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Geschichte

Franz Steiner Verlag

c o n t u b e r n i u m

Tübinger Beiträge zur

Universitäts- und Wissenschaftsgeschichte

88

C ommon D w el lin g P la ce of al l the God

34

Blöme r / R ie de l / Ve rslu ys / W in te r

Franz Steiner Verlag

www.steiner-verlag.de Franz Steiner Verlag

istic Commagene is a rich field of study, not in the least because of the remark- able monuments and inscriptions of king Antiochos I (c. 70–36 BC). Over the last de cades important new work has been done on Commagene proper, providing novel interpretations of the epigraph- ical and historical record or the archaeo- logical data and individual sites, like Nemrud Dağ, Samosata or Arsameia.

Simultaneously scholars have tried to better understand Hellenistic Comma- gene by situating the region and its

Near Eastern context. This long-awaited book provides a critical evaluation of all these new data and ideas on the basis of a theoretically embedded, state-of-the- art overview for the history and archaeo- logy of Hellenistic Commagene. From this volume a new picture emerges in which Hellenistic Commagene is no longer understood as peripheral and out- of-the-ordinary, but as an important node in a global Hellenistic network, from Ai-Khanoum to Pompeii and from Alexandria to Armawir.

9 7 8 3 5 1 5 1 2 9 2 5 1 ISBN 978-3-515-12925-1

ORIENS E T OCCIDENS

Studien zu antiken Kulturkontakten und ihrem Nachleben | 34

Common Dwelling Place of all the Gods

Commagene in its Local, Regional and Global Hellenistic Context

Edited by Michael Blömer, Stefan Riedel,

Miguel John Versluys and Engelbert Winter

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Studien zu antiken Kulturkontakten und ihrem Nachleben Herausgegeben von

Josef Wiesehöfer in Zusammenarbeit mit

Pierre Briant, Geoffrey Greatrex, Amélie Kuhrt und Robert Rollinger

Band 34

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Commagene in its Local, Regional and Global Hellenistic Context

Edited by

Michael Blömer, Stefan Riedel, Miguel John Versluys and Engelbert Winter

Franz Steiner Verlag

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Dieses Buch ist eine Open-Access-Publikation.

Dieses Werk ist lizenziert unter einer Creative Commons Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International Lizenz.

https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Umschlagabbildung:

Nemrud Dağ, view of the statues on the east terrace taken during the campaign of 1953 (Photo: Friedrich Karl Dörner, © Forschungsstelle Asia Minor, Dörner archive)

Bibliografische Information der Deutschen Nationalbibliothek:

Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über

<http://dnb.d-nb.de> abrufbar.

Dieses Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt.

Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig und strafbar.

© Franz Steiner Verlag, Stuttgart 2021 Layout und Herstellung durch den Verlag Druck: Memminger MedienCentrum, Memmingen Gedruckt auf säurefreiem, alterungsbeständigem Papier.

Printed in Germany.

ISBN 978-3-515-12925-1 (Print) ISBN 978-3-515-12926-8 (E-Book) https://doi.org/10.25162/9783515129268

Dynamics of Tradition and Innovation” – 390726036 as well as the Netherlands Organisation for Scientific Research (NWO) under VICI project 277-61-001

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Foreword & Acknowledgements 9 Miguel John Versluys & Stefan Riedel

Beyond East & West

Hellenistic Commagene between Particularism and Universalism 11

Part I:

Theoretical and Conceptual Introductions Rachel Mairs

‘Ai Khanoum God with Feet of Marble’

Reading Ai Khanoum through Commagene 33 Stefan R Hauser

‘Hellenized Iranians?’

Antiochos I and the Power of Image 45 Matthew P Canepa

Commagene Before and Beyond Antiochos I

Dynastic Identity, Topographies of Power and Persian Spectacular Religion 71 Helen Fragaki

Reversing Points of Reference

Commagene and the Anfushy Necropolis from Alexandria in Modern Scholarship 103

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Part II (Within):

Archaeology and History of Hellenistic Commagene – The Local Context

Margherita Facella

Sovereignty and Autonomy in the Hellenistic Coins of Commagene 139 Werner Oenbrink

The Late-Hellenistic Architecture of Commagene 163 Lennart Kruijer & Stefan Riedel

Transforming Objectscapes in Samosata

The Impact of the Palatial Complex 185 Bruno Jacobs

The Syncretistic Episode in Late-Hellenistic Commagene

The Greek-Persian Religious Concept of Antiochos I and the Ethnicity

of the Local Population 231 Albert de Jong

Dynastic Zoroastrianism in Commagene

The Religion of King Antiochos 253 Rolf Strootman

Orontid Kingship in its Hellenistic Context

The Seleucid Connections of Antiochos I of Commagene 295 Anna Collar

Time, Echoes and Experience

Perceiving the Landscape in Commagene 319

Part III (Between):

Comparative Studies on Hellenistic Commagene – The Regional and Global Context

Looking East Giusto Traina

Armenia and the ‘Orontid Connection’

Some Remarks on Strabo, Geography 11,14,15 345

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Lara Fabian

Beyond and Yet In-between

The Caucasus and the Hellenistic Oikoumene 357 Vito Messina

Beyond Greece and Babylonia

Global and Local at Seleucia on the Tigris 381

Looking South Orit Peleg-Barkat

Herodian Art and Architecture as Reflections of King Herod’s Many Faces 409 Stephan G Schmid

Was There a Nabataean Identity – And If Yes, How Many? 439

Looking West Christoph Michels

‘Achaemenid’ and ‘Hellenistic’ Strands of Representation in the

Minor Kingdoms of Asia Minor 475 Monika Trümper

Delos Beyond East and West

Cultural Choices in Domestic Architecture 497 Annette Haug

Decoscapes in Hellenistic Italy

Figurative Polychrome Mosaics between Local and Global 541

Concluding Remarks Achim Lichtenberger

Hellenistic Commagene in Context

Is ‘Global’ the Answer and Do We Have to Overcome Cultural ‘Containers’? 579 Index 589

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In the winter of 2018, from 29 November to 1 December, the Forschungsstelle Asia Minor and the cluster of excellence entitled “Religion and Politics”, both at Münster Univer- sity, hosted the international conference Beyond East & West Hellenistic Commagene in its local and global Eurasian context The meeting brought together, for the very first time, almost all important specialists that currently work on the archaeology and his- tory of Commagene in Hellenistic and Roman times

The fact that these people travelled from all over the world to Münster was also a fitting tribute to commemorate the 50th anniversary of the Forschungsstelle Asia Minor This institute was founded by Friedrich Karl Dörner, the doyen of Commagene re- search, in 1968 Dörner conducted fieldwork in Commagene from the 1930s onwards and was director of the excavations at the royal residence of Arsameia on the Nym- phaios He established the Forschungsstelle as a homestead for further research in and about the area In subsequent decades, the institute inspired new generations of schol- ars to examine the epigraphy, history, and archaeology of Commagene across the wid- est spectra Its most recent project is the large-scale excavation of the ancient city of Doliche and the sanctuary of Jupiter Dolichenus

The conference grew out of the recent cooperation between the Forschungsstelle Asia Minor and a VICI project based at Leiden University entitled Innovating objects The impact of global connections and the formation of the Roman Empire (ca 200–30 BC) From its initiation in 2016, this collaboration has focused on unlocking the important legacy data of the rescue excavations that took place in Samosata, the capital of an- cient Commagene, between 1978 and 1989 The conference and this resulting book are among the many results of this Leiden-Münster axis that has developed so fruitfully during the last decade

Our initiative was received with great enthusiasm by the invited speakers and char- acterised by the lively discussions that were incited by their lectures We hope that this volume, through its many debates (sometimes even between individual contri- butions), has retained at least some of the intellectual energy of the Münster meeting Our aim was to provide a state-of-the-art overview of the history and archaeology of Hellenistic Commagene itself, while simultaneously exploring its wider Eurasian con- text structurally and in depth Taken together, the 21 papers we present in this volume are an ambitious response to that challenge We hope that the overview of the history

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and archaeology of the area combined with its contextualisation on local, regional, and global scales, which this book offers, will make Hellenistic Commagene into a much- used and lively debated subject for general discussions on the history and archaeology of the Hellenistic world, at last

The conference and the publication of this volume were made possible by the (fi- nancial) support of The Netherlands Organisation for Scientific Research (NWO), the cluster of excellence “Religion and Politics”, Münster University, and the Histo- risch-Archäologischer Freundeskreises Münster e V We are most grateful to all of them, as well as to Josef Wiesehöfer and the other editors of Oriens et Occidens for welcoming this volume into their distinguished series, and to Steiner Verlag for their important help with the swift publication

Münster & Leiden, February 2021

Michael Blömer, Stefan Riedel, Miguel John Versluys & Engelbert Winter

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Hellenistic Commagene between Particularism and Universalism

Miguel John Versluys & Stefan Riedel

Introduction

The history and archaeology of Hellenistic Commagene is a rich field of study, all in its own right, not in the least because of the remarkable monuments and inscriptions of king Antiochos I (who ruled between ca 70 and 36 BCE) that could be said to have dominated the Commagenian landscape and its scholarly study until the present day Over the last decades, important work has been published that is now slowly replacing, so it seems, the earlier communis opinio on Commagene as formulated in the founda- tional work by scholars like Friedrich Karl Dörner, Theresa Goell, Wolfram Hoepfner and Jörg Wagner 1 We identify two different developments, in that respect On the one hand important new work has been done on Commagene proper, providing novel in- terpretations of the epigraphical and historical record2 or the archaeological data and individual sites 3 On the other hand, scholars have tried to better understand ancient Commagene not by zooming in on the region or the Orontid dynasty, but rather by zooming out to the wider Mediterranean and Near Eastern context of their reign and its cultural products 4

1 Hoepfner 1983; Dörner 1987; Wagner 1987; Sanders 1996 For a brief overview of the Kommagene Forschung see Versluys 2017, 41–45 and, for specifically the ‘hybrid’ Antiochan style, Versluys 2017, 191–199

2 For instance: Facella 2006; Crowther – Facella 2014; Jacobs 2017; to only give a single, representa- tive example for each author

3 Representative examples include: Blömer 2012; Brijder 2014; Winter 2017 4 Representative examples include: Kropp 2013; Versluys 2017; Riedel 2018

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Fig. 1 Map of Eurasia indicating locations dealt with in this volume and their geographical references to Commagene, © J Porck, Faculty of Archaeology, Leiden University From all this work, a very different picture now seems to emerge A picture in which Hellenistic Commagene is no longer understood as the peripheral and out-of-the- ordinary, but as an important node in a large Hellenistic network, a “Common Dwell- ing Place” in all respects 5 Given its strategic position in that network, at the interface of the Mediterranean (or western Afro-Eura sia) and the Near East (or central Af- ro-Eurasia), Commagene might perhaps even have been exemplary of socio-cultural developments in a Hellenistic oikumene that stretched from the Atlantic to the Oxus Building on this exciting development, and including almost all of its key discussants, the present volume aims to provide a critical evaluation of all these new data and ideas on the basis of a state-of-the-art overview for the history and archaeology of Hellen- istic Commagene As such, the first objective of this book is to take stock of the new, dynamic and more international phase of the Kommagene-Forschung and thus add to its fruitful continuation Our second aim is to explore the wider Eurasian context of Hel- lenistic Commagene structurally and more in depth, on both a regional and a global scale 6 What did the Eurasian network that Hellenistic Commagene was part of look like? How did it function? And what was the relation between Commagene and other nodes in the network?

The focus of this book is the history and archaeology of Commagene in, roughly, the final two centuries BCE The term we use to indicate that time frame, ‘Hellenistic’,

5 For the Sonderstellung of Commagene as perceived by previous research, see Versluys 2017, 1–37 6 The wider context discussed by Kropp 2013 is mostly regional while the foci of his analysis are dy-

nastic images and monuments alone Versluys 2017 could be said to cast the net wider but limits its

‘global perspective’ largely to the wider Mediterranean It is therefore certainly true that that book detaches Hellenistic Commagene too much from its Iranian or Central Asian context; as is already explicitly acknowledged in the volume itself (Versluys 2017, 24 n 61) Strootman – Versluys 2017 was a first attempt to redress that imbalance; this book is the second

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is therefore meant to include the growing Roman influence in the region Comma- gene and its dynasty seem to have greatly profited from the Neuordnung des Orients by Pompey that resulted from the congress at Amisos in 65/64 BCE At that occasion, the important Euphrates crossing at Seleukeia on the Euphrates (Zeugma) was granted to Antiochos I As a result, Commagene further established itself as one of the richest kingdoms of the Hellenistic East and an important strategic player between the vola- tile Roman and Parthian Empires It seems that after Actium, when Seleukeia/Zeugma had been added to the province of Syria, things became rather different in terms of political influence, possibilities for dynastic self-presentation and economic dynamics Although members of the Orontid dynasty managed to remain highly connected to the main centres of power, like Rome, we see little repercussions of their role as cosmo- politan brokers in Commagene itself In that respect, it is telling that the last dynastic monument of the dynasty, the tomb of Philopappos (C Iulius Antiochos Epipha nes), is located in Athens After the final annexation of the kingdom in 72/73 CE, Comma- gene changed into a frontier province, with a Roman legion stationed at Samosata Although the history of Commagene and the area around Seleukeia/Zeugma in the first two centuries CE is, of course, strongly related to developments in the region in the first two centuries BCE, it seems clear that the Augustan period is a crucial tran- sition in many respects This book mainly deals with the period before the Augustan transition and uses the qualification ‘Hellenistic’ to indicate that focus

Hellenistic Commagene between Particularism and Universalism Central to all interpretations of the history and archaeology of Hellenistic Comma- gene, probably, explicitly or implicitly, are questions of cultural dynamics This is due to the fact that ‘inbetweenness’ seems to be the defining characteristic of what still is our main source material: the Antiochan project At Nemrud Dağ, for instance, there are clear references to both the Mediterranean and its history (in the form of Hel- lenism) as well as to Central Asia and its history (in the form of Persianism) 7 Addi- tionally, Antiochos I also qualifies himself as philorhomaios, next to the better known philhellene, which was already in use for a century at his time 8 Irrespective of their in- terpretations, scholars have struggled with accounting for this ‘multiculturality’ from the very beginning This is the conclusion the first, modern explorers of Nemrud Dağ, Carl Humann and Otto Puchstein, draw after an extensive presentation of the finds in their publication from the end of the 19th century:

7 For Persianism see Strootman – Versluys 2017 8 See Facella 2005

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“Allerdings können die Skulpturen des Antiochos keinen Anspruch darauf erheben, in einer Darstellung des Entwicklungsganges der allgemein-griechischen Kunst berücksich- tigt zu werden: dort haben sie weder durch ihre Wirkung auf die Folgezeit noch um ihrer eigenen künstlerischen Bedeutung willen einen Platz verdient […] Ihren Wert haben die- se Skulpturen daher nur für die Lokalgeschichte: sie müssen als Leistungen hellenisierter Barbaren geschätzt und als solche um so mehr beachtet werden […]” 9

Significant is the word Lokalgeschichte (local history) and the tension between local and global that becomes clear from this conclusion: while the cultural products of An- tiochos I ultimately are considered to be distinctly local it is acknowledged that they certainly depend on the much wider world of Greek art at the same time One feels exactly the same tension between local and global, between particularism and univer- salism, in the book by Andreas Kropp from the beginning of the 21st century, dealing with images and monuments of Near Eastern dynasts between 100 BCE and 100 CE 10 As one of the first to do so, his monograph studies Commagene and the Orontid dy- nasty in the regional context of other major players in the Near East in the period, like the Hasmoneans, the Nabateans, the Itureans and the Herodian dynasty Kropp convincingly shows that many structural parallels between all these dynasties exist in terms of making deliberate choices from a large Hellenistic repertoire (or koine) that also includes Roman and Persian references The analysis, therefore, clearly moves beyond Lokalgeschichte Still, his general characterisation of Hellenistic Commagene concludes:

“But the visual language of Antiochos I is too idiosyncratic and far removed from regional trends and traditions to allow for generalizations about what the statues of other dynasts might have looked like” 11

9 Humann – Puchstein 1890, 345 10 Kropp 2013

11 Kropp 2013, 87

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Fig. 2 Map of Commagene and its geographical position within the extended region ‘between’ Asia Minor, Syria, Armenia and Persia,

© J Porck, Faculty of Archaeology, Leiden University

A summarizing overview of the Forschungsgeschichte shows that indeed all scholars working on Hellenistic Commagene struggle with accounting for its ‘inbetweenness’, which they most often do in terms of ethnic or cultural character and identity Gener- ally, it can be concluded that there are two different ways of explaining Commagene’s

‘multiculturalism’ 12 There is a strong tendency, first, to link Hellenistic Commagene to a specific culture, understood as a distinct, exclusive and demarcated entity called, for example, Greek, Hellenistic, or Parthian Commagene should primarily belong to one of these ‘containers’, although, due to its ‘multiculturalism’, never in the pure form in which these cultures are imagined to exist Secondly, it is often argued that geo- graphical context is determining for those cultures and from that perspective Hellenis- tic Commagene would literally illustrate the blending of what is called East and West Both strands of interpretation put distinct ethnic, geographical or cultural ‘containers’

at the core of their explanatory model Could this be the reason that they continue to wrestle with integrating the local and the global in their interpretation? It is on pur- pose, therefore, that we have placed this methodological and theoretical problem at the very heart of this volume, and the conference on which is was based

12 Versluys 2017, 185–201 It is interesting to note that research from the 1950s and 60s seems to have had less difficulties with evaluating Commagene’s ‘inbetweenness’ on its own terms than later scholarship (Michael Blömer, personal comment)

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Within and Between – The Structure of the Book

Are there other models that perhaps do allow for an integration of the particular and the universal for Hellenistic Eurasia? How to account for the ‘inbetweenness’ of Hel- lenistic Commagene in a way that does justice to the local, the regional and what we could call the global? How to overcome ‘container-thinking’ in our study of the Hel- lenistic oikumene of which Commagene was part? These are, from a methodological and theoretical perspective, the overarching research questions for the present volume as a whole We have designed and structured its content accordingly

The first part of the book, therefore, is devoted to four theoretically orientated discus- sions that deal with questions of cultural complexity, ‘inbetweenness’ and ‘multicultur- alism’ in Hellenistic Eurasia in relation to what happens in Commagene We hope that, taken together, these papers help establishing a proper methodological framework for Commagene Studies They do so in addition to Kropp’s Images and monuments and Versluys’ Visual style and constructing identity that focussed on the regional and Med- iterranean-wide context, respectively13, by critically discussing and developing those initial ideas It is on purpose, therefore, that the papers in Part I are mainly engaged with the Iranian and Central Asian context, as an important addition to those earlier attempts 14

The second part of the book (called Within) focusses on the history and archaeo- logy of Hellenistic Commagene proper Invited experts deal with their specific exper- tise; from coins and architecture to ethnicity, religion and dynastic iconography; and from the phenomenology of landscape to new work on Samosata, the capital of Com- magene, and its legacy data Taken together, these essays not only present a state-of- the-art overview for the history and archaeology of Hellenistic Commagene, but also try to move beyond what remains one of our main methodological problems in terms of data: the over-representation of (the remains of) the Antiochan project 15

The third part of the book (called Between) tries to place Hellenistic Commagene in its regional and global Eurasian context Looking east, south and west, we have identi- fied eight Hellenistic contexts that serve to illuminate what happens in Commagene in terms of analogical reasoning, from Armenia to Nabataea and from the Italic peninsula to Seleucia on the Tigris

The overarching conclusion by an invited expert, but a scholar from outside the field of Commagene Studies proper, critically evaluates how successful the volume re-

13 Kropp 2013; Versluys 2017 14 See n 6 above

15 For this problem and its discontents see Blömer 2012; Versluys 2017, 108–184, in particular 137–141 172–184

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ally is in positioning Hellenistic Commagene between particularism and universalism and, importantly, what remains to be done, also in that respect

Before we will outline the content of the book more in depth and in terms of the dis- cussion above, we will first briefly elaborate on our key terminology: the pairing of particularism and universalism or, in other words, the interplay between the local (Within) and the global (Between)

Beyond East & West – Thinking with Globalization

Globalization is a debate on how to understand and study complex connectivity 16 It is not about homogenisation, as is often still thought, but about the interaction between the local and the global What we call ‘global’ is as much constituted by the particular as it is by the universal as when the global is brought to the local level, the local becomes global simultaneously Globalization, therefore, is inherently glocalization and there- fore always and automatically about the interplay between the universal and the par- ticular 17 Thinking with globalization implies that understanding the (socio- cultural) character and identity of a person, artefact, region, dynasty, style or even empire is not about choosing for the one cultural container versus the other; not about trying to measure the degree to which people, objects or socio-cultural phenomena would be- long to a specific culture Instead, research questions focus on the impact of connectiv- ity and, hence, not on traditions but on the invention of traditions; not on communities but on imagined communities; et cetera Thinking in terms of intense connectivity and hence a continuous interplay between the local and the global for our study of the Hel- lenistic world directs us to the importance of its social imaginaries 18 One of the effects of this continuous interplay was the ‘disembedding’ of all kinds of (socio-cultural and religious) elements, which moved between a concrete, tangible, and local context and a more abstract or global level Things that we call Greek or Persian or Roman (et cetera) in the final two centuries BCE travelled widely, thereby often changing in meaning By being used in different contexts, they often lost their geographical and cultural speci- ficity and developed into ‘cultural scenarios’ 19 They were, in other words, ‘unmarked’

from their origin (or universalised) and subsequently appropriated and made to work in different contexts for different purposes (or particularised) In characterising these

16 See Pitts – Versluys 2015b and Hodos et al 2017, 1–65 for definitions, debates and bibliography 17 See Riedel 2018 for glocalisation and also grobalization The latter term combines the notions of

growing and globalization and is meant to investigate the force of globally spreading phenomena from their perspective

18 See already Stavrianopolou 2013 for how such a shift in perspective effectively rewrites the history of the Hellenistic world

19 Versluys 2017, 241–248 with examples and previous literature

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elements for our period, therefore, we should in fact always put geographical, ethnic or cultural denotations between inverted comma’s and talk about ‘Greek’ or ‘Persian’ or

‘Roman’ (et cetera) elements – and then explain what we mean by those terms As such, the concept of globalization is now widely used amongst scholars of Antiq- uity 20 It is the central point of departure, for instance, of Angelos Chaniotis’ recent his- tory of what he calls the Greek world, from Alexander to Hadrian (336 BCE – AD 138), a book tellingly entitled Die Öffnung der Welt Eine Globalgeschichte des Hellenismus in its German translation 21 For many it works well as hermeneutic strategy as it effec- tively takes us away from imagining the ancient world as consisting of distinct cul- tural containers (Commageneans, Greeks, Romans, Persians etc ) with their various interactions Globalization rather invites us to take intense connectivity and inherent multiculturalism as point of departure for our analyses Our interpretations thus shift from inter-cultural connectivity, with related acculturation-questions of who influenc- es whom and to what extent, towards intra-cultural connectivity, which sees all these cultural containers as relative and fluid, while simultaneously and fundamentally being part of a single, global Afro-Eurasian container 22 Intra-cultural connectivity still asks (fundamental) questions of connectedness, but it focusses on the functioning of the network; on understanding the frequency, strength, content and directionality of the ties that hold the Hellenistic world together; and on investigating local, particular ap- propriations from a global, universal repertoire It therefore goes beyond the zero-sum game that acculturation thinking implies and is much better suited to understand questions of identity and ‘inbetweenness’ 23 This is how thinking with globalization, we argue, can help us to move beyond East and West in the study of Hellenistic Comma- gene and integrate local, regional and global, Eurasian-wide scales of analysis 24

Within and Between – An Overview of the Content of the Book

As indicated above, the book purposefully starts with a set of contributions dealing with basic problems of conceptualizing ‘inbetweenness’ and ‘multiculturalism’ This is done through four detailed and theoretically rich case studies that not only deal with

20 Jennings 2011; Pitts – Versluys 2015a; Hodos et al 2017; Riedel 2018

21 Chaniotis 2018, 6: “Because of the interconnection of vast areas in Europe, Asia and North Africa, the Hellenistic world and the Roman Empire have justly been considered as early examples of Globalisation”; unfortunately, without any reference to the theoretical debate on the issue 22 For intra-cultural connectivity see Versluys 2017 and now Pitts 2019

23 For a discussion of Hellenistic and Roman Syria and the Near East as part of the global world of ancient Afro-Eurasia in general and from this perspective, see Versluys forthcoming

24 For important philosophical reflections on the interplay between the local and the global, the par- ticular and the universal, as an anthropological fact that has, throughout history, resulted in both the greatest catastrophes and innovations of mankind, see Safranski 2003

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Hellenistic Commagene from this perspective but simultaneously integrate discus- sions on comparable developments in other, in particular Near Eastern and Central Asian ‘global localities’

In her self-reflective contribution ‘Ai Khanoum God with Feet of Marble’ – Reading Ai Khanoum through Commagene, Rachel Mairs shows that the categorization of evi- dence that does not fit specific, basically disciplinary norms is not only a problem of Commagenian scholarship, but also characterizes the study of Ai Khanoum in Bactria She furthermore demonstrates that (French) scholarship on Commagene, especially Nemrud Dağ, had a direct influence on the conceptualisation of the ‘inbetweenness’ of Ai Khanoum Mairs’ experiment in ‘quote-switching’, whereby she applies comments originally made concerning Commagene to the situation in Ai Khanoum, neatly shows that the questions and issues addressed in this volume – although being centred on Hellenistic Commagene – are most relevant for the scholarship of other ‘inbetween’

localities exposing ‘multiculturalism’, as well Stefan R Hauser in his paper ‘Hellenized Iranians?’ – Antiochos I and the Power of Image takes up these ideas while focussing on Commagene and especially the Antiochan programme proper His contribution de- liberately considers Commagenian imagery in the context of the visual (material) cul- ture of the Arsacid Empire, thus adding the so far often lacking contemporary, eastern background to the study of Hellenistic Commagene Hauser argues that the Antiochan project, specifically the tomb-sanctuary on Nemrud Dağ, shares various aspects with the arts employed by the elites of the Arsacid Empire, which is also characterized by a conscious eclecticism By suggesting that the appropriation of ‘Persanite’ regalia and eastern concepts by Antiochos I could relate to the Arsacids more directly, he adds another important perspective to our understanding of Hellenistic Commagene and the ‘bricolage’ by Antiochos I, who, Hauser argues, addressed different audiences in- cluding other Hellenistic kings, regional dynasts as well as the Romans in an attempt to demonstrate his social standing, power and ambitions within a wider Eurasian Hel- lenistic koine The eastern, ‘Iranian’ components of Commagene’s dynastic-religious traditions are furthermore considered in-depth by Matthew P  Canepa, from again a different perspective, in Commagene Before and Beyond Antiochos I – Dynastic Identity, Topographies of Power and Persian Spectacular Religion His analyses highlight the his- torical role of the Armenian and especially Sophenian rulers of Commagene, before the independence of the kingdom, which are likewise appropriating Achaemenid tra- ditions in various ways In doing so, Canepa importantly adds a globalised eastern as well as a regional perspective to the debate, arguing for an interlocking of both We see an expression of this, he argues, in the ‘Persian’ elements in Hellenistic Commagene in particular, which would be mediated, in his view, through the former Orontids of Sophene evoking an Achaemenid legacy In this way, the “newly ancient kingdom” of Commagene capitalized on the prestigious Achaemenid legacy, but through regional developments; just as they did with Greco-Macedonian traditions Both were meant, Canepa argues, to address specific elites – in the time of Antiochos I mainly the Ar-

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sacids and the Romans – in an attempt at integrating Hellenistic Commagene in global networks both East and West The fact that it is indeed difficult to reconstruct and understand the integration of a specific locality into different (regional and global) networks simultaneously – not only for Commagene – is shown by Helen Fragaki in her essay entitled Reversing Points of Reference – Commagene and the Anfushy Necropo- lis from Alexandria in Modern Scholarship Her historiographic discussion focusses on what surely was, in terms of scale and impact, one of the most important nodes of Hellenistic Eurasia: Alexandria Discussing the Forschungsgeschichte of the Anfushy Necropolis from this cosmopolis, she unveils a fairly similar dichotomy in scholarship as has been observed for Commagene Whereas in the discussion of Commagenian monuments the ‘containers’ of ‘Greek’ and ‘Persian’ are often opposed, for Alexan- dria these are matched by ‘Greco-Macedonian’ and ‘Egyptian’ influences and concepts to set (and distort) the interpretative frame For Anfushy, the use and especially the combination of these culturally charged labels led to negative (and misleading) judge- ments of the tombs as they did not fit one of these two main, classical canons – a situa- tion well comparable to the (negative) evaluation of the Commagenian monuments By considering the use of such labels, Fragaki reveals their inadequacy for the study not only of Anfushy but of many, if not all, other places of the cosmopolitan Hellenis- tic world Instead of using these traditional, ‘classical’ labels as points of reference, she argues for a shift towards putting the new global centres – like Alexandria, Pergamon, Antioch but also Commagene – central in their own right

Taken together, the essays making up Part I of the volume clearly show how much can be gained from an exploration of Hellenistic Commagene (and its study) within a global, Eurasian perspective; for Commagene Studies itself but certainly also for Hel- lenistic archaeology and history in general Developments in Hellenistic Commagene are no isolated phenomena but rather integral, perhaps even exemplary parts of wider Eurasian phenomena

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Fig. 3 Map of Commagene, © J Porck, Faculty of Archaeology, Leiden University

After having discussed conceptual and theoretical frameworks for Hellenistic Com- magene as part of larger, Eurasian developments, the second part of this volume is de- voted to the history and archaeology of Commagene proper The seven contributions of Part II present a state-of-the-art overview that can serve as basis for further studies of the region Taken as a whole, the essays making up Part II contribute to all of the ongoing debates in the history and archaeology of Hellenistic Commagene; it is on purpose, therefore, that differences of opinion between authors have been maintained or even made explicitly clear

Already the first contribution of Part II addresses significant questions concerning the history of the Commagenian kingdom in combination with the presentation of new data Dealing with Sovereignty and Autonomy in the Hellenistic Coins of Commagene, Mar- gherita Facella provides a much needed review and discussion of the numismatic evi- dence, adding new, hitherto unknown specimen to the corpus of Commagenian coins The number of known coin-types and even coins from Commagene is comparatively low, which suggests a rather poor monetisation of the kingdom Coins and coin types are only increasing under the kingdom’s last ruler Antiochos IV around the middle of the first century CE; which is telling in several respects In this regard, especially the

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complete absence of silver coin-production from Commagene itself, be it royal or civic issues, indicates the large degree of integration of the kingdom in the wider Hellen- istic economic system, which is supported by Facella’s observations on Seleucid and Cappadocian silver coins that were found in the region Additionally, she shows that the Commagenian capital of Samosata was most probably granted the right to issue civic coins by Antiochos I as reward for withstanding the siege by Marc Antony This interpretation is based on new coin-types and Facella interprets this policy as indica- tive of a strong bond between the ruler and his capital rather than civic autonomy In the next contribution Werner Oenbrink re-evaluates The Late-Hellenistic Architecture of Commagene by re-assessing the known pieces and adding new finds from religious, dy- nastic and urban contexts His essay, partly summarizing his important work on the subject from the last decade, as it was published in German25, shows that on the one hand Commagenian architecture basically follows the canon of Hellenistic Asia Minor, but deviates from it in certain details on the other, allowing us to speak of a distinct Commagenian architecture rooted in ‘Greek’, i e Hellenistic Asia Minor, traditions However, some Commagenian architectural forms appropriate different styles, which makes it difficult to date them precisely Oenbrink suggests that the monumentalization of the kingdom might already have started in the early 1st c BCE, prior to the rule of An- tiochos I This hypothesis remains to be proven, but its importance lies in the fact that, amongst other things, it has the potential to move our evidence beyond the Antiochan programme Such a laudable attempt is also visible in the article of Lennart Kruijer and Stefan Riedel entitled Transforming Objectscapes in Samosata – The Impact of the Palatial Complex, providing an analysis of the palatial complex at Samosata which was excavated before the flooding of the site in 1989 due to the building of the Atatürk reservoir By combining the (known but never extensively published) finds with a re-consideration of the excavation’s legacy data and new methodological approaches, they are able to document a substantial change in the material culture of Commagene in the 1st c  BCE This excitation of Commagene’s ‘objectscape’ was characterised by the increased appro- priation of styles and iconographies from a global Hellenistic repertoire This is revealed by the genealogies of specific motifs used within the palatial complex and elsewhere in Commagene, which had already acquired different ‘global’ properties before they were appropriated by the Commagenian kings Interestingly the article by Canepa (as dis- cussed above) makes a similar argument concerning universalisation and subsequent particularisation for the domain of religion In terms of chronology, also Kruijer and Riedel prudently suggest a beginning of this development already before the reign of Antiochos I, in the early 1st c  BCE Be that as it may, that the overall monumentalization and especially the ambitious religious programme for the kingdom are for the most part to be connected with Antiochos I is underlined in Bruno Jacobs’ contribution entitled

25 Oenbrink 2017; Oenbrink 2019

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The Syncretistic Episode in Late-Hellenistic Commagene – The Greek-Persian Religious Con- cept of Antiochos I and the Ethnicity of the Local Population He takes the ‘syncretism’ in the Antiochan programme and the contested issue of its different target-groups as his starting point These have often primarily been identified with the rulers and elites of other kingdoms and empires, beyond Commagene, which were thought to be either rooted in ‘western’ or ‘eastern’ traditions To this discussion Jacobs usefully adds the Commagenian population, which he argues to have been capable of understanding the visual language and religious practices This leads Jacobs, contrary to a recent trend in Commagene Studies, to plead for a rootedness of the Antiochan project in the local population for which ‘Greek’ as well as ‘Iranian’ elements could be detected The ‘Irani- an’ component of religious practices in Hellenistic Commagene is further illuminated by Ab de Jong in his essay entitled Dynastic Zoroastrianism in Commagene – The Reli- gion of King Antiochos Based on the archaeological and especially epigraphical evidence from Commagene, he argues that the religious programme launched by Antiochos I lacks specific characteristics of Hellenistic ruler cult, whereas it shows significant simi- larities with Zoroastrian religion Defining four partly overlapping styles of Zoroastri- anism – familial, dynastic, imperial and priestly Zoroastrianism – de Jong interprets the religious role of Antiochos I, his dynastic programme and priests in the light of this religion, provokingly shifting the focus towards a fierce integration of Near Eastern/

Iranian perspectives on the developments within the Commagenian kingdom In turn, Rolf Strootman explores the (indeed understudied) connection of Antiochos I to the Seleucid dynasty looking at Orontid Kingship in its Hellenistic Context – The Seleucid Connections of Antiochos I of Commagene He contextualizes Hellenistic Commagene by looking at the developments in other post-Seleucid kingdoms, showing that Antio- chos I, his imagery and rhetoric can well be understood as reaction to the collapse of the Seleucid Empire and the struggles to fill in the power vacuum in its aftermath There- fore, not all allegedly ‘eastern’ elements appropriated by Antiochos – like the title ‘Great King’ – need to be understood as references to the Achaemenids, Strootman argues, but rather more immediate to the Seleucids In this way, Hellenistic Commagene would be directly and actively involved in the late-Hellenistic power struggles that characterised large parts of Eurasia; an important background for a proper understanding of the An- tiochan programme In the final contribution to Part II named Times, Echoes and Expe- rience – Perceiving the Landscape in Commagene, Anna Collar innovatively considers the perception of the Commagenian landscape by its inhabitants She argues for a specific role of the mountains in shaping something like a Commagenian identity As such, this identity would be rooted in the history and collective memory of both the elites and the ordinary people; something which could be capitalized upon e g by their Hellenistic kings In this regard, the mountaintop tomb-sanctuary of Antiochos I as well as other hierothesia (and temene) take advantage of this landscape perception It might therefore be regarded as (local) catalyst of the Antiochan programme itself while in turn contri- buting to the shaping of a nascent Commagenian identity

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We feel that the update and re-evaluation of the history and archaeology of Hellen- istic Commagene as presented in Part II underline the importance of contextualising the kingdom within the wider Eurasian Hellenistic world, as it shows in various ways how Commagenian developments relate to much wider – regional and global – phe- nomena and especially how its elites participated in this koine

It is to this wider Eurasian Hellenistic world that Part III turns Eight case studies deal- ing with ‘global localities’ east, south and west of Commagene were selected to gain a better understanding of how the Hellenistic world functioned as global system To- gether and on that basis, these case studies work towards determining the place and function of Commagene within that Eurasian network, on a local, regional and global scale

Looking east, Giusto Traina opens these comparative studies by discussing the imme- diate neighbour and dynastic relative of Commagene: Armenia and the ‘Orontid Con- nection’ – Some Remarks on Strabo, Geography 11,14,15 His contribution is concerned with the particular problem of Orontid kingship which is of utmost importance for the legitimization of the Commagenian kings, since they claim descent from the Ar- menian rulers Traina argues that this ‘Orontid connection’ was well suitable to embed the Commagenian kings in regional traditions and not only served to establish a link between Antiochos I and the Achaemenids; thus adding a firm regional component to Commagenian kingship and its display Moving further east, Lara Fabian in her paper Beyond and Yet In-between – The Caucasus and the Hellenistic Oikumene presents us with the South Caucasus Kura polities; a historical case which is comparable to Hel- lenistic Commagene in several respects Both emerge around the same period and the socio-cultural phenomena observed have unsettled scholars trying to make sense of these areas ‘inbetween’ in similar ways Both have been (and often still are) described as being on the margins and therefore largely incomparable to contemporary devel- opments in the main centres However, Fabian convincingly demonstrates – as this volume hopes to show for Commagene – that also the ‘marginalized’ region of the South Caucasus needs to be studied within the context of a wider Eurasian Hellenistic koine – from which likewise several appropriations can be detected – in order to over- come the inadequate view of incommensurability Moreover, her theoretical explora- tions of the concept of ‘inbetweenness’ significantly add to the debate central to Part I The interplay of local and global, which is at the core of many phenomena observable in almost any ‘locality’ of the Hellenistic period, is directly addressed by Vito Messina’s contribution Beyond Greece and Babylonia – Global and Local at Seleucia on the Tigris His revealing study of the material culture of Seleucia on the Tigris, a central hub in Hellenistic Babylonia, shows several phenomena that are closely comparable to what happens in Hellenistic Commagene Messina also makes clear how thinking in terms of, in his case, ‘Greek’ and ‘Babylonian’ traditions has distorted a proper understanding

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of what goes on He convincingly identifies Seleucia as being exposed to globalization and at the same time fostering it by appropriating from, transforming and (re-)emit- ting to the repertoire provided by the Hellenistic koine – be it the ‘Hellenistic main- stream’ or more local and regional Babylonian traditions

In Looking south, similar observations regarding the appropriation from a universal Hel- lenistic koine, and hence the integration of the particular and the universal, are made by Orit Peleg-Barkat Focussing on Herodian Art and Architecture as Reflections of King Herod’s Many Faces, she presents a case study of someone who was seemingly a truly global player and in many aspects directly comparable to Antiochos I Being ‘caught up’ between global trends and local traditions, the architecture of Herod unveils his

‘code-switching’, which can be regarded as both a necessity and an opportunity offered by particularizing from the universal repertoire(s) at his disposal Peleg-Barkat shows that the utilization of different artistic and architectural styles appropriated by Herod shared a major characteristic with the Antiochan programme: to communicate the rul- er’s claims and position to a varied audience, from the local population to the peers of other late-Hellenistic dynasts to the rising power that is Rome The apparent issue of local traditions (and identities?) within ever-changing supra-regional, i e global trends and developments is also seized upon by Stephan G  Schmid, dealing with the Nabatean kingdom in his essay entitled Was There a Nabatean Identity – And If Yes, How Many? He addresses the core question of how material culture helps to understand the self-definition of local groups in demarcation from others – a major aspect concerning (local) responses to globalization Focussing on the distinctive sculpture and espe- cially pottery within the Nabatean kingdom Schmid identifies the painted fine ware as specific marker for identity-building processes In this regard, the material culture bears witness to the importance of feasting which was common throughout the entire kingdom, across social strata and probably connected to specific rites fostering what might be called a Nabatean identity-system These multi-layered processes of identi- ty-building are well comparable to developments observed in Commagene, especially on Nemrud Dağ, and elsewhere in the Hellenistic world, and are inevitably interwo- ven with the demands of integrating particularisation and universalisation to face a globalizing environment

Looking west, Christoph Michels compellingly contextualizes the Commagenian king- dom within other smaller dynastic kingdoms in Asia Minor by looking at ‘Achaemenid’

and ‘Hellenistic’ Strands of Representation in the Minor Kingdoms of Asia Minor The fo- cus of his study is the appropriation of ‘Greek’ and ‘Achaemenid/Persian’ traditions, which he traces not only in Commagene but also in Pontos, Cappadocia, Bithynia and Armenia Michels detects not only similarities, but also differences in the embedding of Hellenistic kingship, illuminating that each ruler – although appropriating from a very similar global Hellenistic repertoire – chose the styles, measures and ideas ac-

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cording to his very specific needs and desires He also argues that these developments did not necessarily originate in the Hellenistic period, since such ‘glocalization’ can already be observed in the identity-building of the late-Achaemenid satraps of Asia Minor The last two contributions of Part III importantly consider phenomena that are not exclusively royal and take the contexts of Greece and the Italian peninsula as their starting point for putting Hellenistic Commagene in perspective In her contribution Delos Beyond East and West – Cultural Choices in Domestic Architecture, Monika Trümper addresses the important question of choices of cultural styles and strategies for the Delians Discussing the problems to identify these strategies, she shows how certain agents appropriated styles that were associated with different cultural backgrounds In her analysis, she skilfully detects varying degrees of rootedness in local traditions on the one hand and globalizing tendencies on the other Taken together, the choices result in ‘glocal’ Delian solutions and particularities The analysis thus contributes to the understanding of how ‘ordinary’ (but still well-connected) people made both use and sense of their rapidly changing environment in the Hellenistic period according to their possibilities and desires, just as e g the rulers and elites further east, like in Commagene Finally, Annette Haug explores Decoscapes in Hellenistic Italy – Figurative Polychrome Mosaics between Local and Global and thus the phenomenon of the spread of styles and iconography through the Hellenistic network by investigating Hellenis- tic Italy Focussing on figurative polychrome mosaics depicting fish or marine worlds, she explores the local implementations of widespread Hellenistic forms and iconogra- phies These are tied to specific contexts as defined by the agents’ spatial and social connectedness Haug shows that the use of the mosaics discussed reflects an active participation in Hellenistic cultural practices in Italy and – in terms of fish mosaics – as far east as Commagene, thus intensifying the Hellenistic network as part of which Commagene needs to be understood

The comparative exercise undertaken in this final part of the book contributes sig- nificantly, we think, to a better contextualisation of what happens in Hellenistic Com- magene Together with the contributions in Part I and II, it shows that Commagene was a well-connected node within a global Hellenistic world from which it took and to which it added

Outlook

On the basis of the overview presented in this book, let us conclude by suggesting some prospects for Commagene Studies in the future The rich tableau of papers here assembled not only presents the status quo of research on Commagene, but also constitutes a first coherent attempt to put the kingdom and its monuments in a local, regional and global perspective simultaneously One of the main conclusions must be that our knowledge about Hellenistic Commagene still is relatively limited

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and that much work remains to be done 26 The large number of royal inscriptions and the wealth of information they provide, as well as the suggestive power of the mate- rial culture commissioned by Antiochos I conceal the actual scarcity of information on Hellenistic Commagene at hand Many contributions illustrate how the available sources in fact leave us in the dark about crucial matters, such as the early stages of Commagenian history; its material culture beyond the Antiochan project; the lived reality of its religion; the ethnic and cultural affiliations and social stratification of the people living in Commagene; as well as the impact of changing economic and political networks A key problem here is the (perhaps surprising) lack of unbiased evidence from archaeological surveys and excavations It is important to realise that the era of intensive fieldwork in Commagene came to an end already in the late 1960s In the 1980s, the salvage operations at Samosata offered a unique opportunity to explore the royal capital, but the scope of this work was constrained by limited time and resources Various attempts to resume research at Nemrud Dağ remained largely unfinished 27 In the meantime, important new monuments and sites have been identified and studied in many parts of Commagene, but these were mostly chance finds and never resulted in comprehensive follow-up research projects 28

As a result, all interpretations of Hellenistic Commagene ultimately have to refer back to a dataset assembled and published in the early phases of Commagene Stud- ies Moreover, despite the increase in scholarly attention for Commagene over the last decades, no settlement in the region has been properly excavated or investigated The Münster excavations at Arsameia on the Nymphaios mainly targeted the hierothesion The question whether the royal monuments were at the heart of a city, as Antiochos claims in his inscriptions, must remain unsettled – but no traces of a Hellenistic city have been found No research has been conducted at Arsameia on the Euphrates, at all At Perrhe, a large urban site at the heart of Commagene, the Adıyaman Museum had started piecemeal investigations in the 2000s, but the layout and character of the settlement in the Hellenistic (and Roman) period remain obscure 29 Minor places like Ancoz, Selik, Palaş, Kilafik Höyük, Sofraz, Boybeypınarı, and the only recently identified site near Güzelçay, have yielded evidence for the existence of sanctuaries for (again) the ruler cult of Antiochos, but virtually nothing is known about the archaeo- logical contexts; in some cases, not even the exact location of the findspots can be

26 See n 15 above

27 See Brijder 2014 for the international Nemrud Dağ Project from the beginning of the 21st century as well as Şahin Güçhan 2011 for the subsequent Turkish Nemrut Conservation and Development Program

28 For some of the most important new discoveries in Commagene since the 1970s, see Wagner – Petzl 1976 (Sofraz stele); Şahin 1991 (Damlıca sanctuary); Crowther – Facella 2003 (Zeugma ste- le); Wagner – Petzl 2003 (Ancoz fragments); Crowther – Facella 2014 (Güzelçay sanctuary) 29 Eraslan – Winter 2008 provide an overview of the site; see also Eraslan 2016

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retraced 30 Major exceptions are Zeugma and Doliche, where ongoing large-scale exca- vations projects yield important new information about urban life and material culture of North Syria in Antiquity 31 Both cities were under the sway of king Antiochos I, but they were located outside of Commagene proper and the extent to which the picture that emerges from these excavations can be transferred to the Commagenian heartland remains unclear – and needs to be tested

To conclude, for these reasons there is an urgent need to initiate a new phase of modern archaeological research, in which the new questions, methods, and approach- es that were recently developed in Commagene Studies (and beyond) constitute the main point of departure This should certainly include intensive surveys and targeted excavations at the sites that are already known Moreover, large parts of Commagene have never been surveyed at all (or only very provisionally) and need to be investigated in order to compile the first reliable archaeological map This is, in fact, a most urgent desideratum since the fast development even of remote mountain regions is about to obliterate all kinds of archaeological remains A second promising avenue of new re- search is the reassessment of the extant evidence (legacy data) in combination with archival studies First attempts in this direction, like the work by Lennart Kruijer and Stefan Riedel on the data from the Samosata rescue excavations or the reassessment of the archaeological and architectural evidence from various hierothesia by Werner Oenbrink (for both vide infra) have already yielded promising results The archives of institutions and scholars that were active in Commagene, like the Dörner Archive at the Forschungsstelle Asia Minor in Münster, contain a substantial amount of rich mate- rials that should be used to calibrate and refine our knowledge In sum, there is great potential for the future of Commagene Studies, as this book hopes to illustrate in a variety of ways 32

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Wagner – Petzl 2003: J Wagner – G Petzl, Relief- und Inschriftenfragmente des kommagenischen Herrscherkultes aus Ancoz, in: G Heedemann – E Winter (eds ), Neue Forschungen zur Re- ligionsgeschichte Kleinasiens, AMS 49 (Bonn 2003) 85–96

Winter 2017: E Winter (ed ), Vom eisenzeitlichen Heiligtum zum christlichen Kloster Neue Forschungen auf dem Dülük Baba Tepesi, AMS 84 = Dolichener und Kommagenische Forschungen 9 (Bonn 2017)

Miguel John Versluys

Professor of Classical and Mediterranean Archaeology/PI of the VICI-project Innovating Ob- jects The Impact of Global Connections and the Formation of the Roman Empire (ca 200–30 BC) Leiden University

m j versluys@arch leidenuniv nl Stefan Riedel

Post-Doc in the VICI-project Innovating Objects The Impact of Global Connections and the For- mation of the Roman Empire (ca 200–30 BC)

Leiden University s riedel@arch leidenuniv nl

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Theoretical and Conceptual Introductions

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Reading Ai Khanoum through Commagene Rachel Mairs

Stone Foot Variations

It became apparent at the Beyond East and West conference in Münster that specialists in the material culture of distant regions of the Hellenistic world have been engaged in a process of circular reasoning To explain how this came to be so, it may be useful to examine our scholarly biographies I began my own academic life working on Hellen- istic Egypt When I first began to conduct research on Hellenistic Bactria, and within that more specifically on the city of Ai Khanoum, it was natural for me to look to oth- er regions of the Hellenistic world for comparanda, to help me understand complex cultural and ethnic interactions in a region whose material culture was less well pre- served, and where there was very little epigraphic, documentary or historical evidence I recall my PhD supervisor at Cambridge, Dorothy Thompson, telling me about her visit to Nemrud Daǧ, and recommending that I look at the publications of sculpture and inscriptions from the site, as a route into thinking about how religious syncretism worked in practice This was long before the recent flurry of publication on Hellenistic Commagene and Nemrud Daǧ, so I was reliant on the work of Theresa Goell, in par- ticular the publication of her excavations by Donald Sanders 1 I found Nemrud Daǧ was indeed a productive route into thinking about how cultures and ideas interact on an intimate, practical level, in a man of mixed descent’s construction of his own public identity The way I came to conceive of Ai Khanoum was heavily influenced by what, from the then-available publications, I understood about Nemrud Daǧ

Others have been engaged in similar processes Not necessarily with the same sites – Nemrud Daǧ and Ai Khanoum – and in the same direction – from West to East – but seeking parallels, historical or structural, between contexts of complex cultural inter-

1 Sanders 1996

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