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W O R K I N G P A P E R

l n t e r n a t ~ o n a l l n s t ~ t u l e for Appl~ed Systems Analys~s

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NOT FOR QUOTATION WITHOUT PERMISSION OF THE AUTHOR

ACTION CURVES AND CLOCK- WORK GENIUSES

C. Marchetti

October 1 9 8 5 PTP-85-74

Working Papers are interim reports on work of the International Institute for Applied Systems Analysis and have received only limited review. Views or opinions expressed herein do not necessarily repre- sent those of the Institute or of its National Member Organizations.

INTERNATIONAL INSTITUTE FOR APPLIED SYSTEMS ANALYSIS A-2361 Laxenburg, Austria

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RESUME

E a r l i e r a n a l y s e s of t h e g e n e r a t i o n and s p r e a d of i n n o v a t i o n l e d me t o l o o k i n t o t h e g e n e r a t o r and s c a t t e r e r , man.

Applying t h e same a n a l y t i c t e c h n i q u e s a s a r e used f o r examining s o c i e t a l s t r u c t u r e s , I found t h a t man i s h i g h l y o r d e r e d and r e g u l a t e d . H i s o u t p u t t h e r e f o r e can be simply d e s c r i b e d a n d , t o an e x t e n t , p r e d i c . c e d . T h i s g e n e r a l i z e s t h e p r i n c i p l e t h a t t h e b i o l o g i c a l paradigm can be e x t e n d e d t o s o c i a l b e h a v i o r .

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ACTION CURVES AND CLOCKWORK GENIUSES

Tu ne quaesieris, s c i r e nefas, Q m n m i h i q u e m t i b i

Finem dii dederint, Leuconoe, nec Babylorn rls Temptaxis numros.

Horace Odes, Book I, Ode x i

F a t e and d e s t i n y a r e c r o s s c u l t u r a l e l e m e n t s i n p h i l o s o p h y , r e l i g i o n , and a r t , p e r h a p s r e a c h i n g t h e h i g h e s t e m o t i o n a l and i n t e l l e c t u a l i n t e n s i t y i n Greek t r a g e d y and t h e i r most s u b t l e e x p r e s s i o n i n C a l v i n i s t t h e o l o g y .

Man p e r c e i v e s e x t e r n a l f o r c e s , endowed w i t h a n i n t e r n a l l o g i c , t h a t f r a m e h i s a c t i o n s , f e e l i n g s , a n d t h o u g h t s i n a n u n b r e a k a b l e , i f n o t v i s i b l e , c a g e . S u r e l y i t would b e s t r a n g e i f s u c h a g e n e r a l p e r c e p t i o n d i d n o t c o r r e s p o n d t o some

o b j e c t i v e f a c t .

T h a t t h e s o c i e t y a r o u n d u s f r a m e s o u r a c t i o n s i s a t r i v i a l o b s e r v a t i o n . However, from my s o c i o e c o n o m i c a n a l y s e s ( e . 9 . 1, 2,3) I c o n c l u d e t h a t t h i s f r a m e i s q u a n t i t a t i v e . The u n d e r l y i n g l o g i c i s h a r d . A l t h o u g h e x p r e s s e d a t t h e c o l l e c t i v e l e v e l , i t may y e t b e a b l e t o accormpdate t h e i n d i v i d u a l . A s Greek t r a g e d y and C a l v i n i s t t h e o l o g y f o c u s on t h e i n d i v i d u a l , I t h e r e f o r e c o n f i n e d my a n a l y s i s t o t h e i n d i v i d u a l , t o d e t e r m i n e w h e t h e r t h e r e i s a s t r i c t l o g i c o p e r a t i n g t h e r e .

C e r t a i n l y l o g i c a b o u n d s a s l o n g a s w e r e m a i n w i t h i n t h e

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biological realm. The more we know about genetics, the more we can observe its pervasive and steely control. It might even clock the day of our death. The evidence is indeed mounting

( 4 ) . Intellectual activity is a good example. Although

patterns have been sought and found ( 5 ) , basically they have not gone beyond the level of qualitative descriptions.

Youngsters are naive and oldsters are tired, so that activities such as sports and writing books must go up and down with age.

I sought to harden the analysis. As usual, I started with facts, hard and proven. And, as usual, I searched exclusively for patterns, avoiding as much as possible the fly paper of explanations.

For appropriate documentation, I concentrated on persons whose actions have been appreciated, studied, and classified:

artists and scientists provided a good start. I assumed that a piece of art or science is the final expression of a p u l s e 5'

action, which started in some obscure part of the brain and worked its way through all the intermediate steps. This led me to study the time patterns of these pulses. In my heuristic mental image actions are transcodifications of information

structures. This relationship is true at the biological level, where information is processed in the DNA, as well as at the personal or social level, where the coding has a different

suLstrate but the same basic processing rules apply ( 6 ) .

One of the consequences of this mental image is the as- semblage of pulses of action into growth processes. Integrating

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these over time, I found that the growth function is in fact the temporal organizer of these processes. The curves pre- suppose a final target (a "niche") and a rate, which in biology is directly proportional to the product of the level reached

(i.e. the current size of a population) and the part yet to be bridged (i.e. the unfilled niche) to meet the target. As

competition, for example, can keep one from reaching this final target, I chose to call this target a virtual or, better yet, a perceived target. This is a constant in the growth equation

and remains so throughout the entire growth period.

I have applied these concepts to analyses of a disparate array of socioeconomic structures, classifying the growth of populations such as railway networks (with the inauguration of the first line taken as the birth date) ( 2 1 , automobiles ( 3 ) ,

and clusters of innovations ( 1 ) , Application to individuals comes automatically, provided that one takes the backward step of assuming that information is processed essentially at the individual level, as in society as a whole. Anyway, the reason- ing is heuristic. The results will tell whether we are on the right path.

The analytic results for a selection of outstanding person- alities from science, music, and the visual arts are given in Figures 1 to 13. In each case, I took as the population the

"brain-children" of these people, plottingitsgrowth and then fitting the data to a logistic curve. I call the resulting chart the action curve, analogous to the growth curve of an individual, and refer to the saturation level as the perceived potential.

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These l o g i s t i c s have o n l y t h r e e p a r a m e t e r s . Thus t h e time d i s t r i b u t i o n o f t h e work of a g r e a t man c a n be condensed i n t o t h r e e numbers: one d e f i n e s t h e p e r c e i v e d p o t e n t i a l ; t h e second f i x e s a r a t e c o n s t a n t ( o r , more i n t u i t i v e l y , a t i m e c o n s t a n t ) t h a t measures t h e s p r e a d o v e r t i m e ; and t h e t h i r d i s a time c u r s o r t h a t l o c a t e s t h e s t r u c t u r e w i t h i n t h e l i f e s p a n of t h e p e r s o n . These p a r a m e t e r s c a n be e x t r a c t e d from a segment o f t h e d a t a , making t h e r e s t of t h e d a t a d e t e r m i n a t e .

I t must b e o b v i o u s t h a t I d i d n o t t a k e aim a t t h e h o l y cow o f c r e a t i v i t y , o n l y a t i t s mooing. For t h i s r e a s o n I c a l l such c h a r t s a c t i o n c u r v e s . Because I t h i n k t h i s r e l a t i o n s h i p i s of g e n e r a l c h a r a c t e r , I c o n t i n u e t o s e a r c h f o r a p p r o p r i a t e i n d i c a - t o r s and s t a t i s t i c s t o p r o v e t h a t i t a p p l i e s a l s o t o l e s s e r a c t i v i t i e s .

These t h r e e numbers c r e a t e p o s s i b i l i t i e s f o r p r y i n g i n t o t h e l i f e o f g e n i u s e s , c a t e g o r i z i n g and c l a s s i f y i n g them. To i l l u s t r a t e f u r t h e r what I mean by t h e p e r c e i v e d p o t e n t i a l , con- s i d e r t h e amount o f b e a n s a man c a r r i e s i n h i s bag and t h e amount l e f t when h e f i n a l l y d i e s . Looking a t t h e c a s e s men- t i o n e d h e r e and t h e o t h e r s e x c l u d e d t o keep t h e p a p e r r e l a t i v e l y b r i e f , I f i n d t h a t t h e l e f t o v e r b e a n s a r e u s u a l l y f i v e t o t e n p e r c e n t o f t h e t o t a l . A p p a r e n t l y when Mozart d i e d a t 3 5 y e a r s o f a g e , h e had a l r e a d y s a i d what he had t o s a y .

My c h o i c e o f cases may b e b i a s e d . T h a t i s p o s s i b l e , a s i t w a s d e t e r m i n e d by t h e a v a i l a b i l i t y of s e r i o u s d a t a s t r i n g s . F o r example, my p e r s o n a l i n t e r e s t i n t h e v i s u a l a r t s and t h e

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abundance of c r i t i c a l i n f o r m a t i o n i n my p e r s o n a l l i b r a r y h a s b i a s e d m e t o w a r d s p a i n t e r s .

A s my i n v e s t i g a t i o n s a r e a t t h e b e g i n n i n g , t h e r e a r e many open q u e s t i o n s

--

e . g . , , how l a r g e i s t h e a r e a of a p p l i c a t i o n . My g u e s s i s t h a t t h e o b s e r v e d p a t t e r n i s , i n d e e d , a g e n e r a l one which c a n b e u s e d t o d e s c r i b e human a c t i o n s . I n F i g u r e 1 4 I show t h e r e s u l t s of a n a l y z i n g c h i l d b e a r i n g , a s a c o u n t e r p a r t t o t h e l o o k a t b r a i n - c h i l d r e n . The c h a r t s r e v e a l some i n t e r - e s t i n g p e c u l i a r i t i e s i n t h e s o c i a l and c u l t u r a l m o d u l a t i o n of f e r t i l i t y .

On o t h e r o c c a s i o n s I have examined t h e g e n e r a t i o n and s p r e a d o f i n n o v a t i o n s i n Western s o c i e t i e s . A f t e r a l l , man i s the prime mover and f i n a l r e c i p i e n t of i n n o v a t i o n .

COMMENTS TO THE CHARTS

The c h a r t s f i t t h e c u m u l a t i v e number of t h i n g s p r o d u c e d , i n d e p e n d e n t o f t h e i r s i z e and t h e i m p o r t a n c e a t t r i b u t e d t o them.

The f i t t i n g e q u a t i o n i s a t h r e e p a r a m e t e r l o g i s t i c of t h e t y p e

-

N N ( t ) =

1

+

e x p

-

( a t + b )

where N i s t h e c u m u l a t i v e number of o b j e c t s a t t i m e t and

N

i s t h e a s y m p t o t e o r s a t u r a t i o n l e v e l .

E,

a and b have t o be c a l - c u l a t e d by f i t t i n g t h e d a t a .

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The c h a r t s show F = N ( t ) / g i n a l i n e a r i z e d form:

l o g (F/l-F) = a t + b.

-

N i s g i v e n i n p a r a n t h e s i s ; i t i s c a l l e d t h e p e r c e i v e d

p o t e n t i a l i n t h e t e x t . AT g i v e s t h e t e m p o r a l s p r e a d of produc- t i o n : t h e t i m e t o go from 10% t o 90% o f

N;

i t r e p r e s e n t s a more i n t u i t i v e way of e x p r e s s i n g a. The p a r a m e t e r b i s a time c u r s o r l o c a t i n g t h e p u l s e i n t o t h e l i f e of t h e p e r s o n .

The y e a r of maximum p r o d u c t i v i t y i s u s u a l l y marked. I t c o r r e s p o n d s t o t h e p o i n t i n t h e c u r v e where . 5

N

i s r e a c h e d . The f i r s t d a t a p o i n t s a r e u s u a l l y below t h e e q u a t i o n l i n e ; t h i s I i n t e r p r e t a s a c a t c h u p . The l i n e may be i n t e r p r e t e d , imply- i n g t h a t t h e c r e a t i v e i m p u l s e s e x i s t e d b e f o r e t h e y c o u l d be t e c h n i c a l l y e x p r e s s e d , a s i s t h e c a s e w i t h t h e f e r t i l i t y of g i r l s of 1 4 y e a r s . But a s t h e dynamic o f c a t c h i n g up shows, t h e i m p u l s e s a r e d e l a y e d h u t n o t s u p p r e s s e d . ( G i r l s have a l - r e a d y met t h e i r p r e s c r i b e d q u o t a by 1 8 y e a r s o f a g e a s do a r t i s t s v e r y e a r l y i n t h e i r c r e a t i v e p e r i o d . )

When d e a t h i s a p p r o a c h i n g ( v e r y o f t e n around 9 0 % o f E l , u s u a l l y t h e r e i s a s l i g h t i n c r e a s e i n o u t p u t w i t h r e s p e c t t o t h e p r e s c r i p t i o n o f t h e e q u a t i o n . S e e , t y p i c a l l y , Mozart. I n t h e c a s e of S h a k e s p e a r e , t h e e x t r a p l a y , a s I l a t e r d i s c o v e r e d , was i n f a c t w r i t t e n by somebody else.

O t h e r c a s e s n o t shown h e r e a r e s t i l l u n d e r e l a b o r a t i o n . They show t h a t sometimes a d o u b l e - b a r r e l l i f e , w i t h two p u l s e s , may b e p o s s i b l e .

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REFERENCES

(1) Marchetti, C. (.1980) Society as a Learning System: Dis- covery, Invention, and Innovation Cycles Revisited.

T e c h n o l o g i c a l F o r e c a s t i n g a n d S o c i a l Change 18:267-282.

(2) Marchetti, C. (1983) On a F i f t y Y e a r s P u l s a t i o n i n Human A f f a i r s : A n a l y s i s o f Some P h y s i c a l I n d i c a t o r s . PP-83-5.

International Institute for Applied Systems Analysis, Laxenburg, Austria.

(3) Marchetti, C. (1983) The Automobile in a System Context:

The Past 80 Years and the Next 20 Years. T e c h n o l o g i c a l F o r e c a s t i n g a n d S o c i a l Change 23:3-23.

(4) Winfree, A.T. (1980) T h e G e o m e t r y o f B i o l o g i c a l T i m e . Springer Verlag, New York.

(5) Simonton, D.K. (1984) G e n i u s , C r e a t i v i t y a n d L e a d e r s h i p . Harvard University Press, Cambridge, Mass.

(6) Marchetti, M. (1983) On the Role of Science in the Post- industrial Society: "Logos

-

The Empire Builders".

T e c h n o l o g i c a l F o r e c a s t i n g and S o c i a l Change 24:197-206.

Note

These references are basically limited to my connected work.

Literature on the application of Volterra-Lotka equations is vast and easily retrievable.

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