Schätzwert: EUR ,- bis EUR ,-

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Moderne

Auktionstermin: 31.05.2022, 17:00

Auktionstyp: Saal Auktion mit Live Bidding

Lot Nr. 1

Leo Putz

Schätzwert:

EUR 40.000,- bis EUR 60.000,-

(Meran 1869–1940)

“Stehender Akt”, signed, dated Leo Putz 06, oil on canvas, 117 x 88.5 cm, backed with fabric in two areas on the reverse, framed

Lot Nr. 2

Rudolf Wacker

Schätzwert:

EUR 35.000,- bis EUR 60.000,-

(Bregenz 1893–1939)

„Puppe” (mit Streichholzschachtel I), signed, dated R. Wacker 31 as well as inscribed B 17 H 20 Rud. Wacker Bregenz 1931 “Puppe” in the artist’s handwriting on the reverse, oil on wood, 20 x 17 cm

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Lot Nr. 3

Werner Berg *

Schätzwert:

EUR 140.000,- bis EUR 180.000,-

(Wuppertal-Elberfeld 1904–1981 St. Veit im Jauntal/Carinthia)

Sommerabend im Dorf (Kirche St. Stefan in Globasnitz, Kärnten) / Summer evening in a village (Carinthia), 1958, monogrammed W. B., oil on canvas, 76 x 96 cm, framed

Lot Nr. 4 -

Herbert Gurschner *

Schätzwert:

EUR 60.000,- bis EUR 70.000,-

(Innsbruck 1901–1975)

Bean Ingram, 1928, by the artist to the lower right corner: Bean Ingram habe ich gemalt 1928 mit einer Maske weil dass Leben verlangt Masken Herbert Gurschner, oil on canvas, on canvas, 107 x 67.5 cm, framed

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Oskar Mulley

Schätzwert:

EUR 25.000,- bis EUR 40.000,-

(Klagenfurt 1891–1949 Garmisch)

“Bauernhof im Hochgebirge”, c. 1930, signed Mulley, inscription on the reverse: Unserem lieben Freunde Meo zum 60. Wiegensfeste Aigner-Klebelsberg-Brunner-Kinz – 29. August 1933, oil on canvas, 88 x 71 cm, lower right side on the reverse is backed with fabric, framed

Lot Nr. 6

Oskar Mulley

Schätzwert:

EUR 15.000,- bis EUR 25.000,-

Bildstock / Wayside shrine, signed Mulley, oil on canvas, 70 x 90 cm, framed

Lot Nr. 7

Oskar Mulley

Schätzwert:

EUR 25.000,- bis EUR 40.000,-

Einsamer Bauernhof inmitten von Bergen / Lonely farmhouse amidst mountains, signed Mulley, oil on canvas, 130 x 110 cm, framed

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Lot Nr. 8

Karl Plattner *

Schätzwert:

EUR 30.000,- bis EUR 50.000,-

(Mals, South Tyrol, 1919–1986 Meran, South Tyrol)

In the suburbs of São Paulo, Brazil, 1956–1957, signed and dated K. Plattner 56–57, oil on panel, 61 x 81 cm, framed

Lot Nr. 9

Herbert Boeckl *

Schätzwert:

EUR 35.000,- bis EUR 50.000,-

(Klagenfurt 1894–1966 Vienna)

Blumenstillleben (Dahlien) / Still Life with Flowers (Dahlias), signed, dated Böckl Bertl 1929, oil on canvas, 70 x 61 cm, framed

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Albert Birkle *

Schätzwert:

EUR 25.000,- bis EUR 38.000,-

(Charlottenburg 1900–1986 Salzburg)

“Der Eremit”, tempera on structured cardboard, on plywood, 91 x 60 cm, framed

Lot Nr. 12

Gustav Klimt

Schätzwert:

EUR 50.000,- bis EUR 70.000,-

(Vienna 1862–1918)

Lady portrait bust to the right, head turned to the front, portrait drawing to the painting “Bildnis Ria Munk III”

1917/18 incomplete - (Novotny-Dobai no. 209, Weidinger no. 246 - there titled Damenbildnis resp. Frauenbildnis, Natter no. 236), signed (oval) Gustav Klimt, pencil, red and blue colour pencil on paper, 50 x 32.5 cm,

passep.-cutout 48 x 31 cm, framed

Alice Strobl, Gustav Klimt. Die Zeichnungen 1912–1918, vol. III, Verlag Galerie Welz, 1984, p. 126/2627, p. 127 ill.

Noted under Strobl no. 2627:

Signiert re. oben: “Gustav Klimt” (oval) (von fremder Hand?)

Marian Bisanz-Prakken examined this drawing in original in spring 2022 – the signature is by Gustav Klimt.

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Lot Nr. 13

Gustav Klimt

Schätzwert:

EUR 35.000,- bis EUR 50.000,-

(Vienna 1862–1918)

Portrait Charlotte Pulitzer, 1917, study for the eponymous oil painting (Novotny-Dobai no. 190, Weidinger no. 244, Natter no. 234), pencil on paper, sheet size 49.8 x 32.5 cm, in passep.-cutout 43.5 x 31.5 cm slightly browned, framed

Alice Strobl: Gustav Klimt. Die Zeichnungen 1912–1918, vol. III, Verlag Galerie Welz, 1984, p. 152, no. 2747, p.

153 ill. (passep.-cutout)

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Gustav Klimt

Schätzwert:

EUR 25.000,- bis EUR 40.000,-

(Vienna 1862–1918)

Sitzender weiblicher Rückenakt, Sitzende und Stehende nach links / Sitting female nude from the rear, sitting and standing woman to the left, studies for the faculty painting “Medizin” 1901–1907 (Novotny-Dobai no. 112,

Weidinger no. 139, Natter no. 127) used for the transfer sketch, signed Gustav Klimt, black chalk, red chalk, heightened with white on paper, 45 x 31.5 cm, on the reverse sketch of “Medizin und Philosophie” with ornament field in the middle, image size c. 9 x 15 cm, framed

Collector stamp WSK on the reverse – Wilhelm König (Vienna 1880-1955), L. 2653b

Marian Bisanz-Prakken examined this drawing in original in spring 2022 – the signature is by Gustav Klimt Alice Strobl, Gustav Klimt. Die Zeichnungen 1878–1903, vol. I, Verlag Galerie Welz, 1980, pp. 186–187, no. 602, with ill.; reverse p. 186, no. 593 with ill.

Ver Sacrum, issue 6, 15 March 1901, plate XII (detail)

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Lot Nr. 15

Gustav Klimt

Schätzwert:

EUR 8.000,- bis EUR 14.000,-

(Vienna 1862–1918)

Handstudien für die knieende Mänade im “Altar des Dionysos” / Hand studies for the kneeling maenad in the

“Altar des Dionysos”, Burgtheater Vienna, 1886/87 (Novotny-Dobai no. 40/Weidinger no. 62/Natter no. 59), to the upper right corner inscribed with “Nr. 80”, pencil drawing, heigtened with white on paper, 45 x 31.7 cm

Marian Bisanz-Prakken examined this work in original and will include it in the addendum of (V) Gustav Klimt. Die Zeichnungen von Alice Strobl, Albertina cat. rais., Vienna.

Lot Nr. 16

Gustav Klimt

Schätzwert:

EUR 12.000,- bis EUR 20.000,-

(Vienna 1862–1918)

Hand- und Armstudie für “Die Künste” im “Beethovenfries” / Hand and arm studies for “Die Künste” in

“Beethovenfries”, 1901/02, (Novotny-Dobai no. 127, Weidinger no. 153, Natter no. 141), to the lower left corner inscribed with “Nr. 184” and to the lower right with “231”, black chalk on paper, 44 x 31.5 cm

Marian Bisanz-Prakken examined this work in original and will include it in the addendum of (V) Gustav Klimt. Die

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Gustav Klimt

Schätzwert:

EUR 18.000,- bis EUR 28.000,-

(Vienna 1862–1918)

Brustbild eines jungen Mannes im Dreiviertelprofil nach rechts / Portrait of a young man in three-quarter profile to the right, c. 1879, to the lower left corner inscribed with “Nr. 113”, pencil, black chalk, heightened with white on paper, 45 x 25.5 cm, same model as lot 18

Lot Nr. 18

Gustav Klimt

Schätzwert:

EUR 16.000,- bis EUR 25.000,-

(Vienna 1862–1918)

Zeichnender junger Mann im Dreiviertelprofil nach rechts / Drawing young man in three-quarter profile to the right, c. 1879, to the lower left corner inscribed with “Nr. 112”, pencil, heightened with white on paper, 45 x 32 cm, same model as lot 17, frame on loan

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Lot Nr. 19

Gustav Klimt

Schätzwert:

EUR 12.000,- bis EUR 20.000,-

(Vienna 1862–1918)

Zeichnender älterer Mann im Dreiviertelprofil nach rechts und Wiederholung der Rückenlinie / Drawing older man in three-quarter profile to the right and repitition of the back line, c. 1879, to the lower left corner inscribed with

“Nr. 150”, black (?) chalk, heightened with white on paper, 45 x 31.5 cm

Lot Nr. 20

Gustav Klimt

Schätzwert:

EUR 15.000,- bis EUR 25.000,-

(Vienna 1862–1918)

Stehende mit erhobenem rechten Arm / Standing woman with raised right arm, 1897/98, study with reference to the painted sketch for the faculty painting “Jurisprudenz” (Novotny-Dobai no. 128/Weidinger no. 116/Natter no.

103), to the lower left corner inscribed with “Nr. 94”, pencil on paper, 44.3 x 31 cm

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Egon Schiele

Schätzwert:

EUR 18.000,- bis EUR 28.000,-

(Tulln 1890–1918 Vienna)

Boote / Boats, c. 1905, signed E. Schiele in the depiction to the lower right, inscribed Egon Schiele by another hand outside of the depiction on the paper margin, watercolour, pencil on paper, image size 17 x 12.8 cm, with grey outlining 19 x 15 cm, framed

Kallir D.45a:

The work will be included in the forthcoming digital update of the catalogue raisonné: Egon Schiele: The complete works

Lot Nr. 22

Giacomo Balla *

Schätzwert:

EUR 28.000,- bis EUR 38.000,-

(Turin 1871–1958 Rome)

Auto in corsa-linee di velocità, 1912, signed and dated (Futurballa 1912), greasy pencil on thin cardboard, 14.5 x 19.5 cm, framed

This work is accompanied by a photo certificate issued by Luce Balla This work is accompanied by a photo certificate issued by Giovanni Lista This work is accompanied by a photo certificate issued by Elena Gigli

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Lot Nr. 23

Roberto Marcello Iras Baldessari *

Schätzwert:

EUR 10.000,- bis EUR 20.000,-

(Innsbruck 1894–1965 Rome)

Velocità Treno + città, c. 1916, inscribed R. M. B., crayon on cardboard, 52 x 40 cm, framed

This work is registered in the Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari and is accompanied by a photo-certificate of authenticity

Lot Nr. 24 -

Roberto Marcello Iras Baldessari *

Schätzwert:

EUR 50.000,- bis EUR 70.000,- (Innsbruck 1894–1965 Rome)

La Tradotta, 1916, signed and dated, oil on canvas, 35 x 95 cm, framed

This work is registered at the Archivio Unico per il Catalogo delle Opere Futuriste di Roberto Marcello Baldessari, Rovereto, at no. B16 – 91 “Dipinti” and is accompanied by a certificate of archiving.

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Mino Rosso *

Schätzwert:

EUR 18.000,- bis EUR 25.000,-

(Castagnole Monferrato 1904–1963 Turin)

La Dattilografa, 1932, signed, dated and numbered 4/6, bronze, 42.5 x 19 x 27 cm

Lot Nr. 26

Fortunato Depero *

Schätzwert:

EUR 60.000,- bis EUR 80.000,-

(Fondo/Trento 1892–1960 Rovereto)

Mongolfiera sopra New Milford, 1948, oil on canvas, 80 x 105 cm, framed

Lot Nr. 27

Marc Chagall *

Schätzwert:

EUR 140.000,- bis EUR 180.000,-

(Witebsk 1887–1985 Saint Paul de Vence)

Animal fabuleux: Fabel-Tier, 1926–27, signed, water-colour, gouache, pastels on brown paper laid down on cardboard, 66 x 51.5 cm, framed

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Lot Nr. 28

Marino Marini *

Schätzwert:

EUR 25.000,- bis EUR 35.000,-

(Pistoia 1901–1980 Viareggio)

Untitled (Cavallo e cavaliere), 1949, signed and dated, ink and tempera on paper, 48.3 x 33.3 cm, framed

Lot Nr. 29

Marino Marini *

Schätzwert:

EUR 150.000,- bis EUR 200.000,-

Miracolo di colore, 1955, signed, dated and titled on the reverse, oil on paper laid down on canvas, 121.6 x 85 cm, framed

This work is registered in the Archivio of the Fondazione Marino Marini, Pistoia and is accompanied by a photo certificate of the Fondazione Marino Marini.

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Fernand Léger *

Schätzwert:

EUR 60.000,- bis EUR 80.000,-

(Argentan 1881–1955 Gif-sur-Yvette)

Étude pour “Les Constructeurs”, 1952, signed with initials and dated, gouache on paper, 22.5 x 28.5 cm, framed This work is registered in the Comité Léger, Paris, and is accompanied by a certificate of authenticity.

This gouache will be included in the catalogue raisonné currently being compiled by the Comité Léger.

Lot Nr. 31

Victor Brauner *

Schätzwert:

EUR 120.000,- bis EUR 160.000,-

(Piatra Neamtz, Rumania 1903–1966 Paris)

La leçon de Twist, 1962, signed and dated; titled on the reverse, oil on canvas, 116 x 89 cm, framed

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Lot Nr. 32

Marino Marini *

Schätzwert:

EUR 180.000,- bis EUR 280.000,-

Piccolo Miracolo, 1955–56, signed M. M. under the base, bronze, 44.1 x 41.5 x 14 cm

Lot Nr. 33

Marino Marini *

Schätzwert:

EUR 35.000,- bis EUR 45.000,-

Millepiedi, signed; signed and titled on the reverse, gouache and Collage on paper, 39.3 x 52 cm, framed This work is registered in the Archivio Fondazione Marino Marini and is accompanied by a photo certificate of authenticity

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André Masson *

Schätzwert:

EUR 40.000,- bis EUR 60.000,-

(Balagny/Oise 1896–1987 Paris)

La chambre du magicien, 1966, signed, oil on canvas, 81 x 63 cm, framed

Lot Nr. 35

Roberto Crippa *

Schätzwert:

EUR 20.000,- bis EUR 30.000,-

(Monza 1921–1972 Milan)

Personnage, 1958, authenticated by Roberto Crippa Jr. on the reverse, mixed media (cork, pastels and iron), 130 x 90 cm, framed

This work is accompanied by a photo certificate issued by Roberto Crippa Jr.

Lot Nr. 36

Alexej von Jawlensky

Schätzwert:

EUR 120.000,- bis EUR 160.000,-

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(Torschok 1864–1941 Wiesbaden)

Variation, Winter, 1915, No 54, monogrammed A. J., oil on linen structured paper, 36.2 x 27.2 cm, on cardboard, 44.7 x 33.7 cm, on the reverse signed, dated, inscribed A. Jawlensky, 1915, n. 54 (faded), Winter L (strikethrough) with orange colored pencil, lower right 316. Stamp Dr. Joseph Drexel Nürnberg Marienplatz 5, numbered 6 in orange approx. from Lisa Kümmel and no 316 in blue colored pencil from another hand, framed

After the outbreak of the First World War, Jawlensky, as a Russian citizen, was forced to flee Germany together with his family. Within a very short time, he had to leave behind his life and all his possessions. The family found refuge in Saint Prex on Lake Geneva. His life changed quite suddenly. From a turbulent, luxurious lifestyle, made possible for him by his patroness Marianne von Werefkin, he went quite suddenly into a politically enforced isolation.

The view out of his window, of a world that continued to turn without him, became a motif for the series of works that include Variation: Winter, 1915 No. 54. The changes in nature over the seasons, but also the change in Jawlensky’s state of mind over the course of his prolonged exile, are visible in the series of works. As time progresses, his expressionist style continues to develop. With the ‘Variations on a Land-scape Theme’, Jawlensky continued his artistic development and laid the groundwork for his later portraits, the ‘Abstract Heads’.

Variation: Winter, 1915 No. 54 is part of an important series in the painter’s oeuvre. Jawlensky made use of the exile and his social isolation to develop his artistic practice and created a new era in his work with what was available to him at the time. The imposed isolation and the view out of the window as the only experience of day- to-day life are strongly reminiscent of the current pandemic. Jawlensky survived this difficult time and found refuge in art.

The ‘Variations on a Landscape Theme’ are a testament to man’s perseverance, his ability to endure and to learn from prolonged difficulties. Variation: Winter, 1915 No. 54 is a sign of such a time and is an example of successful handling of a crisis – and is, moreover, a colourful, luminous, glimmer of hope.

“Initially, I wanted to continue working in St. Prex as I had done in Munich. But something inside me stopped me from painting the colourful, sensual pictures I had painted before. My soul had changed after so much suffering, and that meant I had to find other forms and colours to express myself. I began to paint what I called my

‘variations on a landscape theme’ that I saw from my window – few trees, a path and the sky.”

Alexej Jawlensky, Memoirs, 1937

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Emil Nolde *

Schätzwert:

EUR 80.000,- bis EUR 120.000,-

(Nolde, Schleswig 1867–1956 Seebüll)

Frauenbildnis (Profil nach links)/ Frauenbildnis (rotbraun und grün), around 1930/35, signed Nolde, watercolor on japan paper, 47 x 34.7 cm, framed

This work is registered at the Foundation Seebüll Ada and Emil Nolde under the no. 1128. It is accompanied by a certificate of authenticity (in copy) delivered by Dr. Martin Urban, in 1983, certified and attested by Dr. Manfred Reuther, former Director of the Foundation.

Lot Nr. 38 -

Irma Stern

Schätzwert:

EUR 160.000,- bis EUR 180.000,-

(Schweizer-Reneke, South-Africa 1894–1966 Cape Town)

Floral Still Life, 1929, signed, dated Irma Stern 1929, oil on canvas, 58 x 44 cm, framed

“During the years I spent in Europe studying there was always one idea in my mind – back to Africa, the country of my birth, the land of sunshine, of radiant colours, where the fruit grows so plentifully and the flowers seem to reach the summit of all joy …”

Cape Argus, 3 April 1926. Irma Stern, »My Exotic Models«, in:

The Cape Argus, 3. April 1926

In her life, Irma Stern had to move between Europe and South Africa a few times due to the Boer War and the

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First and Second World War. When she finally could reside in her marital home in Rosebank, The Firs, a large Victorian home in Cape Town which is now home to the Irma Stern Museum, in 1927, she started to paint a whole series of still lifes.

Although her earliest watercolors and drawings already depicted flowers, it was in this time, when she had finally moved back to South Africa, where she developed her own distinctive style. Through her flower paintings, she found her own artistic identity which was influenced by her friend Max Pechstein and the work of Paul Cézanne.

Stern’s popular still lifes all show the experimentation and her great joy with color. The usage of color and its balance on canvas is seen throughout her work. Flower paintings are a recurring subject in Stern’s oeuvre forming a bridge between her other two key subjects – portraits of those in her social milieu and paintings of ‘exotic’

others; Africans, Arabs, and Malays that she encountered both on her travels and at home. The innovation of her painterly practice with color and texture via her still lifes is a breaking point in her oeuvre.

Flowers are a major theme of Irma Stern’s life and work. The floral studies show her personal pleasure of those and her passionate interest in color. She mostly painted flowers out of her own extensive garden grouped with objects she Collected or her own handmade glazed earthenware jugs together with fruits and vegetables. While all her still lifes are unique, they share common characteristics in which they are set in a fairly shallow pictorial space with a forced perspective that tilts the horizontal plane towards the viewer. The addition of fruit, vegetables or her Collectables serve formally to balance the compositions, while at the same time setting up a sumptuous play of color. The celebration of floral and vegetal forms in her work gave free rein to Stern’s abundant creative passion for exoticism, sensuality and color.

As symbolic portraits of her personal world with the visceral pleasures of food and the exquisite beauty of nature, Irma Stern’s still lifes represent some of the artist’s greatest joys in life. Mona Berman, a daughter of some of the artist’s friends, remembers that after painting her still lifes at a considerable speed, Stern would devour the depicted fruits and vegetables as one of her favorite pastimes.

The work being auctioned off shows off Irma Stern’s expressive impasto technique and her joyous play with colors. The canvas is barely able to contain the artist’s exultation of the flowers depicted in it. The viewer is immediately drawn into the work wanting to take a smell at the flowers and fruits.

Lot Nr. 39

Conrad Felixmüller *

Schätzwert:

EUR 35.000,- bis EUR 50.000,-

(Dresden 1897–1977 Berlin)

Ma bonne l’onde, 1926, signed, dated C. Felixmüller 26, oil on canvas, 65.5 x 92 cm, framed

In this work, Felixmüller reflects back on his student days at the Dresden Academy, during which he intensively studied the nude. He has translated that in the present lot into a powerful and colour-intensive painting. Ma bonne l‘onde was created during a two-month study visit to Le Lavandou on the French Riviera. One can almost feel the summer heat, the head and upper body of the nude girl glowing in the midday sun on the beach against the green-blue background of the sea. The youthfulness of the nude model with her pointed facial features and oversized blue eyes as well as her long, flowing hair are strongly reminiscent of images of mermaids. The intense gaze, aimed directly at the viewer, is captivating, so that one cannot help but linger in front of the work and look at it more closely.

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Otto Rudolf Schatz *

Schätzwert:

EUR 7.000,- bis EUR 12.000,-

(Vienna 1900–1961)

Female nude, c. 1930, monogrammed ORS, watercolour, gouache on paper, 39.8 x 50 cm, framed

Lot Nr. 41

Carry Hauser *

Schätzwert:

EUR 6.000,- bis EUR 10.000,-

(Vienna 1895–1985 Rekawinkel)

Christus und die Ehebrecherin / Christ and the woman taken in adultery, 1923, stamp on the reverse: Carry Hauser, watercolour on paper, 44 x 29.8 cm, passep.-cutout 37.8 x 25.5 cm

Lot Nr. 42

Alfred Kubin *

Schätzwert:

EUR 3.800,- bis EUR 5.000,-

(Leitmeritz 1877–1959 Zwickledt)

“Weg nach Ober Moldau” (Horni Vltavice), signed A Kubin and insription to the lower margin (covered by passep.):

Weg nach Ober Moldau, pen, ink, watercolour on cadastral paper, sheet size 31 x 39.5 cm, browned under passep., framed

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Lot Nr. 43

Oskar Laske

Schätzwert:

EUR 4.000,- bis EUR 7.000,-

(Czernowitz 1874–1951 Vienna)

Im Schlosspark von Schönbrunn im Hintergrund die Gloriette / In the Palace Gardens of Schönbrunn with the Gloriette in the background, signed, dated O. Laske 1946, gouache on paper, passep.-cutout 34.5 x 49.7 cm, foxing, framed

Lot Nr. 44

Oskar Laske

Schätzwert:

EUR 4.000,- bis EUR 7.000,-

Im Schlossgarten mit Blick auf das Obere Belvedere / In the Palace Gardens with a view to the Upper Belvedere, signed, dated O. Laske 1944, gouache on paper, passep.-cutout 38.7 x 49.5 cm, tear to the upper left side, backed, framed

Lot Nr. 45 -

Franz von Zülow *

Schätzwert:

EUR 4.000,- bis EUR 7.000,- (Vienna 1883–1963)

“Juli 1910”, Leporello/leaflet, eight drawings, one sheet with: Jedes Monat eine Nummer / Eine Nummer 10 Kronen / Reproduktion vorbehalten!, all drawings titled, pen, ink, watercolour on paper, total size 22.5 x 124 cm, mounted on supporting sheet, framed

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Franz von Zülow *

Schätzwert:

“Juni 1910”, Leporello/leaflet, eight drawings, one sheet with: Jedes Monat eine Nummer /

Originalhandzeichnungen von Franz von Zülow. Eine Nummer 10 Kronen, a few drawings titled, pen, ink, watercolour on paper, total size 22.3 x 124 cm, mounted on supporting sheet, framed

Lot Nr. 47 -

Franz von Zülow *

Schätzwert:

“Mai 1910”, Leporello/leaflet, seven drawings, “Der 1. Mai am Sandberg in Haugsdorf” is a double-page, one sheet with: Jedes Monat eine Nummer / Eine Nummer 10 Kronen / Zu beziehen von Franz von Zülow / Haugsdorf 122 N.

Ö. / Reproduktion vorbehalten!, pen, ink, watercolour on paper, total size 22 x 124 cm, mounted on supporting sheet, framed

Lot Nr. 48

Oskar Laske

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

“Der alte Naschmarkt”, Vienna (St. Charles Church in the background), signed O. Laske as well as titled “Der alte Naschmarkt”, gouache, pencil on paper, 25.7 x 34 cm, framed

Lot Nr. 49

Ludwig Heinrich Jungnickel *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Wunsiedel 1881–1965 Wien)

Das Gewitter / The Tempest, signed LH JUNGNICKEL, around 1913, oil on canvas on canvas, 67 x 83.5 cm, framed

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Lot Nr. 50 -

Josef Dobrowsky *

Schätzwert:

EUR 7.000,- bis EUR 12.000,-

(Karlsbad 1889–1964 Tullnerbach)

Kornmanderln / Stook, monogrammed, dated J. D. 1923, oil on wood, 29 x 39.5 cm, framed

Lot Nr. 51

Ferdinand Brunner

Schätzwert:

EUR 4.000,- bis EUR 7.000,-

(Vienna 1870–1945)

“Aus Haslach Ö, Oe”, signed Ferdinand Brunner as well as label on the reverse in the artist’s handwriting: “Aus Haslach Ö, Oe”, oil on canvas, 35 x 35 cm, framed

Lot Nr. 52

Josef Stoitzner

Schätzwert:

EUR 12.000,- bis EUR 20.000,- (Vienna 1884–1951 Bramberg, Pinzgau)

“Marterl (Niederösterreich)”, signed Stoitzner Josef, oil on canvas, 79.5 x 143 cm, framed

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Broncia Koller-Pinell

Schätzwert:

EUR 5.000,- bis EUR 10.000,-

(Sanok, Poland, 1863–1934 Vienna)

Krug mit Blumen / Pitcher with flowers, oil on cardboard, 49.5 x 35 cm Illustrated in:

Ivan Ristic/Hans-Peter Wipplinger, Die Sammlung Schedlmayer. Eine Entdeckung/The Schedlmayer Collection. A Discovery, Leopold Museum, 2021, p. 183

Lot Nr. 54

Carl Fahringer

Schätzwert:

EUR 4.500,- bis EUR 6.000,-

(Wr. Neustadt 1874–1952 Wien)

Red parrot with Clivie, signed C. Fahringer, oil on canvas on cardboard, 61.5 x 45.5 cm, framed

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Lot Nr. 55

Carl Fahringer

Schätzwert:

EUR 3.500,- bis EUR 5.000,-

(Wr. Neustadt 1874–1952 Wien)

The impressive head of a lion, signed and dated C Fahringer (19)24, oil on canvas on cardboard, 57 x 47 cm, framed

Lot Nr. 56

Willy Eisenschitz *

Schätzwert:

EUR 6.000,- bis EUR 10.000,-

(Vienna 1889–1974)

“Nu allongé sur un sofa”, signed W Eisenschitz, oil on cardboard, 38 x 46 cm, framed

Lot Nr. 57

Willy Eisenschitz *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

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Josef Stoitzner

Schätzwert:

EUR 7.000,- bis EUR 12.000,-

(Vienna 1884–1951 Bramberg, Pinzgau)

“Herrnhaus Bramberg”, c. 1944, signed Jos. Stoitzner, oil on hardboard, 47 x 70 cm, framed

Lot Nr. 59 -

Josef Stoitzner

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Vienna 1884–1951 Bramberg, Pinzgau)

“Gläser mit Geranien vor einem Fenster”, c. 1947, signed Jos. Stoitzner, oil on canvas, 60 x 50 cm, framed

Lot Nr. 60 -

Franz Joseph Howanietz *

Schätzwert:

EUR 7.000,- bis EUR 12.000,-

(Vienna 1897–1972)

Girl with yellow-green scarf, signed, dated Franz Howanietz 1930, oil on burlap, 102 x 89 cm, framed Label on the reverse: Künstlerhaus Wien, 1932/3069

(28)

Lot Nr. 61 -

Herbert Gurschner *

Schätzwert:

EUR 4.000,- bis EUR 6.000,-

(Innsbruck 1901–1975)

White Tulips, signed, dated Gurschner 48, oil on canvas, 66 x 49 cm, framed

Lot Nr. 62 -

Albert Birkle *

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

(Charlottenburg 1900–1986 Salzburg)

Mountain valley, c. 1932, signed A. Birkle, incsription on the reverse “Gasteinertal ca. 1932”, oil on cardboard, 38 x 31 cm, framed

Roswita and Viktor Pontzen, archive and work support Albert Birkle. This work is registered in the catalogue raisonné under no. 1006, Sylvia Kraker, Albert Birkle. 1900–1986, phil. Diss. (ms.), Innsbruck 1992, vol. 2, cat.

no. 67 (without ill.)

(29)

Ludwig Heinrich Jungnickel *

Schätzwert:

EUR 5.000,- bis EUR 8.000,-

(Wunsiedel 1881–1965 Wien)

The Tiger, on the back estate-stamp “Aus dem Nachlass LH Jungnickel”, oil on canvas on canvas, 52 x 38 cm, framed

Lot Nr. 64

Sergius Pauser *

Schätzwert:

EUR 7.000,- bis EUR 12.000,-

(Vienna 1896–1970 Klosterneuburg)

“Graf Max Eugen Schönborn-Buchheim”, signed, dated Sergius Pauser 44, inscription on the reverse: Graf Max Schönborn geb. 1917, oil on canvas, 100 x 81 cm, framed

(30)

Lot Nr. 65

Eduard Bäumer *

Schätzwert:

EUR 5.000,- bis EUR 8.000,-

(Castellaun im Hunsrück 1892 – 1977 Munich)

Flowers, c. 1942, signed Ed. Bäumer, oil, tempera on canvas, 56 x 47 cm, framed

From a letter (email 2 March 2022) from Prof. Angelica Bäumer to the owner of this work: ... das Bild ist sicher eines der Blumenbilder meines Vaters Eduard Bäumer. Wenn 1942 stimmt, was ich nicht bestätigen kann, was aber durchaus möglich ist, dann ist es in Salzburg gemalt. Sicher ist es zwischen 1940 bis höchstens 1943 gemalt.

Ich schicke Ihnen Lebensdaten mit ...

... this work is certainly one of the flower paintings by my father, Eduard Bäumer. If 1942 is correct, which I can’t confirm but which could be possible, then this work was painted in Salzburg. It was certainly painted between 1940 and 1943 at the latest. I am forwarding you biographical data...

Lot Nr. 66

Willy Eisenschitz *

Schätzwert:

EUR 8.000,- bis EUR 14.000,-

(Vienna 1889–1974)

“Baie de Cavalaire”, c. 1939, signed W. Eisenschitz / inscription by another hand on the reverse, oil on pasteboard, 38 x 55 cm, framed

Lot Nr. 67

Josef Floch *

Schätzwert:

EUR 25.000,- bis EUR 35.000,-

(31)

Erika Giovanna Klien *

Schätzwert:

EUR 4.000,- bis EUR 7.000,-

(Borgo, South Tyrol 1900–1957 New York, USA)

“Schönberg Quintet for Wind OP. 26“, composition with letters, monogrammed EK, mixed media on light grey- brown paper, 29 x 29.7 cm, framed

Arnold Schönberg – Wind Quintet, Op. 26, composed 1923/24, wind quintet for flute, oboe, clarinet, horn and bassoon.

Lot Nr. 69

Wilhelm Thöny

Schätzwert:

EUR 3.000,- bis EUR 4.500,-

(Graz 1888–1949 New York)

“Picasso”, stamp: Nachlaß W. Thöny and titled Picasso, pen, ink (Sepia) on paper, 26 x 20.4 cm, framed

(32)

Lot Nr. 70

Oskar Kokoschka *

Schätzwert:

EUR 12.000,- bis EUR 18.000,-

(Pöchlarn 1886–1980 Villeneuve)

Alpenveilchen (Zyklamen) / Cyclamen, signed Kokoschka, watercolour on paper, passep.-cutout 41 x 32 cm, small sketch (watercolour) on the reverse, c. 24 x 10 cm

Lot Nr. 71

Fritz Wotruba *

Schätzwert:

EUR 18.000,- bis EUR 32.000,-

(Vienna 1907–1975)

“Stehende Figur, monumental III.”, 1968, study for the Richard Wagner monument in Mainz (cat. rais. no. 302), bronze, light brown patina, signed Wotruba, numbered 3/7, height 47.5 cm

Jürg Janett. Fritz Wotruba, Werkverzeichnis Skulpturen, Reliefs, Bühnen- und Architekturmodelle, Erker-Verlag, St.

Gallen 2002, p. 257, no. 299 – with ill.

(33)

Gerhild Diesner *

Schätzwert:

EUR 28.000,- bis EUR 45.000,-

(Innsbruck 1915 -1995 Hall in Tyrol)

Landschaft mit gelber Brücke / Landscape with yellow bridge, signed, dated Diesner 55, oil on canvas, 90 x 95 cm, framed

Lot Nr. 73

Josef Floch *

Schätzwert:

EUR 11.000,- bis EUR 18.000,-

(Wien 1894–1977 New York)

The studio I (Nude in the studio), around 1960, signed Floch, oil on chipboard, 40.8 x 51 cm, framed

Lot Nr. 74

Josef Floch *

Schätzwert:

EUR 16.000,- bis EUR 30.000,-

(Vienna 1894–1977 New York)

“Still life with sitting woman” (Die blaue Obstschale), 1960, signed Floch, oil on hardboard, 60.5 x 50 cm, framed

(34)

Lot Nr. 75

Anton Mahringer *

Schätzwert:

EUR 20.000,- bis EUR 35.000,-

(Neuhausen, Württemberg 1902–1974 Villach)

“Julier mit blühendem Baum”, monogrammed, dated AM 70 and monogrammed AM a second time as well as incsribed on the reverse with: Anton Mahringer St. Georgen/Gailtal 369 (identification number) “Julier mit blühendem Baum” 1970 Öl/Holzf. 60 x 70 cm, oil, black chalk on hardboard, 60 x 70 cm, framed

Lot Nr. 76

Filippo de Pisis *

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

(Ferrara 1896–1956 Milan)

Gli stampi fioriti, signed, dated and dedicated, 1920, gouache on paper, 37 x 24 cm, framed

(35)

Mario Tozzi *

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

(Fossombrone 1895–1979 Paris)

Nudo col libro (first version), 1927, signed and dated, painted on the reverse, oil on canvas, 73.5 x 46 cm, framed This work is accompanied by a photo certificate signed by the artist

Lot Nr. 78

Cagnaccio di San Pietro

Schätzwert:

EUR 18.000,- bis EUR 26.000,-

(Desenzano del Garda 1897–1946 Venice)

Ritorno dal Monfenera (Guardiana di capre), 1932, signed and dated, oil on wood, 55.5 x 33 cm, framed

(36)

Lot Nr. 79

Piero Marussig

Schätzwert:

EUR 4.000,- bis EUR 6.000,-

(Triest 1879–1937 Pavia)

Vaso di fiori, c. 1928–30, signed, oil on wood, 60 x 50 cm, framed

This work is registered in the Archivio Piero Marussig, Milan and is accompanied by a photo certificate of authenticty

Lot Nr. 80

René Paresce

Schätzwert:

EUR 14.000,- bis EUR 18.000,-

(Carouge 1886–1937 Paris)

Natura morta, 1920, signed, oil on canvas, 54 x 46 cm, framed

This work is registered in the Archivio Paresce curated by Rachele Ferrario and is accompanied by a photo certificate of authenticity

(37)

Gino Severini *

Schätzwert:

EUR 40.000,- bis EUR 60.000,-

(Cortona/Arezzo 1883–1966 Paris)

Natura morta con fruttiera blu, carciofi e pipa, 1939, signed G. Severini, oil on wooden panel, 50.5 x 61 cm, framed This work is accompanied by a photo certificate of Romana Severini Brunori, archive no. 01, Rome, 14 January.

Lot Nr. 82

Giorgio de Chirico *

Schätzwert:

EUR 20.000,- bis EUR 30.000,-

(Volos, Greece 1888–1978 Rome)

Vita silente, 1960–65, signed; signed on the reverse with notary inscription, oil on canvas laid down on cardboard, 30 x 40 cm, framed

The work is registered in the Archivio Fondazione Giorgio e Isa de Chirico, Rome and is accompanied by a photo certificate of authenticity

Lot Nr. 83

Giorgio de Chirico *

Schätzwert:

EUR 100.000,- bis EUR 150.000,-

Venezia. Canal Grande, 1956, signed, oil on canvas laid down on cardboard, 40 x 50 cm, framed

This work is registered in the Fondazione Giorgio e Isa de Chirico, Rome and is accompanied by a photo certificate of authenticity issued by Claudio Bruni Sakraischik dated 1985

(38)

Lot Nr. 84

Filippo de Pisis *

Schätzwert:

EUR 35.000,- bis EUR 45.000,-

(Ferrara 1896–1956 Milan)

Canale veneziano, 1945, signed, oil on canvas, 99.5 x 69.5 cm, framed

This work is accompanied by a photo certificate issued by Associazione per il patrocino dell’opera di Filippo de Pisis, Milan

Lot Nr. 85

Zoran Antonio Mušič*

Schätzwert:

EUR 28.000,- bis EUR 36.000,-

(Bukovica 1909–2005 Venice)

Motivo dalmata, 1948, signed and dated, oil on canvas, 33 x 41 cm, framed

Lot Nr. 86

Massimo Campigli *

Schätzwert:

EUR 30.000,- bis EUR 40.000,-

(39)

Massimo Campigli *

Schätzwert:

EUR 25.000,- bis EUR 35.000,-

(Berlin 1895–1971 St. Tropez)

Prospettiva, 1954–1963, signed and dated, oil on canvas, 45 x 50 cm, framed

This work is accompanied by a photo certificate of authenticity issued by Nicola Campigli

Lot Nr. 88

Mario Sironi *

Schätzwert:

EUR 20.000,- bis EUR 30.000,-

(Sassari 1885–1961 Milan)

Figure, c. 1958, signed, oil on canvas, 60 x 50 cm, framed

This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi, Milan This work is accompanied by a photo certificate issued by Andrea Sironi e Fabio Benzi.

This work is accompanied by accompanied by a photo certificate issued by Claudia Gian Ferrari

(40)

Lot Nr. 89

Renato Guttuso *

Schätzwert:

EUR 40.000,- bis EUR 60.000,-

(Bagheria/Palermo 1912–1987 Rome)

Figura distesa che si tira una calza, 1975, signed; signed again on the reverse, oil on canvas, 100 x 80 cm, framed This work is accompanied by a photo certificate signed by the artist

Lot Nr. 90

Renato Guttuso *

Schätzwert:

EUR 35.000,- bis EUR 50.000,-

(Bagheria/Palermo 1912–1987 Rome)

Passeggiata in giardino a Velate, 1983, signed and dated, oil on canvas, 121 x 149 cm, framed

Lot Nr. 91

Bernard Buffet *

Schätzwert:

EUR 70.000,- bis EUR 100.000,-

(Paris 1928–1999)

Environs de Vichy, le Bourbonnais en automne (Around Vichy, the Bourbonnais in autumn), 1974, signed and dated, titled on the reverse, oil on canvas, 89 x 130 cm, framed

This work is registered in the archives of the Galerie Maurice Garnier, Paris. A certificate of authenticity can be

(41)

Kamil Lhoták *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Prague 1912–1990)

Yellow balloon, oil on canvas on board, 27 x 16.5 cm, framed

Lot Nr. 93

Kamil Lhoták *

Schätzwert:

EUR 40.000,- bis EUR 60.000,-

(Prague 1912–1990)

The Airship, signed with monogramm KL, oil on canvas on plywood and board, 34.5 x 50 cm, framed

Lot Nr. 94

Kamil Lhoták *

Schätzwert:

EUR 20.000,- bis EUR 30.000,- (Prague 1912–1990)

Cargo hanging rail, 1942, signed Kamil Lhoták, titled, dated and with dedication on the reverse: Kamil Lhoták Nákladní visutá dráha olej 1942 Milému příteli arch. K. Koželkovi k Vánocům 1942 srdečně od Kamila a Ludmily., oil on paper laid down by the artist on cardboard, 17 x 43 cm, framed

(42)

Lot Nr. 95

Zdenek Rykr

Schätzwert:

EUR 4.000,- bis EUR 5.000,-

(Chotěboř 1900 – 1940 Prague)

Stillife, 1920, oil on canvas, 68 x 60 cm

Lot Nr. 96

Josef Liesler *

Schätzwert:

EUR 2.000,- bis EUR 3.000,-

(Vidolice near Kadan 1912–2005 Prague)

Lions, 1944, signed and dated Liesler 44, stamped on the reverse, inscribed on the stretcher, oil on canvas, 40 x 60 cm, framed

Lot Nr. 97

Josef Liesler *

Schätzwert:

EUR 4.000,- bis EUR 5.000,-

(Vidolice near Kadan 1912–2005 Prague)

Lovers in interior, signed and dated Liesler 44, oil on wooden board, 70 x 60 cm, framed

(43)

Gino Severini *

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

(Cortona/Arezzo 1883–1966 Paris)

Maternità (preparatory study for the painting Maternità), 1919/1920, pencil on paper, 57 x 66.5 The authenticity of this work has been verbally confirmed by Romana Severini

Lot Nr. 99

Fernand Léger *

Schätzwert:

EUR 22.000,- bis EUR 28.000,-

Untitled, 1916, signed and inscribed, pencil and ink on paper (recto/verso), 25 x 16 cm, framed

This work is registered in the Archives du Comité Léger under no. FL-2022–02 000329 and is accompanied by a photo certificate

(44)

Lot Nr. 100

Mario Sironi *

Schätzwert:

EUR 2.400,- bis EUR 3.200,-

Testa futurista, c. 1913, inscribed “Sironi”, tempera and pencil on paper, laid down on canvas, 19.3 x 14 cm, framed

This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi, Milan

Lot Nr. 101

František Kupka *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Opocno, Bohemia, 1871–1957 Puteaux)

Composition, around 1930–1935, signed Kupka, watercolor and ink on paper, 29 x 19 cm, framed This work is accompanied by a certificate of authenticity of Pierre Brullé, Basle, 7 April 2022.

(45)

Paul Klee

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Münchenbuchsee/Berne 1879–1940 Muralto)

Zeichnung zum Wandbild aus dem Tempel der Sehnsucht dorthin (Drawing for Mural of the Temple of Desire thither), 1922, signed, dated and titled, pencil on paper laid down on cardboard, 25.5 x 31.8 cm; 21.8 x 24 cm, framed

Lot Nr. 103

Paul Klee

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

Anfänge von Sakralbauten (Beginnings of sacred buildings), 1926, signed, dated and titled, ink on paper laid down on cardboard, 49.8 x 32.7; 21.8 x 17.4 cm, framed

(46)

Lot Nr. 104

Paul Klee

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

Früchtestilleben (Still life with fruit), 1928, signed, dated and titled, ink on paper laid down on cardboard, 32.5 x 50 cm; 24.8 x 30 cm, framed

Lot Nr. 105

Paul Klee

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

(Münchenbuchsee/Bern 1879–1940Muralto)

Simbal, 1931, signed, dated and titled, pencil on paper laid down on cardboard, 60 x 39.8 cm; 46.2 x 30.6 cm, framed

(47)

George Grosz *

Schätzwert:

EUR 3.500,- bis EUR 5.000,-

(Berlin 1893–1959)

Arbeitsloser (recto), Pour le merit - Kopf eines Offiziers (verso), 1924, with signature stamp, with the George Grosz Estate stamp and number, pencil on paper (recto), reed pen, pen and ink on paper (verso), 59.4 x 46 cm, framed This work is accompanied by a photo certificate issued by Ralph Jentsch, Berlin

Lot Nr. 107

Wols (Alfred Wolfgang Otto Schulze)

Schätzwert:

EUR 12.000,- bis EUR 16.000,-

(Berlin 1913–1951 Paris)

Untitled, 1947–49, signed, watercolour and ink on paper on cardboard, 30 x 19 cm, framed This work is accompanied by a photo certificate issued by Ewald Rathke

(48)

Lot Nr. 108 -

Jean Cocteau *

Schätzwert:

EUR 4.000,- bis EUR 4.500,-

(Maisons-Laffitte 1889–1963 Milly-la-Foret)

Profil aux cercles, c. 1950, signed Jean Cocteau, ballpoint pen on tracing paper, 25.5 x 20.1 cm, framed The authenticity of the work was confirmed by Annie Guédras 31 January 2022 (e-mail).

Lot Nr. 109

André Masson *

Schätzwert:

EUR 24.000,- bis EUR 32.000,-

Plaisir d’été, 1959, signed; signed, titled and dated on the reverse, oil on canvas, 65.5 x 81 cm, framed This work is accompanied by a photo certificate issued by Diego Masson

Lot Nr. 110

André Masson *

Schätzwert:

EUR 6.000,- bis EUR 8.000,-

Grand Paysage, c. 1930, pastels on paper, 48.5 x 63 cm, framed

(49)

André Masson *

Schätzwert:

EUR 5.000,- bis EUR 7.000,-

Maternité, 1943, charcoal and chalk on paper, 51.5 x 40.5 cm, framed

This work is registered in the Archive Comité André Masson and is accompanied by a photo certificate of authenticity signed by Diego Masson

Lot Nr. 112

Henri Matisse *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Cateau-Cambrésis 1869–1954 Nice)

Fleurs, 1949, signed with initials and dated, colored pencils and crayon on paper, 21 x 27 cm, framed This work is accompanied by a photo certificate issued by Wanda de Guébriant

Lot Nr. 113

Fernand Léger *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

Décor pour Opéra Bolivar, c. 1950, signed, gouache on paper laid on cardboard, 19.5 x 25.2 cm, framed This work is registered in the Archive of the Comité Léger, Paris and is accompanied by a photo certificate of authenticity

(50)

Lot Nr. 114

Alberto Giacometti *

Schätzwert:

EUR 14.000,- bis EUR 18.000,-

(Stampa im Bergell, Kn. Graubünden 1901–1966 Chur)

Copie d’après un buste d’Héraclite, projet pour Les philosophes célèbres de Maurice Merleau-Ponty, 1955–56, sketched on the reverse, numbered 51125 on the reverse, pencil on paper, 29.5 x 21 cm, framed

This work is registered by the Fondation Alberto et Annette Giacometti in the online Alberto Giacometti Database (AGD) and is accompanied by a photo certificate of authenticity

Lot Nr. 115

Alberto Giacometti *

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

(Stampa im Bergell, Kn. Graubünden 1901–1966 Chur)

Silhouette de Pierrot et tête de profil, c. 1961, ball-point pen on paper, 31.1 x 21 cm (whole dimension) 28.7 x 16.8 cm (visible area), framed

(51)

Salvador Dali *

Schätzwert:

EUR 13.000,- bis EUR 18.000,-

(Figueras 1904–1989)

Vénus Spatiale, 1977, bronze with brown patina, signed and numbered 205/305 (from an edition of 350 + 35 E.

A.), stamped with the foundry mark Venturi Arte Bologna and Jemelton Ltd., 65 x 35.5 x 32.5 cm

This work is accompanied by a certificate issued by Serena Fine Arts Ltd., Jemelton Ltd., 1984.

Lot Nr. 117 -

Salvador Dali *

Schätzwert:

EUR 25.000,- bis EUR 30.000,-

(Figueras 1904–1989)

Les chants de Maldoror, c. 1932/33, pencil on paper, drawing on the reverse, 31 x 23 cm, framed

(52)

Lot Nr. 118

Giorgio de Chirico *

Schätzwert:

EUR 6.000,- bis EUR 8.000,-

Cavallino con tempio, 1974, signed, watercolour on cardboard, 17 x 25 cm (whole sheet) 17 x 18.5 cm (painted area), framed

This work is registered in the Archivio-Fondazione Giorgio e Isa De Chirico and is accompanied by a photo certificate of authenticity

Lot Nr. 119 -

Joan Miró *

Schätzwert:

EUR 15.000,- bis EUR 18.000,-

(Montroig 1893–1983 Palma de Mallorca)

Lapidari IX, 1981, pastel over etching on Guarro paper, 35.5 x 50 cm, Dupin 1158, framed

The authenticity was confirmed in pencil on the reverse by Rosa Maria Malet, Fundació Joan Miró, Barcelona, on 19 July 2010

Lot Nr. 120

Giorgio Morandi *

Schätzwert:

EUR 30.000,- bis EUR 40.000,-

(Bologna 1890–1964)

Natura morta, 1956, signed and dated, pencil on paper, 23.3 x 33 cm, framed

(53)

Giorgio Morandi *

Schätzwert:

EUR 18.000,- bis EUR 26.000,-

(Bologna 1890–1964)

Natura morta, 1953, signed and dated, pencil on paper, 24 x 32.7 cm, framed

This work is registered in the Archivio Centro Studi Giorgio Morandi, Bologna and is accompanied by a photo certificate of authenticity

Lot Nr. 122

Pietro Annigoni *

Schätzwert:

EUR 3.000,- bis EUR 5.000,-

(Milan 1910–1988)

Uva e cocomeri, 1932, signed and dated, oil on cardboard, 36.5 x 53 cm, framed

Lot Nr. 123

Galileo Chini *

Schätzwert:

EUR 4.000,- bis EUR 6.000,-

(Florence 1873–1956)

Fiori d’ Autunno, 1930, oil on board, 46 x 37 cm, framed

This work is accompanied by a photo certificate of authenticity released by Paola Polidori Chini

Lot Nr. 124

Arturo Martini

(54)

Schätzwert:

EUR 7.000,- bis EUR 10.000,-

(Treviso 1889–1947 Milan)

Torso di giovanetto, c. 1929, bronze, posthumous casting from the original terracotta, 78 x 28 x 19.5 cm, 87 x 30 x 23 cm (with marble base)

This work is accompanied by a photo certificate issued by Gianni Vianello in photocopy

Of the present work there are 8 terracotta examples, 1 plaster example, 5 bronzes of authorized posthumous casting realized by Fonderia MAF, Milan and other examples of posthumous castings realized from a terracotta example

Literature:

Domus, 1933

Dell’Aquila 1951, p. 12

G. Perocco, Arturo Martini, Rome 1962, p. 56, no. 20

G. Perocco, Arturo Martini, Milan 1966, no. 165 no. 136, 166, 167 Milan 70/70, Un secolo d’arte, Milan 1971, p. 125, no. 289

Caramel-Pirovano, Galleria d’Arte Moderna. Padiglione d’Arte, 1973, p. 24, no. 219, no. 146 F. Bellonzi, Arturo Martini, Rome, 1974, no. 43

M. Carrà (ed.), L’umano nella scultura italiana, 1978 with ill.

Barilli-Solmi (eds.), La Metafisica e gli anni Venti, Bologna 1980, vol. I, p. 240 and 261 De Micheli, La Scultura del Novecento, Turin 1981, p. 148

C. Gian Ferrari, Sironi, Carrà e Martini: le poetiche in “Il Novecento Italiano, 1983, p. 345, no. 85 De Micheli (ed.), Arturo Martini, La scultura lingua morta e altri scritti, Milan 1983 with ill.

Ghianda, Schede, in “M. De Micheli, C. Gian Ferrari, Arturo, 1985, p. 63, no. 27

F. Benzi, Arturo Martini, catalogue of the exhibition Arturo Martini, Rome 1986, no.12 pp. 19–20

Fergonzi, Tra Scultura e ceramica: uno sguardo sugli anni Trenta e Quaranta, in Terra come in Materia, 1986, p.

906

Vianello, Arturo Martini, vita, opere, fortuna critica, 1989, p. 57, no. 17 Bagliani 1989, no. 34 p. 150–1

Cowling-Mundy (eds.), On classic ground, Picasso, Leger, de Chirico and the New Classicism 1910–1930, catalogue of the exhibition, London, 1990, p. 171, no. 109

Nonveiller, Arturo Martini. La scultura degli anni Venti e il confronto con l’Antico, in “Arte Documento”, no. 4,

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Di Genova 1994 tomo II, p. 868 no. 1149

F. Benzi, Arturo Martini. Ritorno alle radici, in “ARS” 1998, p. 208

G. Vianello, N. Stringa, C. Gian Ferrari, Arturo Martini. Catalogo ragionato delle sculture, Neri Pozza editore, Vicenza 1998, p. 158, no. 230 with ill.

Lot Nr. 125

Pompeo Borra*

Schätzwert:

EUR 3.500,- bis EUR 5.000,-

(Milan 1898–1973)

Nudo femminile, 1938, signed and dated, oil on canvas, 71 x 57 cm, framed

This work is registered in the Archivio Pompeo Borra and is accompanied by a photo certificate of authenticity

Lot Nr. 126

Ottone Rosai *

Schätzwert:

EUR 12.000,- bis EUR 16.000,-

(Florence 1895–1957 Ivrea)

Croce fiorentina (Siena), 1939, signed and dated; titled on the reverse, oil on canvas, 40 x 50 cm, framed This work is accompanied by a photo certificate issued by Luigi Cavallo

(56)

Lot Nr. 127

Ottone Rosai *

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

Paesaggio con alberi e case, 1956, signed, oil on canvas, 70.4 x 50.2 cm, framed This work is accompanied by a photo certificate issued by Luigi Cavallo

Lot Nr. 128

Ottone Rosai *

Schätzwert:

EUR 6.500,- bis EUR 8.500,-

Due uomini seduti, c. 1955, signed, oil on canvas, 45 x 60 cm, framed This work is accompanied by a photo certificate issued by Luigi Cavallo

Lot Nr. 129

Ottone Rosai *

Schätzwert:

EUR 6.500,- bis EUR 8.500,-

(57)

Ardengo Soffici *

Schätzwert:

EUR 6.000,- bis EUR 8.000,-

(Rignano sull’ Arno 1879–1964 Vittoria Apuana)

Paesaggio di Poggio Caiano, 1958, signed, oil on canvas laid down on board, 69 x 49 cm, framed This work is accompanied by a photo certificate issued by Luigi Cavallo

Lot Nr. 131

Giuseppe Migneco *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Messina, Sicily, 1908–1997)

Uomo che legge (Operaio che legge il giornale), 1955, signed and dated, oil on canvas, 90 x 70 cm, framed

(58)

Lot Nr. 132

Renato Guttuso *

Schätzwert:

EUR 15.000,- bis EUR 20.000,- (Bagheria/Palermo 1912–1987 Rome)

Natura morta con agrumi, 1960, signed, oil on canvas, 26 x 80 cm, framed

This work is registered in the Archivi Renato Guttuso, Rome and is accompanied by a photo certificate of authenticity.

Lot Nr. 133

Xavier Bueno *

Schätzwert:

EUR 6.500,- bis EUR 8.500,-

(Vera de Bidasoa 1915–1979)

Bambina vestita di rosso al tavolo, c. 1956–57, signed, oil on wood, 68 x 76 cm, framed

This work will be included in the third volume of Catalogo Generale delle Opere di Xavier Bueno, Giorgio Mondadori Editoriale, currently being prepared

Lot Nr. 134

Xavier Bueno *

Schätzwert:

EUR 6.500,- bis EUR 8.500,-

(Vera de Bidasoa 1915–1979)

Giocatori di carte, c. 1956–57, signed, oil on wood, 56 x 71 cm, framed

This work will be included in the third volume of Catalogo Generale delle Opere di Xavier Bueno, Giorgio Mondadori Editoriale, currently being prepared

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Mario Sironi *

Schätzwert:

EUR 18.000,- bis EUR 26.000,-

Due figure, c. 1958, inscribed “Sironi”, oil on canvas, 59.5 x 50 cm, framed

This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi, Milan This work is accompanied by a photo certificate issued by Francesco Meloni

Lot Nr. 136

Mario Sironi *

Schätzwert:

EUR 20.000,- bis EUR 30.000,-

Composizione, c. 1956, inscribed “Sironi”, oil on canvas, 60 x 70 cm, framed

This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi, Milan This work is accompanied by a photo certificate issued by Francesco Meloni

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Lot Nr. 137

Michele Cascella *

Schätzwert:

EUR 5.000,- bis EUR 7.000,-

(Ortona 1892–1989 Milan)

Merano, 1925 ca., signed and dated, pastels on paper laid down on canvas, 80 x 100 cm, framed

This work is registered in the Archivio generale dell’ Opera di Michele Cascella curated by Galleria Torcular and is accompanied by a photo certificate of authenticity

Lot Nr. 138

René Gruau *

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

(Rimini 1919–2004 Rome)

La Salute, 1974, monogrammed, signed and dated on the reverse, oil on canvas, 73 x 60 cm

Lot Nr. 139

Charles J. Palmié

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Aschersleben 1863–1911 Munich)

Garden Landscape with a stream, signed, dated, inscribed Charles J. Palmié Giverny, oil on canvas, 73 x 92 cm, framed

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Ludwig von Hofmann

Schätzwert:

EUR 12.000,- bis EUR 16.000,-

(Darmstadt 1861–1945 Pillnitz)

The sin, artist monogram, oil on canvas, 110 x 79 cm, framed

Lot Nr. 141

Tivadar Josef Mousson

Schätzwert:

EUR 4.000,- bis EUR 6.000,-

(Högyesz 1887–1946 Trencin)

On the market, 1942, signed Mousson, oil on cardboard, 27 x 33 cm, framed

This work is accompanied by a certificate of PhDr. Katarína Bajcurová, CSc, Bratislava, 28 March 2022.

Lot Nr. 142

Emile Othon Friesz

Schätzwert:

EUR 15.000,- bis EUR 20.000,-

(Le Havre 1879–1949 Paris)

Landscape with Mont Victoire, signed E Othon Friesz, oil on canvas, 46 x 55 cm, framed

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Lot Nr. 143 -

Konstantin Maksimov *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Shatrovo/Ivanovo 1913 – 1994 Moscow)

Person guarding the road, signed and dated (cyrillic) on the reverse K. Maksimov 1950, inscribed with the dimensions, oil on canvas, 53 x 79 cm, framed

We are grateful to Dr. Olga Sugrobova-Roth for her help in cataloguing this work.

Lot Nr. 144 -

Konstantin Maksimov *

Schätzwert:

EUR 25.000,- bis EUR 35.000,- (Shatrovo/Ivanovo 1913 – 1994)

Working in the Tea Fields, 1957, oil on canvas on canvas, 55.5 x 95.5 cm, framed We are grateful to Dr. Olga Sugrobova-Roth for her help in cataloguing this work.

Lot Nr. 145

Ludwig Blum * attributed

Schätzwert:

EUR 2.000,- bis EUR 3.000,-

(Lösch near Brno 1891–1974 Jerusalem)

Landscape in Spain, around 1922, signed, oil on canvas and board, 33 x 25 cm

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Ludwig Blum *

Schätzwert:

EUR 8.000,- bis EUR 12.000,- (Lösch near Brno 1891–1974 Jerusalem)

Eliat Bay, 1959, signed also in Hebrew and dated, oil on canvas, 38 x 65 cm, on stretcher The authenticity of this work has been confirmed by Mrs. Mira Chen, the artist’s granddaughter.

Lot Nr. 147

Stan Reszka *

Schätzwert:

EUR 2.000,- bis EUR 3.000,- (born in Zareba, Poland in 1924)

Istanbul, 1951, signed Stan Reszka, titled, signed, dated on the reverse, oil on canvas, 60 x 120 cm, framed

Lot Nr. 148

Gheorghe Petraşcu

Schätzwert:

EUR 5.000,- bis EUR 7.000,-

(Tecuci, Romania 1872–1949 Bucarest)

Canal Grande, signed G. Petraşcu, oil on cardboard, 24.5. x 34 cm, framed

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Lot Nr. 149

Mario Sironi *

Schätzwert:

EUR 3.000,- bis EUR 4.000,-

Composizione, c. 1937, inscribed “Sironi”, gouache and crayon on paper laid on canvas, 26.1 x 16.5 cm, framed This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi

Lot Nr. 150

Mario Sironi *

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

Interno monumentale, 1937/40, tempera and pencil on cardboard, 63 x 74.5 cm, framed

This work is registered in the Associazione per il Patrocinio e la Promozione della figura di Mario Sironi, Milan and is accompanied by a photo certificate of authenticity.

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Mario Sironi *

Schätzwert:

EUR 10.000,- bis EUR 12.000,-

Figura, c. 1937, tempera on paper laid on canvas, 85.5 x 60.7 cm

The work is registered in the Associazione per il Patrocinio e la promozione della Figura e dell’Opera di Mario Sironi, Milan

Lot Nr. 152

Lucio Fontana *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Rosario di Santa Fe, Argentina 1899–1968 Comabbio)

Nudo femminile, 1960-61, signed, colored ink on paper, 100 x 70 cm, framed

This work is accompanied by a photo certificate issued by Archivio fotografico Lucio Fontana in 1973

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Lot Nr. 153

Felice Casorati *

Schätzwert:

EUR 6.000,- bis EUR 8.000,-

(Novara 1883–1963 Turin)

Nudo al balcone, c. 1960, signed, tempera on black paper laid down on canvas, 44 x 58 cm, framed This work is accompanied by a photo certificate of authenticity issued by Luigi Cavallo

Lot Nr. 154

Zoran Antonio Mušič *

Schätzwert:

EUR 2.500,- bis EUR 3.500,-

Interno di Cattedrale, 1984, signed and dated, mixed media on paper, 43 x 29 cm, framed

Lot Nr. 155

Zoran Antonio Mušič *

Schätzwert:

EUR 2.000,- bis EUR 3.000,-

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Zoran Antonio Mušič *

Schätzwert:

EUR 5.500,- bis EUR 7.500,-

Ida, 1986/1987, signed and dated; signed, titled and dated on the reverse, oil on canvas, 43x 27 cm, framed

Lot Nr. 157

Giuseppe Usellini *

Schätzwert:

EUR 4.000,- bis EUR 6.000,-

(Milan 1903–1971 Arona)

Le maschere, 1955, signed and dated; titled, signed and dated on the reverse, oil on canvas, 69.5 x 49 cm, framed The work will be included in the forthcoming Usellini. Catalogo generale edited by Luigi Sansone and Fanny Usellini, Allemandi Editore, Turin 2022, no. 403

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Lot Nr. 158

Virgilio Guidi *

Schätzwert:

EUR 6.000,- bis EUR 8.000,-

(Rome 1891–1984 Venice)

Figure spaziali, 1944, signed, oil on canvas, 40 x 50 cm, framed

Lot Nr. 159

Felice Casorati *

Schätzwert:

EUR 18.000,- bis EUR 25.000,-

(Novara 1883–1963 Turin)

La Lettrice, acrylic on paper laid on canvas, 55.7 x 48.4 cm, framed

This work is accompanied by a photo certificate of authenticity released by Prof. Luigi Cavallo and the Archivio Felice Casorati

Lot Nr. 160

Giulio D’Anna *

Schätzwert:

EUR 8.000,- bis EUR 12.000,-

(Villarosa 1908–1978 Messina)

Squadriglia Aerea in Azione (Bombardamento di Guernica), 1937, signed, tempera on paper, 40.5 x 57 cm, framed This work is accompanied by a photo certificate of authenticity released by A. M. Ruta

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Giulio D’Anna *

Schätzwert:

EUR 10.000,- bis EUR 15.000,-

(Villarosa 1908–1978 Messina)

Aereo Rosso + Paesaggio, 1934, mixed media on panel, 67.5 x 53.5 cm, framed This work is accompanied by a photo certificate of authenticity released by A. M. Ruta

Lot Nr. 162

Sibò (Pierluigi Bossi) *

Schätzwert:

EUR 7.000,- bis EUR 10.000,-

(Milan 1907–2000)

La vittoria dell’uomo, 1936, signed, mixed media on paper laid on canvas 73 x 55 cm, framed

This work is accompanied by a photo certificate of authenticity released by Simona Bossi dei Conti di Montonate

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Lot Nr. 163

Sibò (Pierluigi Bossi) *

Schätzwert:

EUR 7.000,- bis EUR 10.000,-

(Milan 1907–2000)

Dall’Agro al cosmo, 1938, signed, oil, mixed media on paper laid on canvas, 78 x 67.5 cm, framed

This work is accompanied by a photo certificate of authenticity released by Simona Bossi dei Conti di Montonate

Lot Nr. 164

Ivan Rabuzin *

Schätzwert:

EUR 3.000,- bis EUR 4.000,-

(Kljuc, Croatia 1921–2008 Varazdin)

Paesaggio sotto la neve, 1972, signed and dated, oil on canvas, 61 x 81 cm, framed

Lot Nr. 165

Ivan Rabuzin *

Schätzwert:

EUR 3.000,- bis EUR 4.000,-

(Kljuc, Croatia 1921–2008 Varazdin)

Le rocce, 1966, signed and dated, oil on canvas, 81 x 100 cm, framed

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Matija Skurjeni *

Schätzwert:

EUR 1.500,- bis EUR 2.000,-

(Veternica 1898–1990 Zapresic)

Eiffel Tower, 1963, inscribed and dated, mixed media on canvas, 73 x 55 cm, framed

Lot Nr. 167

Ivan Generalić *

Schätzwert:

EUR 3.000,- bis EUR 4.000,-

(Hlebine 1914–1992 Koprivnica)

Veselica, 1986, reverse glass painting, titled and signed, 60 x 70 cm, framed This work is accompanied by a certificate of authenticity signed by the artist.

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Lot Nr. 168 -

Ernst Ludwig Kirchner

Schätzwert:

EUR 50.000,- bis EUR 60.000,-

(Aschaffenburg 1880–1938 Frauenkirch near Davos)

Berghaus mit Gewitterwolke (Mountain house with storm cloud), 1917, signed and inscribed Handdruck E L Kirchner (faded), woodcut on strong vellum, image size 50 x 40 cm, sheet size 57.3 x 44.1 cm, framed

In 1915, Ernst Ludwig Kircher was drafted for military service in World War I. However, he would be declared unfit for war after a nervous and physical breakdown in the same year. In 1917, he retired to Davos, Switzerland, in a state of severe mental and physical exhaustion. Kirchner spent the summer and autumn of 1917 and 1918 on Stafelalp and in a mountain farmhouse near Frauenkirch in the vicinity of Davos.

The present woodcuts (lot 168 and lot 169) both originate from that creative phase in the Swiss Alps and

represent – both figuratively and thematically – that mountain world. Fascinated by nature and the simple life of farmers and their animals, Kirchner turned away from his previous focus on the big city and its inhabitants.

In the Swiss Alps, he preferred to depict the grandeur and majesty of the mountain landscape. His works reflect his knowledge of the place, his intense observation of nature and his close study of the people living there. He dealt intensively with the landscape around him. His early paintings, made in the Swiss Alps, are mainly close-up sections of the mountain landscape, mostly without including its inhabitants. On the other hand, his later works depict the life of farmers and their animals in the landscape. Kirchner left Switzerland only occasionally for trips to Germany until his death in 1938.

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Ernst Ludwig Kirchner

Schätzwert:

EUR 40.000,- bis EUR 50.000,-

(Aschaffenburg 1880–1938 Frauenkirch near Davos)

Stafelalp, signed E. L. Kirchner, inscribed Versuchsdruck, woodcut on strong paper, image size 32.5 x 56.5 cm, sheet size 41 x 63 cm, framed

Very strong and deep black print. The woodcut was made 1918 during Kirchners second stay at the Stafelalp. This proof is the only known example before the six examples of the second condition.

Literature:

Günther Gercken, Ernst Ludwig Kirchner: Kritisches Werkverzeichnis der Druckgraphik, Bern, 2013, vol. 3, no. 911 I (of II), ill. p. 17

Wolf-Dieter Dube, E. L. Kirchner: das graphische Werk, München, 1991, vol. 1, p. 40, no. 379 I (of II)

Lot Nr. 170 -

Otto Dix *

Schätzwert:

EUR 12.000,- bis EUR 14.000,-

(Gera 1891–1969 Singen)

Alte Dirne, 1922, signed, dated Dix 22, titled and inscribed II. Zustand/ I. Probedruck, drypoint on wove paper, image size 35 x 28 cm, sheet size 49.5 x 43.5 cm, published by Heiner Schilling, Dresdner Verlag, Dresden, framed

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Lot Nr. 171

Karl Schmidt-Rottluff *

Schätzwert:

EUR 12.000,- bis EUR 14.000,-

(Rottluff/Chemnitz 1884–1976 Berlin)

Kniende (Kneeling), 1913, signed, dated and inscribed S. Rottluff 913, woodcut on thin wove paper, image size 50 x 39 cm, sheet size 57 x 44.5 cm, framed

Literature:

Rosa Schapire: Karl Swchmidt-Rottluffs graphisches Werk bis 1923, Berlin, 1924, cat. no. 132

Lot Nr. 172 -

Otto Mueller

Schätzwert:

EUR 17.000,- bis EUR 20.000,-

(Liebau 1874–1930 Breslau)

Hockendes und knieendes Mädchen, c. 1912, Lithograph on smooth, yellowish paper, signed Otto Mueller, image size 32.6 x 43.2 cm, sheet size 38 x 49.7 cm, Karsch 31,

Karsch only knows of one copy, but suspects 3 existing prints. The present example is thus the second that has become known. The overall effect of our copy is clearer than that illustrated by Karsch, which is printed with a lot of tone, especially in the sky and on the left edge. In contrast to this, the present example shows a light gray area over the back of the kneeling girl, which is not recognizable on the print illustrated by Karsch. From 1908 Otto Mueller used what he called an “old stone” for his lithographs, with a semi-circular edge chipping.