1/3
Southeast of Now: Directions in Contemporary and Modern Art in Asia, Vol 4,2
Roger Nelson, Phnom Penh
SOUTHEAST OF NOW: Directions in Contemporary and Modern Art in Asia NEW ISSUE out now in print and online (Volume 4, Number 2)
Free to read via Open Access on Project Muse
Published by NUS Press (National University of Singapore) ARTICLES
Gendering the Environmental Artivism: Ekofeminisme and Unjuk Rasa of Arahmaiani’s Art by Edwin Jurriëns
‘Tradition’ in Thai Modern Art by John Clark
The Russian Connection in Singapore’s Local Art Identity by David Low Kok Kiat
Art On/Offshore: The Singapore Freeport and the Narrative Economics that Frame the Southeast Asian Art Market
by offshoreart.co (Kathleen Ditzig and Robin Lynch) RESPONSES AND REVIEWS
Consequential Privileges of the Social Artists: Meandering through the Practices of Siti Adiyati Subangun, Semsar Siahaan and Moelyono
by Grace Samboh
Suddenly Turning Visible: Art and Architecture in Southeast Asia (1969–1989). A Review by T.K. Sabapathy
Who Owns the Mountain? Power, Ideology and Extractive Capitalist Exploitation in Piyarat Piyapongwiwat’s Recent Work
by Blake Palmer TRANSLATIONS
Situated Formalism in the Art of Encounters: A Brief Introduction to the Translation of Selected Writings by Oei Sian Yok
by Brigitta Isabella
ArtHist.net
2/3
Richard and Jean Wolford’s Exhibition: Indonesia As Seen by Two American Painters (1958) by Oei Sian Yok, translated by Brigitta Isabella
SOS to Our Painters (1959)
by Oei Sian Yok, translated by Brigitta Isabella
Exhibition of Old (Kuno) and New (Baru) Indian Paintings: Indian Modern Painters Respond Fitting- ly to the Force of the Modern Age,
by Sustaining the Special Characteristics of India (1960) by Oei Sian Yok, translated by Brigitta Isabella
Exhibition of Argentinian Painter Magda Liguori (1960) by Oei Sian Yok, translated by Brigitta Isabella
EMERGING WRITERS FELLOWSHIP
Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
by Umi Lestari ANNOUNCEMENT
Hera and Pristine L. de Leon, Recipients of the Emerging Writers Fellowship 2020 EDITORIAL COLLECTIVE
Isabel Ching (University of Heidelberg) Thanavi Chotpradit (Silpakorn University)
Brigitta Isabella (KUNCI Cultural Studies Center, Yogyakarta) Eileen Legaspi–Ramirez (University of the Philippines) Yvonne Low (University of Sydney)
Vera Mey (SOAS, University of London) Roger Nelson (National Gallery Singapore) Simon Soon (University of Malaya)
Clare Veal (LASALLE College of the Arts) ADVISORY BOARD
John Clark (University of Sydney)
Patrick D. Flores (University of the Philippines) Nikos Papastergiadis (University of Melbourne) T. K. Sabapathy (National University of Singapore) Nora A. Taylor (School of the Art Institute of Chicago) Ashley Thompson (SOAS, University of London)
This journal is open access thanks to the generous support of the Chen Chong Swee Asian Arts Programme at Yale-NUS College and the Foundation for Arts Initiatives.
Reference:
ArtHist.net
3/3 TOC: Southeast of Now: Directions in Contemporary and Modern Art in Asia, Vol 4,2. In: ArtHist.net, Oct 26, 2020 (accessed Feb 27, 2022), <https://arthist.net/archive/23796>.
