• Keine Ergebnisse gefunden

ASTENE Postgraduate Research Competition (online, 15 May 21)

N/A
N/A
Protected

Academic year: 2022

Aktie "ASTENE Postgraduate Research Competition (online, 15 May 21)"

Copied!
2
0
0

Wird geladen.... (Jetzt Volltext ansehen)

Volltext

(1)

1/2

ASTENE Postgraduate Research Competition (online, 15 May 21)

Online, May 15, 2021 Deadline: Feb 1, 2021 Madeline Boden

ASTENE Postgraduate Research Competition

The Association for the Study of Travel in Egypt and the Near East (ASTENE) invites proposals for the inaugural Postgraduate Research Competition. This competition is intended to reward the most promising and engaging research in the interdisciplinary and cross-period fields of Near Eastern studies and travel history.

1st prize - £200 2nd prize - £150 3rd prize - £100

The top 3 prizes will also receive a free year of ASTENE membership, their paper published in the ASTENE Bulletin and a copy of our most recent publication, Pious Pilgrims, Discerning Travellers, Curious Tourists: Changing Patterns of Travel to the Middle East from medieval to modern times (Oxford: Archaeopress, 2020).

This competition is open to all researchers currently studying towards a postgraduate degree from anywhere in the world. Abstracts and papers must be delivered in English. Papers must relate to ASTENE’s research interests and can include (but are not limited to):

- Accounts of travellers (of any origin point) to the Near/Middle East and North Africa - Travel writing including fiction, memoirs, diaries, guidebooks, and journalism

- The visual culture of travelling including painting, drawing, photography, and other artistic ephe- mera

- Critical approaches to Orientalism & postcolonial, indigenous and feminist perspectives on travel to MENA

- Histories of mobility, migration and diaspora

- Digital and other new media projects for understanding the history of travel

Candidates will be selected to present a 20-minute paper at a virtual day of research, debate and networking. They will be judged on the following criteria: An interesting, original subject relating to ASTENE’s research interests, the future potential and impact of the research and research deliv- ered in an enthusiastic and engaging presentation to an audience made up of academics and informed members of the public.

(2)

ArtHist.net

2/2

To apply: Please submit an abstract of no more than 300 words to postgraduatecompetition.as- tene@gmail.com by Monday 1 February 2021. Please direct any other questions to the same address.

For further information on ASTENE: http://www.astene.org.uk/

Reference:

CFP: ASTENE Postgraduate Research Competition (online, 15 May 21). In: ArtHist.net, Dec 5, 2020 (accessed Feb 27, 2022), <https://arthist.net/archive/24074>.

Referenzen

ÄHNLICHE DOKUMENTE

Abstract: Mikhail BAKHTIN's ideas of heteroglossia, voice, utterance, and dialogism are important theoretical concepts for investigating relations between social and personal facets

State Tretyakov Gallery, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow.. The Peredvizhniki: Between Creative Freedom and

Trans-digital : Transitions and transformations of arts and culture in the age of a pandemic (2020-2021): conference organized by IESA arts&amp;culture and the University of

We are pleased to announce the Zoom workshop on the theme of “QUEERING THE BOUNDARIES OF THE ARTS IN THE SINOSPHERE.” Our workshop aims to investigate the contact zones in

Zu den herausragenden Forscherpersönlichkeiten der Kunstgeschichte Ostmitteleuropas und sei- ner Vernetzungen mit dem Westen gehört Markus Hörsch, der 2008–09 am Erlanger

Taking this claim, as well as anthropologist Arjun Appa- durai’s influential formula of The Social Life of Things (1988, Cambridge University Press), as points of departure, this

Speakers bring into conversa- tion different religious groups sharing a common dependency on paper for the distribution of new visual and textual cultures: from prints to drawings,

Histories of collect- ing have usually been limited to a generalised engagement with the relationship of collector and subject, ignoring gender and how it may impact the results