• Keine Ergebnisse gefunden

Jan van Eyck Academie 2005

N/A
N/A
Protected

Academic year: 2022

Aktie "Jan van Eyck Academie 2005"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

Jan van Eyck Academie 2005

Kim Thehu Deadline: April 15, 2004 Jan van Eyck Academie

Post–Academic Institute for Research and Production Fine Art, Design, Theory

APPLICATIONS

The Jan van Eyck Academie invites artists, designers and theorists to apply for a one or two year research period starting in January 2005.

Research proposals can be send in before April 15, 2004. See for application details www.janvaneyck.nl.

PROGRAMME

The Jan van Eyck Academie offers artists, designers and theorists time and space to set up research projects and realise productions. The objectives of researchers and advising researchers are of primary

significance to the heterogeneous programme at the Jan van Eyck Academie.

The programme covers everything that is being ‘done’ and ‘made’ by the researchers, advising researchers, guests and members of staff: lectures, seminars, workshops, presentations, studio visits, exhibitions,… All activities at the academy are brought together in the weekly programme.

Interested people are welcome to attend these activities. An update of the weekly programme can be found at www.janvaneyck.nl or you can subscribe to the mailing list at

program@janvaneyck.nl.

program@janvaneyck.nl.

FACILITIES

The Jan van Eyck Academie facilitates an advisory framework for individual and collaborative projects. Internationally renowned artists, designers and theorists give artistic advice to the researchers and create conditions for an optimal realisation of research projects. The following advising researchers are active in the Jan van Eyck Academie:

Orla Barry, Norman Bryson, Linda van Deursen, Paul Elliman, Marc De Kesel, Jouke Kleerebezem, Aglaia Konrad, Armand Mevis, Eva Meyer, John Murphy, Hinrich Sachs, Filiep Tacq, Wouter Vanstiphout, Daniël van der Velden and Annelys de Vet. Besides this advisory framework, researchers are offered a stipend, a production budget, a studio and the facilities

(2)

ArtHist.net

2/2

of the technical workshops (materials, wood, graphics, photography, time- based media, computer), the library and the production bureau. For Dutch researchers the costs for living accommodation in Maastricht are

compensated. Foreign researchers are offered assistance in finding additional financial means.

Jan van Eyck Academie Academieplein 1 6211 KM Maastricht Netherlands

T + 31 (0) 43 350 37 37 info@janvaneyck.nl www.janvaneyck.nl

Reference:

STIP: Jan van Eyck Academie 2005. In: ArtHist.net, Mar 12, 2004 (accessed Feb 27, 2022),

<https://arthist.net/archive/26262>.

Referenzen

ÄHNLICHE DOKUMENTE

Zeichne detailliert (möglichst mit den Größen der verwendeten Bauteile) den Schaltplan für die erste Transistorschaltung, die wir gebaut haben (das Berühren zweier Drähte mit je

This is followed by a full page copperplate engraving with female personifications of sculpture, painting - the latter being enhanced - and of architecture.. Then comes

landen dieser Zeit und auch der späteren Generation des alten Bruegel zu wissen, wer hier dargestellt ist, — zumal da Scorel mit anderen Bildnissen gezeigt

The conference deals with the way imagination and invention function and manifest themselves in art and theory?. The graduate program &#34;Practice and Theory of the Creative Process

Dritten&#34; hervor: dritte Räume jenseits der Opposition von Diesseits und Jenseits, Medien, welche die Kluft zwischen dem Reich der Lebenden und dem der Toten überbrücken

Late Victorian Sculpture, Modern Abstract Art and 20th Century Design Craig Martin (Surrey Institute of Art and Design, University College) Creative Commonality in the Work of

On Friday 18 February 2005 the symposium Innovative Game Design is taking place at the Jan van Eyck Academie in Maastricht.. An international party of researchers is discussing

Für das Konzept der Infografischen Orte und Räume, der Verknüpfung von Topografie und Information, werden Möglichkeiten der medientechnischen und mediengestalterischen