• Keine Ergebnisse gefunden

Repair: A Method for the 21st Century? (online, 27-28 May 21)

N/A
N/A
Protected

Academic year: 2022

Aktie "Repair: A Method for the 21st Century? (online, 27-28 May 21)"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

Repair: A Method for the 21st Century? (online, 27-28 May 21)

online / Department of Art History and World Art Studies, UEA, May 27–28, 2021 Registration deadline: May 25, 2021

Sarah Wade

This 2-day online conference hosted by the Department of Art History and World Art Studies at Uni- versity of East Anglia explores the concept of repair.

Please register to attend by emailing: ama.schooloffice@uea.ac.uk

PROGRAMME Thursday 27 May 1.45-2.00PM

Welcome & Introduction Ferdinand de Jong, UEA 2.00-3.30PM

Concepts of Repair

Rye Dag Holmboe, UEA - On Klein and Reparation

Francisco Martínez, Tallinn University - Politics of Repair in European Peripheries Jack Hartnell, UEA - Medieval Repair as Retreat and Return

Chris Wingfield, Sainsbury Research Unit and Jesmael Mataga, Sol Plaatje University - Re:collec- tion as Repair? Attempting to Remember in Common at Kuruman and Beyond

4.00-5.30PM

Archaeologies of Repair

Claudie Voisenat, anthropologist - Notre-Dame de Paris or the Double Meaning of Repair

Will Wootton, King's College London - Restoration, Renovation and Replacement: Managing Mosaics in Antiquity and Today

Ruth Slatter, University of Hull - Maintenance and Repair as Acts of Spiritual Faith in London's Wes- leyan Chapels

Dacia Viejo-Rose, University of Cambridge - Beyond Symbolic Measures: Repairing the Harm Caused by the Deliberate Destruction of Cultural Heritage

6.00-7.00PM

(2)

ArtHist.net

2/2

KEYNOTE

Ana María Reyes, Boston University - To Weave and Repair: On Symbolic Reparations and Institu- tion-Building

Friday 28 May 2.00-3.30PM Arts of Repair

Bonnie Kemske, artist - Kintsugi: Function, Beauty, and Story Bridget Harvey, artist - Repair-Making: Craft, Narratives, Activism

Teresa Dillon, UWE - Repair Acts, Reflections on Repair Practices and Cultures

Ed Krcma, UEA - Repair and Reconciliation in Tacita Dean's Darmstädter Werkblock (2007) 4.00-5.15PM

Ecologies & Practices of Repair

Bergit Arends, University of Bristol - On Montage and Repair

Sarah Wade, UEA - I'm Sorry For Your Loss: Apology, Animal Death and the Disappearance of Wildlife in Contemporary Art

Mark Justin Rainey, NUI Galway - The Spider and the Crane: Cosmopolitanism and Repair in Kami- la Shamsie's Burnt Shadows

Reference:

CONF: Repair: A Method for the 21st Century? (online, 27-28 May 21). In: ArtHist.net, Apr 29, 2021 (accessed Feb 27, 2022), <https://arthist.net/archive/33988>.

Referenzen

ÄHNLICHE DOKUMENTE

Session 8 / TIAMSA Legal Panel: Museum Practices: Deaccessioning (Part 1) Chair: MaryKate Cleary (University of Edinburgh).. 15:40 - Irene Walsh (University of Edinburgh):

By producing digital heritage, expanding the museum space to the Internet, integrating users with the museum public, melting interaction with education, transforming museums

The Eighteenth Annual Graduate Student Symposium in the History of Nineteenth-Century Art, co- sponsored by the Association of Historians of Nineteenth-Century Art (AHNCA) and

University of California, Riverside Department of the History of Art 10th Annual Graduate Student Virtual Conference.. (ART)ICULATIONS OF PROXIMITY AND MOBILITY Register for both

We are pleased to announce the Zoom workshop on the theme of “QUEERING THE BOUNDARIES OF THE ARTS IN THE SINOSPHERE.” Our workshop aims to investigate the contact zones in

15:30 Session 1: Old Masters, Modern Painters (chairs: Mayken Jonkman and Jan Dirk Baetens) Eveline Deneer (University of Utrecht)): Dutch and Flemish 17th-Century Genre Painting

- Frances Fowle (University of Edinburgh, National Galleries Scotland and TIAMSA) - Johannes Nathan (TIAMSA / Technische Universität Berlin). - Nick Pearce (University of Glasgow)

Jagiellonian University, Krakow Max Dvořák und das Geistige in der (christlichen) Architektur 15:55–16:15 Rostislav Švácha Czech Academy of Sciences, Prague. Max Dvořák on