Studies II, Professor of Medie- val Art, Case Western Reserve University, Cleveland)

“From Trondheim to Santiago”

12.30–1.00 - Discussion 1.00–2.00 – Lunch

Session F – Presided by Cynthia Hahn (City University of New York, New York) 2.00–2.30

Michele Luigi Vescovi (Senior Lecturer in Medieval Art and Architecture, University of Lincoln, UK)

“Beyond the Shrine: The Material Landscape along the Camino to Santiago”

2.30–3.00

Melanie Hanan (Independent Scholar and Lecturer, The Cloisters, New York)

“On Pilgrimage with the Saints: Worship and Monumental Heavenly Jerusalem Reliquaries”

3.00–3.15 – Discussion

Session G – Presided by Manuel Castiñeiras (Universidad Autònoma de Barcelona) 3.30–4.00

Wendy Pullan (Professor of Architecture and Urban Studies, Cambridge University, UK)

“From Symbol to Emancipation: Pilgrimage and the Representation of the Christian Holy Places”

4.00–4.30

Kathryn Brush (Professor of Art History, emerita, University of Western Ontario, Canada)

“Constructing Knowledge between Idea and Experience: Arthur Kingsley Porter and the Road to Santiago in the Early Twentieth Century”

4.30–5.00 – Discussion & Conclusion Organizers:

Robert A. Maxwell (Institute of Fine Arts)

Manuel Castiñeiras (Universidad Autonoma de Barcelona) Sponsors:

Institute of Fine Arts Xunta de Galicia Xacobeo 2021

No registration necessary, but please reserve a seat on the IFA's website closer to the event https://www.nyu.edu/gsas/dept/fineart/events/index.htm

Reference:

CONF: Imagining Pilgrimage to Santiago de Compostela (New York, 24-25 Apr 20). In: ArtHist.net, Feb 28, 2020 (accessed Feb 27, 2022), <https://arthist.net/archive/22726>.

Referenzen

ÄHNLICHE DOKUMENTE

In Europe, the later Middle Ages saw a shift in control of relic cults from bishops to the papacy, and a changing dynamic of pilgrimage, manifest in the art and architecture

I.) Sumptuary Devotions: Medieval Pilgrimage and Social Class This session seeks papers that explore the ways in which social status informed and shaped medieval pilgrimage.

Boston University seeks applicants for an Assistant Professor, Associate Professor, or Full Professor in Contemporary Art, Art Criticism, and Art Theory, for the Art History

Discussants: Ross Barrett, Sophie Cras, Nina Dubin, Matthew Hunter, Avigail Moss, and Oliver

The International Society for the Study of Pilgrimage Arts was founded in 2000 to bring together scholars who explore the art and architecture of pilgrimage in the late Middle Ages..

The Institute of Fine Arts at New York University, The Graduate Center at the City University of New York, Columbia University in the City of New York, and the Institute for Studies

This should include your current and future research plans, your teaching plans and experience, your administrative experience, and potential to con- tribute to the research profile

Session 2) Miracles of the Blood or the New made Old: Eucharistic Relics for Veneration and Display in Late Medieval and Early Renaissance Art and Architecture. This session will