• Keine Ergebnisse gefunden

Creative writing workshop - Short stories

N/A
N/A
Protected

Academic year: 2022

Aktie "Creative writing workshop - Short stories"

Copied!
6
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

© RAABE 2021

I.A.4.7

Schulung der sprachlichen Fertigkeiten – Writing

Creative writing workshop – Short stories zu lehrplanrelevanten Themen schreiben, überarbeiten und vortragen (Klasse 9–11)

Sarah Lodder, Berlin

“The one thing you have that nobody else has is you. Your voice, your mind, your story, your vision.

So write and draw and build and dance and play and live as only you can.” – Neil Gaiman

Der Creative writing workshop motiviert Schülerinnen und Schüler, sich mit Literatur auseinanderzu- setzen, zu lesen, kreativ zu werden und sich selbst am literarischen Schreiben zu versuchen. Dabei bietet das Material zahlreiche Hilfen, um diese Kompetenzen zu entwickeln. Am Progress board wird der eigene Fortschritt vermerkt und für die peers sichtbar gemacht. So können sich die Lernenden jederzeit gegenseitig unterstützen und werden bald merken: Literatur macht Spaß!

KOMPETENZPROFIL

Klassenstufe: 9–11

Dauer: ca. 15 Unterrichtsstunden

Kompetenzen: 1. Leseverstehen: Textvorlagen für die eigene Geschichte lesen und verstehen; 2. Schreiben: kreative Texte schreiben (den Auf- bau einer Kurzgeschichte kennenlernen, Charaktere entwickeln, settings erfinden u. v. m.); 3. Sprechen: Feedback geben, eine Präsentation/Lesung halten

Thematische Bereiche: Literarisches Schreiben

Material: Workbook mit Texten und Bildern, Vorlage für das Progress board, Inspiration box, weitere Zusatzmaterialien

© www.colourbox.com

zur Vollversion

VORSC

HAU

(2)

I.A.4 Writing Beitrag 7 Creative writing workshop 3 von 32

106 RAAbits Englisch Februar 2021

© RAABE 2021

Auf einen Blick

1. Stunde/Einstiegsstunde

Thema: Introduction

M 1 Dear student / Kennenlernen des Workbooks; Klären von Fragen

Benötigt: £ Workbook

£ ZM 1: Progress board £ ZM 2: Inspiration box

£ ZM 3: Reading as a source of inspiration

Part 1

Thema: Getting in the mood

M 2 The iceberg principle / Erarbeiten von Hemingway’s iceberg principle

M 3 Guessing gaps and perspective / Kennenlernen von Erzählperspektiven anhand eines Lückentextes

M 4 Let pictures talk / Erfinden von Dialogen und Monologen für Figuren und Konstru- ieren eines passenden Kontexts

M 5 Microfiction / Interpretieren von und kreatives Arbeiten mit microfiction M 6 Story mountain / Kennenlernen und Anwenden des klassischen Aufbaus einer

Erzählung

M 7 Inspiration in a box / Sammeln und Strukturieren von Ideen für eine eigene Kurz- geschichte anhand der Inspiration box

M 8 Thought experiments / Beantworten hypothetischer Fragen als Anregung für die eigene Geschichte

M 9 Homework: Be an explorer! / Notieren von Wahrnehmungen im Alltag als Anre- gung für die eigene Geschichte

Benötigt: £ Workbook

£ ZM 1: Progress board £ ZM 2: Inspiration box

£ ZM 4: Read about writing: Further writing tips

Part 2

Thema: Planning your story

M 10 Plot and setting (place and time) / Entwickeln von plot und setting der eigenen Kurzgeschichte

M 11 Characters come alive / Entwickeln der Hauptfigur anhand von vorgegebenen Fragen

M 12 Narrator, what do you say? / Kennenlernen von Erzählperspektiven; Wählen einer Erzählperspektive für die eigene Kurzgeschichte

zur Vollversion

VORSC

HAU

(3)

© RAABE 2021

Part 3

Thema: Writing your story

M 13 General writing advice and editing process / Lesen von Hinweisen zum Schreiben der Geschichte und zum Korrekturprozess

M 14 The final version / gegenseitiges Korrekturlesen der Texte; finales Überarbeiten der Texte

Part 4

Thema: Presenting your story

M 15 Reading advice – don’t think twice / Vorbereiten einer Präsentation/Lesung der eigenen Kurzgeschichte

Part 5

Thema: Evaluation reading as a source of inspiration

M 16 Students‘ self-evaluation and feedback / Evaluieren der Unterrichtsreihe und des eigenen Texts anhand von Fragen und einer Checkliste

M 17 Teacher’s evaluation / Bewertungsraster für eine Rückmeldung durch die Lehr- kraft; Grundlage für die Notengebung

Minimalplan

Das Präsentieren und Vorlesen der Geschichten (M 15) kann bei Zeitknappheit entfallen. Die Siche- rung erfolgt bereits im Rahmen der Peer-Evaluation sowie des Lehrerfeedbacks.

zur Vollversion

VORSC

HAU

(4)

10 von 32 I.A.4 Writing Beitrag 7 Creative writing workshop

106 RAAbits Englisch Februar 2021

© RAABE 2021

Let pictures talk

Tasks

1. Fill in the speech and thought bubbles.

2. Then choose one image and invent a context for your picture: Who are the characters? Where are they and why? Is there a problem and what could be a solution for it?

10 von 32 I.A.4 Writing Beitrag 7 Creative writing workshop

106 RAAbits Englisch Februar 2021

Let pictures talk

Tasks

1. Fill in the speech and thought bubbles.

2. Then choose one image and invent a context for your picture: Who are the characters? Where are they and why? Is there a problem and what could be a solution for it?

© sebos/AdobeStock

©bluebearry/iStock

Language support:

(to) wear a burkini: einen Burkini tragen − (to) have different beliefs: verschiedene Vorstellungen, Glauben, Ansichten haben − (to) be a muslim: ein Muslim/eine Muslima sein

− (to) look arrogant: arrogant aussehen − (to) eye so./sth.: jmndn./etw. mustern, beäugen (to) go to a psychologist: zum Psychologen gehen − relationship counselling: die Paarberatung – (to) talk about one’s feelings: über seine Gefühle sprechen − (to) be annoyed: genervt, verärgert sein – (to) resign: resignieren − (to) listen attentively:

aufmerksam zuhören − (to) grow apart: sich auseinanderleben

M 4

Language support:

(to) wear a burkini: einen Burkini tragen − (to) have different beliefs: verschiedene Vorstellungen, Glauben, Ansichten haben − (to) be a muslim: ein Muslim/eine Muslima sein

− (to) look arrogant: arrogant aussehen − (to) eye so./sth.: jmndn./etw. mustern, beäugen (to) go to a psychologist: zum Psychologen gehen − relationship counselling: die Paarberatung – (to) talk about one’s feelings: über seine Gefühle sprechen − (to) be annoyed: genervt, verärgert sein – (to) resign: resignieren − (to) listen attentively:

aufmerksam zuhören − (to) grow apart: sich auseinanderleben

M 4

© bluebearry/iStock

© sebos/AdobeStock

zur Vollversion

VORSC

HAU

(5)

14 von 32 I.A.4 Writing Beitrag 7 Creative writing workshop

© RAABE 2021

Thought experiments

Einstein used thought experiments (questions that can only be solved using imagination) on a regular basis. He actually formulated the special theory of relativity by asking the question, “What would it be like to travel on a beam of light?“ It is interesting to conduct these thought experiments in the midst of everyday life.

Task

1. Read the thought experiments. Which one do you like best? Why? Can it be useful for your story?

Make notes.

14 von 32 I.A.4 Writing Beitrag 7 Creative writing workshop

Thought experiments

Einstein used thought experiments (questions that can only be solved using imagination) on a regular basis. He actually formulated the special theory of relativity by asking the question, “What would it be like to travel on a beam of light?“ It is interesting to conduct these thought experiments in the midst of everyday life.

Task

1. Read the thought experiments. Which one do you like best? Why? Can it be useful for your story? Make notes.

© www.colourbox.com

2. Asking “what if?” is an easy but powerful way to get your imagination going. Here are some more ideas. Answer each question briefly.

What if we elected our politicians by lottery?

What if a barrel of fresh water and a barrel of oil had the same prize?

What if people didn’t need to sleep?

What if human life-expectancy were 200 years?

What if people had to spend every third year living outside the country where they were born?

Based on: Smith, Keri: How to be an Explorer of the World. London, Penguin Books Lt. 2011.

M 8

What if my house were a playground?

What if I met my favourite actor here?

2. Asking “what if?” is an easy but powerful way to get your imagination going. Here are some more ideas. Answer each question briefly.

f

What if we elected our politicians by lottery?

f

What if a barrel of fresh water and a barrel of oil had the same price?

f

What if people didn’t need to sleep?

f

What if human life-expectancy were 200 years?

f

What if people had to spend every third year living outside the country where they were born?

Based on: Smith, Keri: How to be an Explorer of the World. London, Penguin Books Lt. 2011.

M 8

zur Vollversion

VORSC

HAU

(6)

16 von 32 I.A.4 Writing Beitrag 7 Creative writing workshop

106 RAAbits Englisch Februar 2021

© RAABE 2021

3. Engage all your senses. Study the photo and make use of all your senses to describe it. Use a table like the one below.

© Franz-Marc Frei/The Image Bank

What you can see

What you can hear

What you can smell

What you can taste

How does it feel to touch

Language support

(to) sparkle – bright – illuminated – dim – hazy – colourful – reflect – echo – jingle – raucous – shout – rhythm – noise – cacophony – tight – soft – firm – hot – (to) thrust – (to) tickle – slippery – solid – itchy – fetid – fragrant – malodorous – musky – perfume – pungent – redolent – scent – salty – sweet – bitter – chlorinated – sugary – rich – spicy – sharp – minty

zur Vollversion

VORSC

HAU

Referenzen

ÄHNLICHE DOKUMENTE

alignment of the film with public policy on pandemic preparedness and the 2009/10 influenza pandemic gestures towards the interconnections of pandemic, expert public health

Rahel Brunschwiler

The Special Theory of Relativity is often interpreted as forcing us to accept a concep- tual revolution in our thinking about space, time, and the temporal distinction between

This paper explores the implications of a Civil Economy approach to consumer ethics, by addressing the idea that Antonio Genovesi’s (1713–1769) notion of mutual assistance can

The ENVIRONMENT DIVISION is that part of the source program which specifies the equipment being used. It contains descriptions of the computers to be used both for

In the current macroeconomic modelling, the efficient market hypothesis is related to auxiliary assumptions: (II-b) The no-Ponzi-game condition states that the

He deserves to be praised by a grateful present and posterity as the man who first liberated mankind from immaturity (as far as government is concerned), and who left all men free

The increase in submarine losses at that time corresponded with the introduction of the three elements of an ASW kill chain: S-band radar that was not detectable by fielded