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Visual Resources, Vol. XVII, No. 2, 2001

Helene Roberts

VISUAL RESOURCES: AN INTERNATIONAL JOURNAL OF DOCUMENTATION Vol. XVII, No. 2, 2001

TABLE OF CONTENTS Articles:

HUBERT LOCHER, The Art Historical Survey: Narratives and Picture Compendia.

ULRICH KELLER, Visual Difference: Picture Atlases from Winckelmann to Warburg and the Rise of Art History.

Review Articles:

CHRIS BURNETT, Morphage: Three Books on Visual Transformation in the Age of the Morph, Reviewing Photo Fakery: The History and Techniques of Photographic Deception and Manipulation, by Dino A.

Brugioni; Zu schoen, um wahr zu sein (Too Good to be True):

Photographien aus der Sammlung Metz, edited by Albrecht Krause.

Trans. Anne Porter Schadt; Meta-morphing: Visual Transformations and the Culture of Quick-Change, edited by Vivian Sobchack.

PAMELA KYLE CROSSLEY, Clothes Make the Man, especially in China, Reviewing Imperial Wardrobe, by Gary Dickinson and Linda

Wrigglesworth; Clothed to Rule the Universe: Ming and Qing Dynasty Textiles at the Art Institute of Chicago, edited by John Vollmer et al; and Ladder to the Clouds: Intrigue and Tradition in Chinese Rank by Beverley Jackson and David Hugus.

Reviews:

MITZI KIRKLAND-IVES, Virtue & Vice: The Personifications in the Index of Christian Art, edited by Colum Hourihane.

ALISON SHELL, Producing the Past: Aspects of Antiquarian Culture and Practice, 1700-1850, edited by Martin Myrone and Lucy Peltz.

STEPHEN C. PINSON, From David to Ingres: Early 19th-century French Artists, edited by Jane Taylor; From Monet to Cezanne: Late

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19th-century French Artists, edited by Jane Taylor.

RONALD EDSFORTH, Photography and Politics in America: From the New Deal into the Cold War, by Lili Corbus Bezner.

ETHEL S. GOODSTEIN, Riding the Black Ship, Japan and Tokyo Disneyland, by Avaid E. Raz.

KATHLEEN NICHOLSON, The Ghost in the Shell: Photography and the Human Soul, 1850-2000, Essays on Camera Portraiture, by Robert A. Sobieszek.

ALICIA CRAIG FAXON, The Artist and the Camera, Degas to Picasso, edited by Dorothy Kosinski; Picasso and Photography by Anne Baldassari.

Information for contributions and subscriptions can be found at the TAYLOR & FRANCISWeb Site <<www.tandf.co.uk> under Journals.

Reference:

TOC: Visual Resources, Vol. XVII, No. 2, 2001. In: ArtHist.net, Jan 6, 2002 (accessed Feb 27, 2022),

<https://arthist.net/archive/24840>.

Referenzen

ÄHNLICHE DOKUMENTE

Kees Kaldenbach, The Genesis of a Wall Chart on the Cultural Heritage of Seventeenth-Century Delft: Johannes Vermeer and the Delft School: a Chart of Homes of Delft Artists and

Wood, Mapping Cities, catalogue and essay by Naomi Miller; A Wheel of Memory: The Hereford Mappamundi, CD-Rom, by Naomi Reed Kline. Priscilla Baumann, The Maze and the Warrior:

Information about contributing or subscribing to Visual Resources can be found at the Routledge or Taylor &amp; Francis Web site for Visual

Katharine Conley, Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations, by Lewis Kachur.

Thinking about the visual as a culture for virality, this issue would like to explore aspects of this pandemic, and the power relations that images are complicating in such times

Liana De Girolami Cheney, Giorgio Vasari's Astraea: A Symbol of Justice Lyckle de Vries, Written Paintings: Real and Imaginary Works of Art in De Lairesse's Schilderboek.

Gli articoli possono essere accompagnati da immagini, rispetto alle quali l’autore o gli autori devono assicurare il possesso dei diritti di riproduzione; le immagini in bianco

Neogothic Buildings in Buenos Aires: Parish of San Ildefonso Jon Yngve Hardeberg, Jean-Pierre Crettez, and Francis Schmitt,. Computer-Aided Image Acquisition and Colorimetric