Russian Berlin - Emigrés, immigrants and the 1920s avant-garde (Leeds, 28 Nov 03)

We contend that in the second half of the nineteenth century in France the mythologisation of the peasant was constructed around this fear, meaning that the

The re-entry of the artists from the old Grupa Mlodych Plastykdw into official artistic life was marked by the in- stitutional beginning of the postwar Grupa Krakowska.?.

Zum einen ist es Simmels Außenseitertum an der Universität Berlin, das unmittelbar weit weniger auf seine Zugehörigkeit zum Judentum zurückzuführen ist (wie häufig geschehen), als

Joana Cunha Leal - Instituto de História da Arte, NOVA FCSH, Lisbon Paula Ribeiro Lobo - Instituto de História da Arte, NOVA FCSH, Lisbon Begoña Farré Torras - Instituto de História

We are pleased to announce the following call for papers, for the panel which we will be chairing at the 90th annual meeting of the College Art Association, in Philadelphia,

Particular emphasis will be on the inten- tions of the Soviet state, the expectations of German leftist artists and intellectuals, the goals and organization of the exhibition, the

- The role of gender in the use of paper and the production of works on paper - Art on paper in avant-garde movements (Dada, Constructivism, Surrealism, etc.) - The artistic process

‘The Downtown Show’ (Grey Art Gallery, New York, 2006); ‘Mixed Use Manhattan: Photography and Related Practices, 1970s to Present’ (Museo Nacional Centro de Arte Reina Sofía,